| 1 |
¾É¨¥ Introductions
½Òµ{Á`½× Course Overview |
²Ä1¦¸®a®x§@·~ (PDF) Homework 1 (PDF)
µ¹§Ú¼g«H Letter to me
Didion, Updike, Menand¡]Á¿¸q¡^ Didion, Updike, Menand (handouts) |
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| 2 |
³Ð³y¤O¡G°Ê¾÷±À°Ê¤O»PÆF·P Creativity: Motivation and Inspiration
¼g§@¡Gªí¹F»P·P¨ü©Ê Writing: Voice and Sensibility
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²Ä2¦¸®a®x§@·~ (PDF) Homework 2 (PDF)
Fraser, Walker, Pollack
¶}©l¼g¤é»x (PDF) Begin Journals (PDF) |
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| 3 |
³Ð³y¤O¡G³Ð³y¤O¿³²±¡]©Î¤£¿³²±¡^ªºÀô¹Ò Creativity: Circumstances in which Creativity Flourishes (or doesn't)
¼g§@¡G¤å³¹¥DÃDªº¤¸¯À»P·Qªk¡F¾É¨¥»Pµ²½×¡F´yz»P·Q¹³¡F¤Hª« Writing: Elements of the Essay-theme vs. Idea; Introductions and Conclusions; Description and Imagery; Characters
ºë¯«¤ÀªR¤è±ªºI´º Background on Psychoanalysis
¤¶²Ð¡m½s»RªÌ¡n Introduce Dancemaker
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²Ä3¦¸®a®x§@·~ (PDF) Homework 3 (PDF)
Hawthorne©M Jung Hawthorne and Jung |
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| 4 |
Æ[¬Ý¡m½s»RªÌ¡nªº¿ý¼v(Paul Taylor) Video Dancemaker (Paul Taylor)
³Ð§@¬O¤@ºØªÀ·|¦æ¬°¡F³Ð§@¬O¤@ºØ¨Å骺¦æ§Î¬°¡G®£Äß¡B§Ö¼Ö©M§é¿i³£¬O³Ð³y¶iµ{ªº¤@³¡¤À Creating as a Social Act; Creating as a Physical Act; Fear, Joy, and Suffering as part of Creative Process
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²Ä4¦¸®a®x§@·~ Homework 4
¦¬¶°§@¤å1ªº·Qªk (PDF) Gather ideas for Essay I (PDF) |
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| 5 |
°Q½×¡m½s»RªÌ¡n Discuss Dancemaker
°Q½×Hawthorne ©Mand Jung¡GÃÀ³N®aªº®öº©·Q¹³ Discuss Hawthorne and Jung: the Romantic Vision of the Artist
¥æ¬y¹ï§@¤å1ªº¬Ýªk Play with ideas for Essay I
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²Ä5¦¸®a®x§@·~ Homework 5
§@¤å1ªº¯ó½Z Draft of Essay I |
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| 6 |
¨âÓ¤H¬°¤@²Õ¶i¦æªº§@¤å½×¤å1¬ã°Q·| Workshop Essay I in Pairs |
²Ä6¦¸®a®x§@·~ (PDF) Homework 6 (PDF)
Sacks, McAuliffe, Gladwell Sacks, McAuliffe, Gladwell |
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³Ð³y¤O¡G³Ð·s«¬ªº®ð½è¡X¡X¥¦¦s¦b¶Ü¡H·Q¹³»Pª¾ÃÑ Creativity: The Creative Temperament - Does it Exist?; Imagination and Knowledge
¼g§@¶E©Ò¡G¾É¨¥ Writing Clinic: Introductions
¤¶²Ð§@¤å2 Introduce Essay II
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²Ä7¦¸®a®x§@·~ (PDF) Homework 7 (PDF)
¾\ŪMurrayªº§@«~ Read Murray
×§ï§@¤å1 Revise Essay I |
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| 8 |
Æ[¬Ý¡mMaya Lin¡nªº¿ý¼v Video Maya Lin
·Q¹³¡F½Ä¬ð¡F°í«ù¡F«i®ð Vision; Conflict; Persistence; Courage
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²Ä8¦¸®a®x§@·~ (PDF) Homework 8 (PDF)
¶}©lŪ¡m³Ð³yªº«i®ð¡n Begin Courage to Create
´N¡mMaya Lin¡n¼g¤é»x Journal entry on Maya Lin
¤U¸`½Ò¥æ§@¤å2ªº´£®× Proposal for Essay II due to next class
¹q¼v¦Cªí (PDF) Film List (PDF) |
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| 9 |
°ÑÆ[¹Ï®ÑÀ]¡GµJÂI¬ã¨s¡F¹B¥Î¹q¤l¸ê·½;¦b³Â¬Ù²z¤u¾Ç°|¨Ï¥Î¹Ï®ÑÀ] Library Visit: Focusing Research; Using Electronic Resources; Using the Libraries at MIT |
²Ä9¦¸®a®x§@·~ (PDF) Homework 9 (PDF)
§¹¦¨¡m³Ð³yªº«i®ð¡n Finish Courage to Create
¡]¼í¦â§@¤å1¡^ (Polish Essay I)
§@¤å2ªº×qª© (PDF) Essay II Revision (PDF) |
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| 10 |
¼g§@¡G²z½×»P©w¸q Creativity: The Psychoanalytic Approach; Existentialism
°Q½×Rollo May©M¡mMaya Lin¡n Discuss Rollo May and Maya Lin
³Ð³y¤O¡Gºë¯«¤ÀªRªº¤èªk¡F¦s¦b¥D¸q Writing: Theories and Definitions
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²Ä10¦¸®a®x§@·~ (PDF) Homework 10 (PDF)
Hirschberg Hirschberg |
§@¤å1¡G¡mµu´Á¤½¥Á¡n (PDF)¡]¥ÑRene De Santiago´£¨Ñ¡CÀò±o¤¹³\¨Ï¥Î¡C¡^ Essay 1: A Transient Citizen (PDF) (Courtesy of Rene De Santiago. Used with permission.)
§@¤å2¡G¡m©]¦±9¡AB°¤p½Õ1¡n (PDF)¡]¥Ñ°Î¦W¾Ç¥Í´£¨Ñ¡CÀò±o¤¹³\¨Ï¥Î¡C¡^ Essay 2: Nocturne Op. 9 No. 1 in B-flat Minor (PDF) (Courtesy of an Anonymous Student. Used with permission.)
§@¤å3¡G¡m¿W¦Ûª±Aª±ªº«Ä¤l¡n(PDF)¡]¥ÑEleojo Ocholi´£¨Ñ¡CÀò±o¤¹³\¨Ï¥Î¡C¡^ Essay 3: The Child Playing Alone (PDF) (Courtesy of Eleojo Ocholi. Used with permission.)
§@¤å4¡G¡m¤H©Ê¤Æªº³Ð³y¡n(PDF)¡]¥ÑOmri Schwartz´£¨Ñ¡CÀò±o¤¹³\¨Ï¥Î¡C¡^ Essay 4: Anthropomorphized Creativity (PDF) (Courtesy of Omri Schwartz. Used with permission.)
§@¤å5¡G¡m¼vÅT»P³Ð³y¡n(PDF)¡]¥ÑRene De Santiago´£¨Ñ¡CÀò±o¤¹³\¨Ï¥Î¡C¡^Essay 5: Influence and Creativity (PDF) (Courtesy of Rene De Santiago. Used with permission.)
§@¤å6¡G¡m¥ìÂÄ¥d®q¡n(PDF)¡]¥ÑConstantinos Melachrinos´£¨Ñ¡CÀò±o¤¹³\¨Ï¥Î¡C¡^ Essay 6: Ithaca (PDF) (Courtesy of Constantinos Melachrinos. Used with permission.) |
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³Ð³y¤O¡G°Q½×Hirschberg¡G²Õ´¤¤ªº³Ð³y¤O ¥J²Ó¦a¬ãŪ¡G¤å¥»»P¹q¼v Creativity: Discuss Hirschberg: Creativity in Organizations
Close Reading: Texts and Movies
¤é»x¤À¨É Share Journals
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²Ä11¦¸®a®x§@·~ (PDF) Homework 11 (PDF)
¬ã¨s±MÃD¡G§A©Ò¿ï¹q¼vªº·§n Research Project: Précis of your movie
§tª`¸Ñªº°Ñ¦Ò®Ñ¥Ø Annotated Bibliography
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| 12 |
¤À¨É¾\Ū±ð·§¨Ã´£·Ò¥LÌ Share Précis and Refine them
¦³Ãö¹q¼vªº¦Û¥Ñ¼g§@ Free-write on Movie
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²Ä12¦¸®a®x§@·~ (PDF) Homework 12 (PDF)
¬ã¨s±MÃD¡G±a³Ì¤Ö¨âºØ¸ê®Æªºµ§°O¨ì½Ò°ó¤W Research Project: Bring notes on at least 2 sources to class |
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| 13 |
¤p²Õ¬ã°Q Small Group Work on Research
¥þ¯Z¡G¬ã¨s°ÝÃD»PºÃ°Ý Whole Class: Research Problems and Questions
t³d¦a¨Ï¥Î¸ê·½ Using Sources Responsibly
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²Ä13¦¸®a®x§@·~ (PDF) Homework 13 (PDF)
§@¤å2ªº¯ó½Z¡G¦b²Ä14¸`½Ò«e¦V¤p²Õ¦¨û®i¥Ü Draft of Essay II: post to group before Session 14 |
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| 14 |
¥H¤p²Õ§Î¦¡¶i¦æªº¦³Ãö§@¤å2ªº¬ã°Q·| Workshop Essay II in Small Groups
¶i¦æ¦³Ãö§@¤å2ªº°Q½× Set up Conferences on Essay II
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²Ä14¦¸®a®x§@·~(PDF) Homework 14 (PDF)
Koestler Koestler |
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| 15 |
¦³Ãö§@¤å2ªº¥þ¯Z¬ã°Q·|¡]¤T½g§@¤å¡^ Workshop Essay II as a Class (3 Essays) |
²Ä15¦¸®a®x§@·~ (PDF) Homework 15 (PDF)
Boden Boden |
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| 16 |
¼g§@¶E©Ò¡F½×ÃD¡F¾ã¦X¤Þ¤å Writing Clinic: Thesis; Integrating Quotations
¤¶²Ð§@¤å3 Introduce Essay III
¤À¨É¤é»x Share Journals
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²Ä16¦¸®a®x§@·~ (PDF) Homework 16 (PDF)
×§ï§@¤å2 Revise Essay II
¦b²Ä18¸`½Ò«e¥æ Due before Session 18 |
§@¤å1¡G¡mP±o¨ì¶V¦h¡B´Á«Ý¶V¦hªº¤H¡n(PDF)¡]¥ÑMichelle Aquing´£¨Ñ¡CÀò±o¤¹³\¨Ï¥Î¡C¡^ Essay 1: To Whom Much Is Given, Much Is Expected (PDF) (Courtesy of Michelle Aquing. Used with permission.)
§@¤å2¡G¡mRon Howardªº¬üÄR¤ßÆF¡n(PDF)¡]¥ÑPaul Estrada´£¨Ñ¡CÀò±o¤¹³\¨Ï¥Î¡C¡^ Essay 2: The Beautiful Mind of Ron Howard (PDF) (Courtesy of Paul Estrada. Used with permission.)
§@¤å3¡G¡mºë¯«¤Àµõ¯gªº³Ð³y¤O¡n(PDF)¡]¥ÑPaul Estrada´£¨Ñ¡CÀò±o¤¹³\¨Ï¥Î¡C¡^ Essay 3: Schizophrenic Creativity (PDF) (Courtesy of Paul Estrada. Used with permission.)
§@¤å4¡G¡m¬ï¹L¼o¼V¡n(PDF)¡]¥ÑSergio Haro´£¨Ñ¡CÀò±o¤¹³\¨Ï¥Î¡C¡^ Essay 4: Through the Ruins of What Once Was (PDF) (Courtesy of Sergio Haro. Used with permission.)
§@¤å5¡G¡mGlenn Gould¡X¡X¥j©ÇªºÃÀ³N®a¡n(PDF)¡]¥ÑMatthew Harrington´£¨Ñ¡CÀò±o¤¹³\¨Ï¥Î¡C¡^ Essay 5: Glenn Gould, the Eccentric Artist (PDF) (Courtesy of Matthew Harrington. Used with permission.) |
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³Ð³y¤O¡G¥¦¬O¦p¦óµo¥Íªº Creativity: How it Happens
°Q½×Koestler ©M Boden Discuss Koestler and Boden
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²Ä17¦¸®a®x§@·~ (PDF) Homework 17 (PDF)
§@¤å3ªº´£®× (PDF) Proposal for Essay III (PDF) |
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| 18 |
¼¶¼g´£®×¬ã°Q·N¨£¨Ãºë·Ò¥¦Ì Work with Proposals and Refine Them
¼g§@¶E©Ò¡GÂà§é¡F¥y¤l Writing Clinic: Transitions; Sentences
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²Ä18¦¸®a®x§@·~ (PDF) Homework 18 (PDF)
§@¤å3ªº¯ó½Z¡G¦b²Ä19¸`½Ò«e®i¥Ü Draft of Essay III: post before Session 19 |
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| 19 |
¥H¤p²Õ§Î¦¡¶i¦æ§@¤å3¬ã°Q·| Workshop Essay III in Small Groups |
²Ä19¦¸®a®x§@·~ (PDF 1) Homework 19 (PDF 1) (PDF 2)
§¹¦¨¤é»x Complete Journals
¤fÀY³ø§iªº´£®×¡G¦b²Ä20¸`½Ò«e¥Î¹q¶lµoµ¹§Ú Proposal for Oral Presentation: e-mail to me before Session 20 |
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| 20 |
¥þ¯Z¶i¦æ§@¤å3¬ã°Q·|¡]¤T½g§@¤å¡^ Workshop Essay III Whole Class (3 Essays) |
²Ä20¦¸®a®x§@·~ (PDF) Homework 20 (PDF)
×§ï§@¤å3¡A¦b²Ä21¸`½Ò«e¥æ Revise Essay III due before Session 21 |
§@¤å1¡G¡mÃÀ³N®a¡n(PDF)¡]¥ÑMichelle Aquing´£¨Ñ¡CÀò±o¤¹³\¨Ï¥Î¡C¡^ Essay 1: The Artist (PDF) (Courtesy of Michelle Aquing. Used with permission.)
§@¤å2¡G¡m¥¼ª¾ªº¤O¶q²`³B¡n(PDF)¡]¥ÑBrittany A. Jones´£¨Ñ¡CÀò±o¤¹³\¨Ï¥Î¡C¡^ Essay 2: Powerful Depths of the Unknown (PDF) (Courtesy of Brittany A. Jones. Used with permission.)
§@¤å3¡G¡m®·®»¬üÄR¡n(PDF)¡]¥Ñ°Î¦W¾Ç¥Í´£¨Ñ¡CÀò±o¤¹³\¨Ï¥Î¡C¡^ Essay 3: Capturing Beauty (PDF) (Courtesy of Anonymous Student. Used with permission.)
§@¤å4¡G¡m¨Ó¦Û¦a¤Uªº·Qªk¡n(PDF)¡]¥ÑEleojo Ocholi´£¨Ñ¡CÀò±o¤¹³\¨Ï¥Î¡C¡^ Essay 4: Ideas From the Underground (PDF) (Courtesy of Eleojo Ocholi. Used with permission.)
§@¤å5¡G¡m¸Ñ¨M¤èªk¡n(PDF)¡]¥ÑStephen Oglesby´£¨Ñ¡^ Essay 5: The Solution (PDF) (Courtesy of Stephen Oglesby. Used with permission.)
§@¤å6¡G¡m³o¬O³J¿|¡n(PDF)¡]¥ÑSebastian Castro´£¨Ñ¡CÀò±o¤¹³\¨Ï¥Î¡C¡^ Essay 6: It's the Cake (PDF) (Courtesy of Sebastián Castro. Used with permission.)
§@¤å7¡G¡mµû½×Koestler©M Boden¡n(PDF)¡]¥ÑRafael Maldonado´£¨Ñ¡CÀò±o¤¹³\¨Ï¥Î¡C¡^ Essay 7: Essay on Koestler and Boden (PDF) (Courtesy of Rafael Maldonado. Used with permission.)
§@¤å8¡G¡m·nºu¼Ö©M³Ð³y¤O¡n(PDF)¡]¥ÑConstantinos Melachrinos´£¨Ñ¡CÀò±o¤¹³\¨Ï¥Î¡C¡^ Essay 8: Rock Music and Creativity (PDF) (Courtesy of Constantinos Melachrinos. Used with permission.) |
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«ö»Ýn¶i¦æ°Q½× Conferences as Needed |
²Ä21¦¸®a®x§@·~ Homework 21
°Q½×¤fÀY³ø§i Work on Oral Presentation |
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| 22 |
Æ[¬Ý¿ý¼v¡G¦A¦¸±´¯ÁDave Brubeck Video: Rediscovering Dave Brubeck |
²Ä22¦¸®a®x§@·~ Homework 22
¶i¦æÀɧ¨ªº³Ì«á×q Work on final revision for Portfolios |
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| 23 |
¤fÀY³ø§i Oral Presentations |
²Ä23¦¸®a®x§@·~ Homework 23
¶i¦æÀɧ¨ªº³Ì«á×q¡]Äò¡^ Work on final revision for Portfolios (cont.) |
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| 24 |
¤fÀY³ø§i¡]Äò¡^ Oral Presentations (cont.) |
²Ä24¦¸®a®x§@·~ Homework 24
¶i¦æÀɧ¨ªº³Ì«á×q¡]Äò¡^ Work on final revision for Portfolios (cont.) |
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| 25 |
¤fÀY³ø§i¡]Äò¡^ Oral Presentations (cont.)
µû»ù Evaluations
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²Ä25¦¸®a®x§@·~ Homework 25
¤å¥ó§¨ (PDF) Portfolios (PDF) |
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