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I |
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介紹與概述－兩堂課
Introduction and Overview - 2 Sessions |
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Redfern, Betty, 「藝術為何」
Redfern, Betty. "What is Art."
「舞蹈的力量」，《舞蹈》，頁12-35
"The Power of Dance" In Dancing. Pp. 12-35.
「宣示」，《現代身體》，頁8-26
"Manifestos." In Modern Bodies... Pp. 8-26.
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《舞蹈》：「舞蹈的力量」
Dancing: The Power of Dance. |
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課堂演示/名師講座：蕾尼-哈利純粹舞動舞團(Rennie Harris Puremovement)將於綺禮安廳進行表演與教學
Lecture Demonstration/Master Class: Rennie Harris Puremovement at Killian Hall.
蕾尼-哈利純粹舞動舞團成員，專精於hip-hop，popping，locking，stepping，break，house與其他街頭舞風，將在舞蹈課後為同學講解舞蹈型式。
Members of Rennie Harris' Puremovement Dance Company, masters of hip-hop, popping, locking, stepping, break, house and other styles from inner city America will present a lecture on the artform, followed by a dance class.
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II |
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舞蹈作為宗教崇拜的媒介－三堂課
Dance as an Expression of Religious Worship - 3 Sessions |
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「舞蹈的主宰」，《舞蹈》，頁36-69
"Lord of the Dance." In Dancing. Pp. 36-69.
Stuckey, P. Sterling. 「皈依基督教與舞蹈的挑戰」
Stuckey, P. Sterling. "Christian Conversion and the Challenge of Dance."
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《舞蹈》：「舞蹈的主宰」
"Lord of the Dance." Dancing.
艾文艾莉，《啟示錄》
Ailey, Alvin. Revelations.
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於第五堂課繳交第一份書面報告－《啟示錄》(艾莉，1960)如何傳達宗教與社會秩序的概念？
Paper #1 due in Session #5 - How does the dance "Revelations" (Ailey, 1960) convey concepts of religion and social order? |
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III |
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舞蹈作為社會秩序與權力的媒介－三堂課
Dance as an Expression of Social Order and Power - 3 Sessions |
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「王國之舞」，《舞蹈》，頁70-107
"Dance of the Realm." In Dancing. Pp. 70-107.
「女先鋒」，《現代身體》，頁27-50
"Pioneer Women." In Modern Bodies... Pp. 27-50.
「編舞入門」
"An Introduction to Choreography."
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《舞蹈》：「王國之舞」
"Dance of the Realm." Dancing.
Humphrey, Doris.《新舞》
Humphrey, Doris. "New Dance."
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第八堂課特別活動：邀請Jigna Desia及Mit Alum演講，講題：「家鄉」影片賞析：好萊塢電影在美國的南亞社會
Special Event in Session #8: Jigna Desia, Mit Alum, will give an invited lecture titled 「Watching 'Home' Movies: Hollywood Cinema in South Asian America.」 |
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IV |
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舞蹈作為文化傳統的媒介－三堂課
Dance as an Expression of Cultural Mores - 3 Sessions |
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「社會舞蹈」，《舞蹈》，頁108-127
"Social Dance." In Dancing. Pp. 108-127.
「不可不舞」，《現代身體》，頁79-103
"Men Must Dance." In Modern Bodies... Pp. 79-103.
DeFrantz, Thomas.「縕發之被動性：音樂舞劇中的黑人男體」
DeFrantz, Thomas. "Simmering Passivity: The Black Male Body in Concert Dance."
Ward, Andrew H.「黑暗中漫舞：理性主義與社會舞蹈的被忽視」
Ward, Andrew H. "Dancing in the Dark: Rationalism and the Neglect of Social Dance."
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《舞蹈》：「性與社會舞蹈」
"Sex and Social Dance." Dancing.
Shawn, Ted.《活躍的摩拜》
Shawn, Ted. "Kinetic Molpai."
Jones, Bill T.《熱沼地》
Jones, Bill T. "Fever Swamp."
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於第十一堂課繳交第二份書面報告－舞作《秋水傳奇》(Fall River Legend, Demille, 1950)如何傳達文化傳統與文化認同的概念？
Paper #2 due two days after Session #11 - How does the dance "Fall River Legend" (DeMille, 1950) convey concepts of Cultural Mores and Cultural Identity?
馬克摩里斯舞團(Mark Morris Group)將在第十、第十一堂課之間，於舒伯特劇院進行表演活動
Performance Event between Sessions #10 and #11: Mark Morris Group at the Shubert Theater.
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V |
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舞蹈作為文化認同的象徵－兩堂課
Dance as an Emblem of Cultural Identity - 2 Sessions |
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「舞蹈新世界」，收錄於《舞蹈》，頁164-189頁
"New Worlds of Dance." In Dancing. Pp. 164-189.
「原生現代」，《現代身體》，頁51-78頁
"Primitive Moderns." In Modern Bodies... Pp. 51-78.
Malone, Jacqui.「隨著節奏舞動生命：非裔美式通俗舞蹈的內涵與風格」
Malone, Jacqui. "'Keep to the Rhythm and You'll Keep to Life': Meaning and Style in African American Vernacular Dance."
Nash, Joe.「黑人現代舞蹈之任務」
Nash, Joe. "The Mission of Black Modern Dance."
Myers, Gerald.「非裔美人與現代舞美學」
Myers, Gerald. " African Americans and the Modern Dance Aesthetic."
Thompson, Robert Farris.「舞蹈與文化－冷調的美學：西非舞蹈」
Thompson, Robert Farris. "Dance and Culture, An Aesthetic of the Cool: West Africa Dance."
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《美國黑人之舞》
Dance Black America. |
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第十五堂課七天後，邀請布萊恩梅爾學院之Yutian Wong教授演講：「舞台上之東方文化：亞裔美式現代舞/後現代舞中種族與性別之表現」
Special Lecture seven days after Session #15: Yutian Wong, Professor at Bryn Mar College, will deliver invited lecture 「Upstaging Orientalism: Performing Race and Gender in (Asian) American Modern/Postmodern Dance.」 |
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VI |
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舞蹈作為古典藝術－四堂課
Dance as a Classical Art - 4 Sessions |
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「古典舞蹈劇場」，《舞蹈》，頁128-163
"Classical Dance Theater." In Dancing. Pp. 128-163.
「組織舞蹈」，《現代身體》，頁104-129
"Organizing Dance." In Modern Bodies... Pp. 104-129.
Kealiinohomoku, Joann.「一個人類學家看芭蕾：民族舞蹈的一種形式」
Kealiinohomoku, Joann. "An Anthropologist Looks at Ballet as a Form of Ethnic Dance."
Novak, Cynthia.「芭蕾，性別，文化政治」
Novak, Cynthia. "Ballet, Gender and Cultural Politics."
Daly, Ann.「巴蘭欽式女人：蜂鳥與水道泳者屬」
Daly, Ann. "The Balanchine Woman: Of Hummingbirds and Channel Swimmers."
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Balanchine, 喬治巴蘭欽，《競賽、珠寶、敗家子》
George. Agon, Jewels, Prodigal Son.
《舞蹈》：「古典舞蹈劇場」
"Classical Dance Theater." Dancing.
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第十六堂課前兩天開始進行課堂報告
In Class Presentations begin two days before Session #16. |
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VII |
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舞蹈作為文化融合之媒介
Dance as a Medium of Cultural Fusion - 1 Session |
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Huenemann, Lynn.「北原之舞」
Huenemann, Lynn. "Northern Plains Dance."
「舞動的美國」，《現代身體》，頁130-156
"Dancing America." In Modern Bodies... Pp. 130-156.
Gottschild, Brenda Dixon.「赤足與熱情、球鞋與冷漠：現代與後現代舞蹈的非洲內涵」
Gottschild, Brenda Dixon. "Barefoot and Hot, Sneakered and Cool: Africanist Subtexts in Modern and Postmodern Dance."
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《舞蹈》：「舞在寰宇」
"Dancing on One World." Dancing. |
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第十六堂課與第十七堂課間的表演：艾文艾莉美國舞蹈劇場（Alvin Ailey American Dance Theater）將於王氏藝文中心演出
Performance Event between Sessions #16 and #17: Alvin Ailey American Dance Theater at the Wang Center. |
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VIII |
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舞蹈作為藝術家個人的自傳性創作－兩堂課
Dance as the Autobiographical Creation of Individual Artists - 2 Sessions |
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「現代化舞蹈」，《舞蹈》，頁190-237
"Modernizing Dance." In Dancing. Pp. 190-237.
Deborah, Jowitt.「舞蹈評論之個人觀點」
Deborah, Jowitt. "A Private View of Dance Criticism."
瑪莎葛蘭姆，「我是個舞者」
Graham, Martha. "I am a Dancer."
Dempster, Elizabeth.「女性書寫身體：且看她如何舞蹈」
Dempster, Elizabeth. "Women Writing The Body: Let's Watch a Little How She Dances."
Brown, Carol.「追憶步履：女性主義舞蹈史之可能性」
Brown, Carol. "Re-tracing Our Steps: The Possibilities for Feminist Dance Histories."
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《舞蹈》：「個人與傳統」
"Individual and Tradition." Dancing.
Rainer, Yvonne.《三人舞A》
Rainer, Yvonne. "Trio A."
Tharp, Twyla.《凱薩琳之輪》
Tharp, Twyla. Catherine Wheel.
梅西康寧漢，《故事》
Cunningham, Merce. Story.
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於第十九堂課繳交第三份書面報告－《凱薩琳之輪》（Tharp, 1981）的黃金段落（gold section）如何呈現性別與個體議題？
Paper #3 due Session #19 - How does the "gold section" of The Catherine Wheel (Tharp, 1981) describe issues of gender and individuality? |
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回顧與總整理─一堂課
Wrap Up and Review - 1 Session |
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