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Close Reading: New Criticism, Reader-Reponse Theory and Structuralism
1 ¤Þ¨¥
Introduction
2 ·s§åµû
New Criticism

¬ù¿«¡EÀÙ·O¡q§ÆÃ¾¥j²¡¹|¡r(Ode on a Crecian Urn)
Keats, John. "Ode on a Grecian Urn."

§JªL´µ¡E¥¬¾|§J´µ¡]Cleanth Brooks¡^¡qÀÙ·Oªº¥Ð¶é¥v®a¡G¨S¦³µù¸}ªº¾ú¥v¡r(Keats¡¦Sylvan Historian: History without Footnotes)
Brooks, Cleanth. "Keats' Sylvan Historian: History without Footnotes."

W¡EK¡Eºû©iÂįS¡]W.K Wimsatt¡^©Mªùù¡EC¡E¤ñº¸¯÷§Q(Monore C. Beardsley)¡q·N¹ÏÂÕ»~¡r(The Intentioanl Fallacy)
Wimsatt, W. K., and Monroe C. Beardsley. "The Intentional Fallacy."

±ÀÂËŪª«
Recommended Readings


W¡EK¡Eºû©iÂįS©Mªùù¡EC¡E¤ñº¸¯÷§Qªº¡q®ÄªGÂÕ»~¡r¡]The Effective Fallacy¡^
Wimsatt, W. K., and Monroe C. Beardsley. "The Affective Fallacy."
3 ¬ü°êŪªÌ¤ÏÀ³²z½×
American Reader-Response Theory

¬ù¿«¡EÀ±º¸¹y¡m¤Q¥|¦æ¸Ö¡G²Ä18-20­º¡n(Sonnets XVIII-XX)
Milton, John. Sonnets XVIII-XX.

¥v¤¦§Q¡E¶O³·(Stanley Fish)¡qŪªÌªº¤å¾Ç¡r(Literature in the Reader)22-37­¶¡A¡q¸ÑÄÀ¸g¨å¶°ª`¡r(Interpreting the Variorum)148-173­¶¡A¥X¦Û¡m³oªù½Òùئ³¨S¦³¤å¥»¡H¡n(Is There a Text in This Class?)¤@®Ñ
Fish, Stanley. "Literature in the Reader" pp. 22-37, and "Interpreting the Variorum" pp. 148-173. In Is There a Text in This Class?
4 µ²ºc¥D¸q
Structuralism

µá­}«n¼w¡E¯Áºü(Ferdinand Saussure)¡m´¶³q»y¨¥¾Ç½Òµ{¡n(Course in General Linguistics) ¡]¸`¿ý¡^
Saussure, Ferdinand. Course in General Linguistics. (Extracts)

§J³Ò¼w¡E¥¬¹p»X(Claude Br Ámond)¡qªk°ê¥Á¶¡¬G¨Æ§ÎºA¾Ç¡r(Morphology of the French Folktale)
Brémond, Claude. "Morphology of the French Folktale."

A¡EJ¡E®æ¹p°¨¡]A.J. Greimas¡^©M¥±®Ô¯Á¥Ë¡E©Ô´µ¸¦®J(Fran Ìois Rastier) ¡q²Å¸¹¬ù§ôªº¤¬°Ê¡r(The Interaction of Semiotic Constrains)
Greimas, A. J., and François Rastier. "The Interaction of Semiotic Constraints."
5 µ²ºc¥D¸q¡]Äò«e¡^
Structuralism (cont.)

§J³Ò¼w¡E§õºû-¥v¯S³Ò´µ¡]Claude Levi-Strauss¡^¡A¡q¯«¸Üµ²ºc¾Ç¡r(The Structural Study of Myth)¥X¦Û¡mµ²ºc¤HÃþ¾Ç¡n(Structural Anthropology)
Levi-Strauss, Claude. "The Structural Study of Myth." from Structural Anthropology.

¯ÁºÖ§J¨½´µ¡A¡m¥ì©³©¬´µ¤ý¡n
Sophocles. Oedipus Rex.
¦^õX¤å³¹Ãº¥æ¤é´Á
Response paper due
«áµ²ºc¥D¸q«ä¼é¡]¼w¨½¹F¡B³Å¬_¡B©Ô±d¡^
Post-Structuralist Thought (Derrida, Foucault, Lacan)
6 §J³Ò¼w¡E§õºû-¥v¯S³Ò´µ¡m¿Ë½tÃö«Yªº°ò¥»µ²ºc¡n¡]The Elementary Structure of Kinship¡^¡]¸`¿ï¡^
Levi-Strauss, Claude. The Elementary Structures of Kinship. (Extracts)

¶®§J¡E¼w¨½¹F¡]Jacques Derrida¡^¡q¤H¤å¬ì¾Ç½×­z¤¤ªºµ²ºc¡B²Å¸¹»P¹CÀ¸¡r(Structure, Sign and Play in the Discourse of the Human Sciences)
Derrida, Jacques. "Structure, Sign and Play in the Discourse of the Human Sciences."
7 §J³Ò¼w¡E§õºû-¥v¯S³Ò´µ¡q¼g§@½Ò¡r¡]The Writing Lesson¡^·½©ó¡m¼~Æ{ªº¼ö±a¡n(Tristes Topiques)¡]¸`¿ý¡^
Levi-Strauss. "The Writing Lesson." In Tristes Topiques. (Brief extracts)

¼w¨½¹F¡q»P¦¶ÄRÔÕ¡E§J§Q´µ¸¦«½ªº³X½Í¡r(Interviewing with Julia Kristeva)¥X¦Û¡m¤è¦ì¡n(Positions)¤@®Ñ
Derrida, Jacques. "Interview with Julia Kristeva." In Positions.
8 ¼w¨½¹F¡q²Å¸¹¡A¨Æ¥ó©M»y¹Ò¡r(Signature, Event, Context)
Derrida, Jacques. "Signature, Event, Context."

J¡ER¡E¶ø´µ¤B(J.R. Austin)¡A¡m¦p¦ó¥H¨¥¦æ¨Æ¡n(How to do things with Words.)
Austin, J. R. How to do Things with Words.

¥H¼»¡E¤¦¥§´Ë(Isak Dinesen)¡qªÅ¥Õ­¶¡r(The Blank Page)
Dinesen, Isak. "The Blank Page."
9 µ²§ô¼w¨½¹Fªº³¡¤À¡]µL·sªº¾\Ū­n¨D¡^
Derrida Wrap-up. (No new reading)
10 ¦ò¬¥¥ì¼w¡m¹Úªº¸ÑªR¡n¡]The Interpretation of Dreams¡^
Freud. The Interpretation of Dreams.

®L¬¥¯S¡E¦Nº¸°Ò(Charlotte Gilman)¡q¶À¦â¾À¯È¡r(The Yellow Wallpaper)
Gilman, Charlotte. "The Yellow Wallpaper."
11 ¨ô§OªL¡m«°¥«¤§¥ú¡n(City Lights)¡]¼v¤ù©ñ¬M¡^
Chaplin, Charlie. City Lights. (Screening)
12 ¨ô§OªL¡m«°¥«¤§¥ú¡n
Chaplin. City Lights.

´µ©Ô¨U¼ö¡E»ô¿A§J¡m¨É¨ü§Aªº¼x¥ü¡n¡]Enjoy your Symptom¡^²Ä¤@³¹¡]¦b¡mŪ¥»¡n¡^¡X¡X¡]¨ä¥L¥X¦Û¡mŪ¥»¡nªº¸`¿ý¡A¦³«Ý¸Ô²Ó»¡©ú¡^
Zizek, Slavoj. Enjoy your Symptom. Chapter 1. (In Reader)
———. (Other extracts from reader, to be specified)

¶®§J¡E©Ô±d(Jacques Lacan)¡qÃè¹³¶¥¬q¡r(The Mirror Stage)
Lacan, Jacques. "The Mirror Stage."

ÃB¥~±ÀÂËŪª«
Recommended Additional Readings

¥±¹p¼w¥ß§J¡E¸â©ú«H(Fredric Jameson)¡q©Ô±dªº·Q¹³»P²Å¸¹¥@¬É¡r(Imaginary and Symbolic in Lacan)
Jameson, Fredric. "Imaginary and Symbolic in Lacan."
13 ·R¼w¦÷¡E·R­Û¡E©Y(Edgar Allan Poe)¡q¥¢ÅѪº«H¡r(The Purloined Letter)
Poe, Edgar Allan. "The Purloined Letter."

©Ô±d¡m¹ï¡q¥¢ÅѪº«H¡rªº¬ã°Q·|¡n
Lacan, Jacques. "Seminar on the Purloined Letter."

ÃB¥~±ÀÂËŪª«
Recommended Additional Readings

¤Ú¤Ú©Ô¡E±j´Ë(Barbara Johson)¡A¡q°Ñ¦Òµ²ºc¡r¡]The Frame of Reference¡^¥X¦Û¡m¤å¾Ç»P¤ß²z¤ÀªR¡n¡]In Literature and Psychoanalysis¡^¡A¥Ñ®u¬À®R¡E¶Oº¸°Ò(Shoshana Felman)½s¿è
Johnson, Barbara. "The Frame of Reference." In Literature and Psychoanalysis. Edited by Shoshana Felman.
´Á¤¤§@·~¶}©l
Midterm handed out
14 §Æ°Ï¦Ò§J¡m°g»î°O¡n¡]¼v¤ù©ñ¬M¡^
Hitchcock, Alfred. Vertigo. (Screening)
15 §Æ°Ï¦Ò§J¡m°g»î°O¡n
Hitchcock, Alfred. Vertigo.

·R­Û¡E©Y¡mµÜ°ò¨È¡n¡]Ligeia¡^
Poe, Edgar Allan. Ligeia.

´µ©Ô¨U¼ö¡E»ô¿A§J(Slavoi Zizek)¡]±q¡mŪ¥»¡n¤Wªº¸`¿ý¡A«Ý©w¡^
Zizek, Slavoj. (Extracts from reader, to be specified)
16 ¦Ì·²º¸¡E³Å¬_¡q¤°»ò¬O§@ªÌ?¡r¡]What is an Auther?¡^
Foucault, Michel. "What is an Author?"

«Où¡Eºû¦]¡]Paul Veyne¡^¦³Ãö³Å¬_ªº¤å³¹¡A¥X¦Û¡m³Å¬_»P¥Lªº¹ï¸ÜªÌ¡n¡]Foucault and His Interlocutors¡^¤@®Ñ¡A¥ÑA¡E¤j½Ã´Ë¡]A. Davidson¡^½s¿è
Paul Veyne's article on Michel Foucault. In Foucault and His Interlocutors. Edited by A. Davidson.
17 ³Å¬_¡m³W°V»PÃg»@¡n(Discipline and Punish)
Foucault, Michel. Discipline and Punish.

®L¬¥¯S¡E«k®Ô¯S¡m²·R¡n
Bronte, Charlotte. Jane Eyre.
´Á¤¤§@·~ºI¤î
Midterm due back in class
18 ³Å¬_¡m©Ê¥v¡n¡A²Ä¤@¨÷
Foucault, Michel. History of Sexuality. Vol. 1.

®L¬¥¯S¡E«k®Ô¯S¡m²·R¡n¡]Äò¡^
Bronte, Charlotte. Jane Eyre. (cont.)
19 ³Å¬_¡m©Ê¥v¡n¡A²Ä¤@¨÷¡]Äò¡^
Foucault, Michel. History of Sexuality. Vol. 1. (cont.)

®L¬¥¯S¡E«k®Ô¯S¡m²·R¡n¡]Äò¡^
Bronte, Charlotte. Jane Eyre. (cont.)
°¨§J«ä¥D¸q
Marxism
20 ¸ô©ö¡Eªü¹Ï·æ(Louis Althusser)¡A¡q·NÃѧκA»P·NÃѧκA°ê®a¾÷¾¹¡r(Ideology and Ideological State Apparatuses)©M¡q¥Ù¬Þ»P¦h¤¸¨M©w¡r¡]Contradiction and Over Determination¡^
Althusser, Louis. "Ideology and Ideological State Apparatuses," and "Contradiction and Over Determination."

®L¬¥¯S¡E«k®Ô¯S¡m²·R¡n¡]Äò¡^
Bronte, Charlotte. Jane Eyre. (cont.)
21 ¥±¨½¼w¥ß§J¡E¸â©ú«H¡m¬FªvµL·NÃÑ¡n¡]The Political Unconscious¡^
Jameson, Fredric. The Political Unconscious.

®L¬¥¯S¡E«k®Ô¯S¡m²·R¡n¡]Äò¡^
Bronte, Charlotte. Jane Eyre. (cont.)
·s¾ú¥v¥D¸q¡A«á´Þ¥Á¥D¸q
New Historicism, Post colonialism
22 ²ï¤h¤ñ¨È¡A¡m¥ò®L©]¤§¹Ú¡n
Shakespeare, William. A Midsummer Night's Dream.

¥v¸¦ªâ¡E®æªL¥¬©Ô¯S(Stephen Greenblatt)¡A¡m²ï¤h¤ñ¨È¦¡ªº¨ó°Ó¡n(Shakespearean Negotiations)
Greenblatt, Stephen. Shakespearean Negotiations.
23 ²ï¤h¤ñ¨È¡A¡m¥ò®L©]¤§¹Ú¡n(Äò)
Shakespeare, William. A Midsummer Night's Dream. (cont.)

¸ô©ö¡E»X¯Sù´µ¡]Louis Montrose¡^¡A¡q¥ò®L©]¤§¹Ú»P¥ì²ú²ï¥Õ®É¥N¤å¤Æ¤Û·Qªº§Î¦¨¡r¡]A Midsummer Night's Dream and the Shaping Fantasies of Elizabethan Culture¡^
Montrose, Louis. "A Midsummer Night's Dream and the Shaping Fantasies of Elizabethan Culture."
24 ²¡E¨½´µ¡A¡m¿ñÁ諸Ħ®ü¡n
Rhys, Jean. Wide Sargasso Sea.


Spivak, ¨Î¨È¯S¨½¡E ´µ¥Ö¥Ë§J¡]Gayatri Spivak¡^¡q¤T¦ì¤k©Êªº¤å¥»»P«Ò°ê¥D¸qªº§åµû¡r(Three Women¡¦s Texts and a Critique of Imperialism)
Gayatri. "Three Women's Texts and a Critique of Imperialism."
25 ²¡E¨½´µ¡A¡m¿ñÁ諸Ħ®ü¡n¡]Äò¡^
Rhys, Jean. Wide Sargasso Sea. (cont.)
ªÀ·|¾Ç»P¨î«×µ²ºc
Sociology and Institutional Structures
26 ¥Ö­C¡E¥¬º¸­}¤Ì¡]Pierre Bourdieu ¡^
Pierre Bourdieu

¬ù¿«¡E¬ö¬¥¨½(John Guillory)
John Guillory
´Á¥½½×¤åºI¤î
Final paper due (4 days after session 26)

 
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