²ÓŪ¡G·s§åµû¡AŪªÌ¤ÏÀ³²z½×©Mµ²ºc¥D¸q Close Reading: New Criticism, Reader-Reponse Theory and Structuralism |
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¤Þ¨¥ Introduction |
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·s§åµû New Criticism
¬ù¿«¡EÀÙ·O¡q§ÆÃ¾¥j²¡¹|¡r(Ode on a Crecian Urn) Keats, John. "Ode on a Grecian Urn."
§JªL´µ¡E¥¬¾|§J´µ¡]Cleanth Brooks¡^¡qÀÙ·Oªº¥Ð¶é¥v®a¡G¨S¦³µù¸}ªº¾ú¥v¡r(Keats¡¦Sylvan Historian: History without Footnotes) Brooks, Cleanth. "Keats' Sylvan Historian: History without Footnotes."
W¡EK¡Eºû©iÂįS¡]W.K Wimsatt¡^©Mªùù¡EC¡E¤ñº¸¯÷§Q(Monore C. Beardsley)¡q·N¹ÏÂÕ»~¡r(The Intentioanl Fallacy) Wimsatt, W. K., and Monroe C. Beardsley. "The Intentional Fallacy."
±ÀÂËŪª« Recommended Readings
W¡EK¡Eºû©iÂįS©Mªùù¡EC¡E¤ñº¸¯÷§Qªº¡q®ÄªGÂÕ»~¡r¡]The Effective Fallacy¡^ Wimsatt, W. K., and Monroe C. Beardsley. "The Affective Fallacy." |
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¬ü°êŪªÌ¤ÏÀ³²z½× American Reader-Response Theory
¬ù¿«¡EÀ±º¸¹y¡m¤Q¥|¦æ¸Ö¡G²Ä18-20º¡n(Sonnets XVIII-XX) Milton, John. Sonnets XVIII-XX.
¥v¤¦§Q¡E¶O³·(Stanley Fish)¡qŪªÌªº¤å¾Ç¡r(Literature in the Reader)22-37¶¡A¡q¸ÑÄÀ¸g¨å¶°ª`¡r(Interpreting the Variorum)148-173¶¡A¥X¦Û¡m³oªù½Òùئ³¨S¦³¤å¥»¡H¡n(Is There a Text in This Class?)¤@®Ñ Fish, Stanley. "Literature in the Reader" pp. 22-37, and "Interpreting the Variorum" pp. 148-173. In Is There a Text in This Class? |
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µ²ºc¥D¸q Structuralism
µá}«n¼w¡E¯Áºü(Ferdinand Saussure)¡m´¶³q»y¨¥¾Ç½Òµ{¡n(Course in General Linguistics) ¡]¸`¿ý¡^ Saussure, Ferdinand. Course in General Linguistics. (Extracts)
§J³Ò¼w¡E¥¬¹p»X(Claude Br Ámond)¡qªk°ê¥Á¶¡¬G¨Æ§ÎºA¾Ç¡r(Morphology of the French Folktale) Brémond, Claude. "Morphology of the French Folktale."
A¡EJ¡E®æ¹p°¨¡]A.J. Greimas¡^©M¥±®Ô¯Á¥Ë¡E©Ô´µ¸¦®J(Fran Ìois Rastier) ¡q²Å¸¹¬ù§ôªº¤¬°Ê¡r(The Interaction of Semiotic Constrains) Greimas, A. J., and François Rastier. "The Interaction of Semiotic Constraints." |
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µ²ºc¥D¸q¡]Äò«e¡^ Structuralism (cont.)
§J³Ò¼w¡E§õºû-¥v¯S³Ò´µ¡]Claude Levi-Strauss¡^¡A¡q¯«¸Üµ²ºc¾Ç¡r(The Structural Study of Myth)¥X¦Û¡mµ²ºc¤HÃþ¾Ç¡n(Structural Anthropology) Levi-Strauss, Claude. "The Structural Study of Myth." from Structural Anthropology.
¯ÁºÖ§J¨½´µ¡A¡m¥ì©³©¬´µ¤ý¡n Sophocles. Oedipus Rex. |
¦^õX¤å³¹Ãº¥æ¤é´Á Response paper due |
«áµ²ºc¥D¸q«ä¼é¡]¼w¨½¹F¡B³Å¬_¡B©Ô±d¡^ Post-Structuralist Thought (Derrida, Foucault, Lacan) |
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§J³Ò¼w¡E§õºû-¥v¯S³Ò´µ¡m¿Ë½tÃö«Yªº°ò¥»µ²ºc¡n¡]The Elementary Structure of Kinship¡^¡]¸`¿ï¡^ Levi-Strauss, Claude. The Elementary Structures of Kinship. (Extracts)
¶®§J¡E¼w¨½¹F¡]Jacques Derrida¡^¡q¤H¤å¬ì¾Ç½×z¤¤ªºµ²ºc¡B²Å¸¹»P¹CÀ¸¡r(Structure, Sign and Play in the Discourse of the Human Sciences) Derrida, Jacques. "Structure, Sign and Play in the Discourse of the Human Sciences." |
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§J³Ò¼w¡E§õºû-¥v¯S³Ò´µ¡q¼g§@½Ò¡r¡]The Writing Lesson¡^·½©ó¡m¼~Æ{ªº¼ö±a¡n(Tristes Topiques)¡]¸`¿ý¡^ Levi-Strauss. "The Writing Lesson." In Tristes Topiques. (Brief extracts)
¼w¨½¹F¡q»P¦¶ÄRÔÕ¡E§J§Q´µ¸¦«½ªº³X½Í¡r(Interviewing with Julia Kristeva)¥X¦Û¡m¤è¦ì¡n(Positions)¤@®Ñ Derrida, Jacques. "Interview with Julia Kristeva." In Positions. |
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¼w¨½¹F¡q²Å¸¹¡A¨Æ¥ó©M»y¹Ò¡r(Signature, Event, Context) Derrida, Jacques. "Signature, Event, Context."
J¡ER¡E¶ø´µ¤B(J.R. Austin)¡A¡m¦p¦ó¥H¨¥¦æ¨Æ¡n(How to do things with Words.) Austin, J. R. How to do Things with Words.
¥H¼»¡E¤¦¥§´Ë(Isak Dinesen)¡qªÅ¥Õ¶¡r(The Blank Page) Dinesen, Isak. "The Blank Page." |
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µ²§ô¼w¨½¹Fªº³¡¤À¡]µL·sªº¾\Ūn¨D¡^ Derrida Wrap-up. (No new reading) |
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¦ò¬¥¥ì¼w¡m¹Úªº¸ÑªR¡n¡]The Interpretation of Dreams¡^ Freud. The Interpretation of Dreams.
®L¬¥¯S¡E¦Nº¸°Ò(Charlotte Gilman)¡q¶À¦â¾À¯È¡r(The Yellow Wallpaper) Gilman, Charlotte. "The Yellow Wallpaper." |
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¨ô§OªL¡m«°¥«¤§¥ú¡n(City Lights)¡]¼v¤ù©ñ¬M¡^ Chaplin, Charlie. City Lights. (Screening) |
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¨ô§OªL¡m«°¥«¤§¥ú¡n Chaplin. City Lights.
´µ©Ô¨U¼ö¡E»ô¿A§J¡m¨É¨ü§Aªº¼x¥ü¡n¡]Enjoy your Symptom¡^²Ä¤@³¹¡]¦b¡mŪ¥»¡n¡^¡X¡X¡]¨ä¥L¥X¦Û¡mŪ¥»¡nªº¸`¿ý¡A¦³«Ý¸Ô²Ó»¡©ú¡^ Zizek, Slavoj. Enjoy your Symptom. Chapter 1. (In Reader)
———. (Other extracts from reader, to be specified)
¶®§J¡E©Ô±d(Jacques Lacan)¡qÃè¹³¶¥¬q¡r(The Mirror Stage) Lacan, Jacques. "The Mirror Stage."
ÃB¥~±ÀÂËŪª« Recommended Additional Readings
¥±¹p¼w¥ß§J¡E¸â©ú«H(Fredric Jameson)¡q©Ô±dªº·Q¹³»P²Å¸¹¥@¬É¡r(Imaginary and Symbolic in Lacan) Jameson, Fredric. "Imaginary and Symbolic in Lacan." |
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·R¼w¦÷¡E·RÛ¡E©Y(Edgar Allan Poe)¡q¥¢ÅѪº«H¡r(The Purloined Letter) Poe, Edgar Allan. "The Purloined Letter."
©Ô±d¡m¹ï¡q¥¢ÅѪº«H¡rªº¬ã°Q·|¡n Lacan, Jacques. "Seminar on the Purloined Letter."
ÃB¥~±ÀÂËŪª« Recommended Additional Readings
¤Ú¤Ú©Ô¡E±j´Ë(Barbara Johson)¡A¡q°Ñ¦Òµ²ºc¡r¡]The Frame of Reference¡^¥X¦Û¡m¤å¾Ç»P¤ß²z¤ÀªR¡n¡]In Literature and Psychoanalysis¡^¡A¥Ñ®u¬À®R¡E¶Oº¸°Ò(Shoshana Felman)½s¿è Johnson, Barbara. "The Frame of Reference." In Literature and Psychoanalysis. Edited by Shoshana Felman. |
´Á¤¤§@·~¶}©l Midterm handed out |
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§Æ°Ï¦Ò§J¡m°g»î°O¡n¡]¼v¤ù©ñ¬M¡^ Hitchcock, Alfred. Vertigo. (Screening) |
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§Æ°Ï¦Ò§J¡m°g»î°O¡n Hitchcock, Alfred. Vertigo.
·RÛ¡E©Y¡mµÜ°ò¨È¡n¡]Ligeia¡^ Poe, Edgar Allan. Ligeia.
´µ©Ô¨U¼ö¡E»ô¿A§J(Slavoi Zizek)¡]±q¡mŪ¥»¡n¤Wªº¸`¿ý¡A«Ý©w¡^ Zizek, Slavoj. (Extracts from reader, to be specified) |
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¦Ì·²º¸¡E³Å¬_¡q¤°»ò¬O§@ªÌ?¡r¡]What is an Auther?¡^ Foucault, Michel. "What is an Author?"
«Où¡Eºû¦]¡]Paul Veyne¡^¦³Ãö³Å¬_ªº¤å³¹¡A¥X¦Û¡m³Å¬_»P¥Lªº¹ï¸ÜªÌ¡n¡]Foucault and His Interlocutors¡^¤@®Ñ¡A¥ÑA¡E¤j½Ã´Ë¡]A. Davidson¡^½s¿è Paul Veyne's article on Michel Foucault. In Foucault and His Interlocutors. Edited by A. Davidson. |
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³Å¬_¡m³W°V»PÃg»@¡n(Discipline and Punish) Foucault, Michel. Discipline and Punish.
®L¬¥¯S¡E«k®Ô¯S¡m²·R¡n Bronte, Charlotte. Jane Eyre. |
´Á¤¤§@·~ºI¤î Midterm due back in class |
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³Å¬_¡m©Ê¥v¡n¡A²Ä¤@¨÷ Foucault, Michel. History of Sexuality. Vol. 1.
®L¬¥¯S¡E«k®Ô¯S¡m²·R¡n¡]Äò¡^ Bronte, Charlotte. Jane Eyre. (cont.) |
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³Å¬_¡m©Ê¥v¡n¡A²Ä¤@¨÷¡]Äò¡^ Foucault, Michel. History of Sexuality. Vol. 1. (cont.)
®L¬¥¯S¡E«k®Ô¯S¡m²·R¡n¡]Äò¡^ Bronte, Charlotte. Jane Eyre. (cont.) |
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°¨§J«ä¥D¸q Marxism |
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¸ô©ö¡Eªü¹Ï·æ(Louis Althusser)¡A¡q·NÃѧκA»P·NÃѧκA°ê®a¾÷¾¹¡r(Ideology and Ideological State Apparatuses)©M¡q¥Ù¬Þ»P¦h¤¸¨M©w¡r¡]Contradiction and Over Determination¡^ Althusser, Louis. "Ideology and Ideological State Apparatuses," and "Contradiction and Over Determination."
®L¬¥¯S¡E«k®Ô¯S¡m²·R¡n¡]Äò¡^ Bronte, Charlotte. Jane Eyre. (cont.) |
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¥±¨½¼w¥ß§J¡E¸â©ú«H¡m¬FªvµL·NÃÑ¡n¡]The Political Unconscious¡^ Jameson, Fredric. The Political Unconscious.
®L¬¥¯S¡E«k®Ô¯S¡m²·R¡n¡]Äò¡^ Bronte, Charlotte. Jane Eyre. (cont.) |
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·s¾ú¥v¥D¸q¡A«á´Þ¥Á¥D¸q New Historicism, Post colonialism |
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²ï¤h¤ñ¨È¡A¡m¥ò®L©]¤§¹Ú¡n Shakespeare, William. A Midsummer Night's Dream.
¥v¸¦ªâ¡E®æªL¥¬©Ô¯S(Stephen Greenblatt)¡A¡m²ï¤h¤ñ¨È¦¡ªº¨ó°Ó¡n(Shakespearean Negotiations) Greenblatt, Stephen. Shakespearean Negotiations. |
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²ï¤h¤ñ¨È¡A¡m¥ò®L©]¤§¹Ú¡n(Äò) Shakespeare, William. A Midsummer Night's Dream. (cont.)
¸ô©ö¡E»X¯Sù´µ¡]Louis Montrose¡^¡A¡q¥ò®L©]¤§¹Ú»P¥ì²ú²ï¥Õ®É¥N¤å¤Æ¤Û·Qªº§Î¦¨¡r¡]A Midsummer Night's Dream and the Shaping Fantasies of Elizabethan Culture¡^ Montrose, Louis. "A Midsummer Night's Dream and the Shaping Fantasies of Elizabethan Culture." |
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²¡E¨½´µ¡A¡m¿ñÁ諸Ħ®ü¡n Rhys, Jean. Wide Sargasso Sea.
Spivak, ¨Î¨È¯S¨½¡E ´µ¥Ö¥Ë§J¡]Gayatri Spivak¡^¡q¤T¦ì¤k©Êªº¤å¥»»P«Ò°ê¥D¸qªº§åµû¡r(Three Women¡¦s Texts and a Critique of Imperialism) Gayatri. "Three Women's Texts and a Critique of Imperialism." |
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²¡E¨½´µ¡A¡m¿ñÁ諸Ħ®ü¡n¡]Äò¡^ Rhys, Jean. Wide Sargasso Sea. (cont.) |
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ªÀ·|¾Ç»P¨î«×µ²ºc Sociology and Institutional Structures |
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¥ÖC¡E¥¬º¸}¤Ì¡]Pierre Bourdieu ¡^ Pierre Bourdieu
¬ù¿«¡E¬ö¬¥¨½(John Guillory) John Guillory |
´Á¥½½×¤åºI¤î Final paper due (4 days after session 26) |