麻省理工學院「開放式課程網頁」 | 音樂與戲劇藝術 | 21M.621 2004春季課程：美國的戲劇和文化歧異

課	課程單元	閱讀資料
Unit I: 介紹和概述 Unit I: Introduction and Overview
1-2	什麼是文化？我們如何鑒別美國戲劇中的文化和表演元素？分享家庭傳統和美國移民的"刻板印象"歷史。本單元為學生提供一些基本概念的概述，諸如"戲劇"、"潮流"、"文化"、"歧異"和"創作"。 What is culture? And how do we identify culture and performance in American theater? A sharing of family traditions and the creation of "stereotypical" history of immigration to the United States. This unit will provide students with a general overview of basic concepts such as theater, movement, culture, diversity, and composition.	閱讀 Readings Schechner, Richard，〈何謂表演？〉，《表演研究：概述》紐約：Routledge 出版社，2003 年版， 1-21頁，國際標準書號：0415146216。 Schechner, Richard, ed. "What is Performance?" Performance Studies: An Introduction. New York: Routledge, 2003. pp. 1-21. ISBN: 0415146216. 觀賞 Viewings Marlon Riggs 作品：種族觀念（1987） Ethnic Notions by Marlon Riggs (1987).
Unit II: 非裔美國人的戲劇傳統 Unit II: African American Theatrical Traditions
3-6	什麼是非裔美國人的戲劇傳統？在非裔美國人的舞臺經驗的建構中，音樂與舞蹈具有怎樣的地位？我們會怎樣來講述非裔美國科學家和工程師的歷史故事？在這一單元中，我們將參與名為"非裔美國人活的歷史博物館"的表演，該表演將記錄非裔美國科學家和工程師們的人生。 What are African American traditions of theater? How do music and dance figure in the construction of African American experience on stage? How can we tell historical stories of African American scientists and engineers? In this unit, we will participate in the African American Living History Museum, a performance event that chronicles the lives of African American scientists and engineers.	閱讀 Readings Jones, Lisa，〈聯合皮膚〉，《當代有色人種女性戲劇作品》Kathy Perkins，Roberta Uno 編紐約：Routledge 出版社，1996，國際標準書號：0415113784. Jones, Lisa. "Combination Skin." Contemporary Plays by Women of Color. Edited by Kathy Perkins and Roberta Uno, New York: Routledge, 1996. ISBN: 0415113784. 觀賞 Viewings 獻給自殺的有色人種女孩作者：Ntozake Shange （1976）Simon and Shuster 1997年紐約演出 For Colored Girls who have Committed Suicide/When the Rainbow is Enuf by Ntozake Shange ([1976] New York: Simon and Shuster, 1997).
Unit III: 亞裔美國人的戲劇傳統 Unit III: Asian American Theatrical Traditions
7-12	亞裔美國人的文化遺產是如何通過戲劇來表現的？旅居他鄉的亞裔戲劇作者選擇怎樣的故事來講述？思考黃哲倫的作品《蝴蝶君》 How can theater express Asian American cultural heritage? What sorts of stories do Asian diaspora playwrights chose to tell? A consideration of David Henry Hwang’s M. Butterfly.	閱讀 Readings Son, Diana. "R.A.W." 《當代有色人種女性戲劇作品》Contemporary Plays by Women of Color Son, Diana. "R.A.W." Contemporary Plays by Women of Color. 觀賞 Viewings 戲劇《蝴蝶君》（作者：黃哲倫，1988）改編同名電影（導演：大衛，克羅伯格，1993 ） M. Butterfly by Hwang (1988, film, Cronenberg, 1993).
Unit IV: 本土美國人和拉丁裔美國人的戲劇傳統 Unit IV: Native American and Latino/a and Chicano Theatrical Traditions
13-18	本土美國人的敘述傳統如何在二十一世紀延續？在上世紀中拉丁裔美國人形成了怎樣的戲劇傳統？重點解讀著名米基·皮尼路（Miguel Pinero）的戲劇作品。 How do Native American traditions of storytelling persist in the twenty-first century? What sorts of Chicano and Latino/a American theatrical traditions have emerged in the past century? A focus on the plays of Miguel Piñero.	閱讀 Readings Gomez, Terry，〈部落之間〉，《當代有色人種女性戲劇作品》 Gomez, Terry. "Intertribal." Contemporary Plays by Women of Color. Theatre, Spiderwoman.〈日月羽〉，《當代有色人種女性戲劇作品》 Theatre, Spiderwoman. "Sun Moon Feather." Contemporary Plays by Women of Color. Agarin, Miguel和Miguel Pinero等〈Saint Miguelito的創世紀之書〉，〈La Metadona Esta Cabrona〉，〈紐約無新事〉，〈No Hay Nada Nuevo en Nueva York〉，〈驚逃〉，〈傑伊媽媽的奮鬥之詩〉和〈尋找原因〉，《新波多黎各詩歌：波多黎各人的文字和情感記錄》主編：Miguel Algarin，Miguel Pinero，副主編：Richard August，攝影師：Gil Mendez。紐約：William Morrow & Company 出版， 1975，62-75 頁。國際標準書號：0688029671。 Agarin, Miguel, and Miguel Piñero, eds. "The Book of Genesis According to Saint Miguelito," "La Metadona Está Cabrona," "There is Nothing New in New York," "No Hay Nada Nuevo en Nueva York," "Runnin' Scared," "A Poem for Joey's Mami's Struggle," and "Seeking the Cause." In Nuyorican Poetry: An Anthology of Puerto Rican Words and Feelings. Edited by Miguel Algarín and Miguel Piñero, associate editor, Richard August; photographs by Gil Mendez, New York: William Morrow & Company, 1975. pp. 62-75. ISBN: 0688029671. 觀賞 Viewings 電影《嘻哈教父》（台）/《不羈詩生活》（港）導演：利昂·艾查索（2001） Piñero by Leon Ichaso (2001).
Unit V: 超越歧異 Unit V: Reaching Beyond Diversity
19-22	我們如何超越歧異的成規來探討獨特的歷史以及戲劇的方法論？ How can we reach beyond the rubric of diversity to explore particular histories and theatrical methodologies?	閱讀 Readings Donkin, Ellen. 〈黑人劇本、白人導演：執導美國黑人戲劇涉及的種族和性別問題〉，《搶鏡大老爹》Ellen Donkin 及 Susan Clement 編輯，安納堡：密歇根大學出版社，1993， 79-87 頁。國際標準書號：0472065033。 Donkin, Ellen. "Black Text, White Director: Issues of Race and Gender in Directing African American Drama." Upstaging Big Daddy. Edited by Ellen Donkin and Susan Clement, Ann Arbor: U of Michigan Press, 1993. pp. 79-87. ISBN: 0472065033. le thi diem thay.〈我們之間的身體〉，《戲劇的顏色：種族、文化和當代表演》Roberta Uno 編，紐約：聯合國際出版集團，2002， 322-343 頁。國際標準書號：0826456391。 lê thi diem tháy. "The Bodies Between Us." The Color of Theater: Race, Culture, and Contemporary Perofrmance. Edited by Roberta Uno. New York: Continuum International Publishing Group, 2002. pp. 322-343. ISBN: 0826456391. 觀賞 Viewings Smith 作品：《鏡中火》1993 Fires in the Mirror by Smith (1993).