|
¥²Åª¤å¥» Required Texts
®JùاJ¡E¤Úº¸¿Õ¡G¡m¥R¨¬ªºÅã¹³ºÞ¡G¬ü°ê¹qµøµo®i¥v¡n¡]²Ä2ª©¡^¡C¯Ã¬ù¡G¤û¬z¤j¾Ç¥Xª©ªÀ¡A1990¦~ª©¡C Barnouw, Erik. Tube of Plenty: The Evolution of American Television. 2nd ed. New York: Oxford University Press, 1990.
Tim Brooks©MMarsh Earle¡G¡m1946¦~¦Ü¤µ¹qµøºô¶Àª÷®É¬q¸`¥Ø©M¦³½u¹qµø¸`¥Ø§¹¥þ«ü«n¡n¡]²Ä7ª©¡^¡C¯Ã¬ù¡G¤ÚÄõ¥Å¹Ï®Ñ¤½¥q¡A1999¦~ª©¡C Brooks, Tim, and Earle Marsh. The Complete Directory to Prime Time Network and Cable TV Shows, 1946-present. 7th ed. New York: Ballantine Books, 1999.
ÀN©Ô´µ¡E¯Ã±d©Ò½s¡G¡m¹qµø¡G§å§PªºÆ[ÂI¡n¡]²Ä6ª©¡^ ¡C¯Ã¬ù¡G¤û¬z¤j¾Ç¥Xª©ªÀ¡A2000¦~ª©¡C¥²Åª¿ï¤å¡G Newcomb, Horace, ed. Television: The Critical View. 6th ed. New York: Oxford University Press, 2000. Selections:
- Mark Alvey¡G¡q¿W¥ß¬£¡G¹ï¹qµø¤u§@«ÇÅé¨tªº¦A«ä¦Ò¡r¡A²Ä34-52¶¡C
Alvey, Mark. "The Independents: Rethinking the Television Studio System," pp. 34-52.
- Christopher Anderson¡G¡q¨f´µ©`¼Ö¶é¡r¡A²Ä17-34¶¡C
Anderson, Christopher. "Disneyland," pp. 17-34.
- Jackie Byars©M Eileen R. Meehan¡G¡q¥Í©R¤¤´¿¸g¦³¹L¡G³z¹L¦³½u¯¶¼½«Øºc¡¥Â¾·~¤k©Ê¡¦§Î¶H¡r¡A²Ä144-169¶¡C
Byars, Jackie, and Eileen Meehan. "Once in a Lifetime: Constructing the 'Working Woman' through Cable Narrowcasting," pp. 144-169.
- Herman Gray¡G¡q¹qµøºôªº¬Fªv¥N²z²{¶H¡r¡A²Ä282-306¶¡C
Gray, Herman. "The Politics of Representation in Network Television," pp. 282-306.
- ÀN©Ô´µ¡E¯Ã±d©MPaul M. Hirsch¡G¡q§@¬°¤å¤Æ½×¾Âªº¹qµø¡r¡A²Ä561-574¶¡C
Hirsch, Paul, and Horace Newcomb. "Television as a Cultural Forum," pp. 561-574.
- Henry Jenkins III¡G¡q<¬PÄ¥°g¯è°O>ªº«¼½¡B¦A¸ÑŪ¡A¦A³Ð§@¡G§@¬°¤å¥»Ây¨úªº¼v°g¼g§@¡r¡A²Ä470-495¶¡C
Jenkins, Henry. "Star Trek Rerun, Reread, Rewritten: Fan Writing as Textual Poaching," pp. 470-495.
- David Marc¡G¡q¤°»ò¦b¼½¥X¡H¡r¡A²Ä629-649¶¡C
Marc, David. "What Was Broadcasting?" pp. 629-649.
- Charles McGrath¡G¡q¶Àª÷®É¬qªø½g¬G¨Æªº¦¨¥\¡r¡A²Ä242-253¶¡C
McGrath, Charles. "The Triumph of the Prime-Time Novel," pp. 242-253.
- Lynn Spigel¡G¡q¤k©Êªº¤u§@¡r¡A²Ä73-100¶¡C
Spigel, Lynn. "Women's Work," pp. 73-100.
- ¤j½Ã¡E¯Á§B®¦¡G¡q¹qµø±¡¸`¼@¡r¡A²Ä595-609¶¡C
Thorburn, David. "Television Melodrama," pp. 595-609.
- Phil Williams¡G¡q²æÂ÷¹L¥hªºµ¹¾i¡G¹qµø«¼½ªºµo®i¡r¡A²Ä52-73¶¡C
Williams, Phil. "Feeding Off the Past: The Evolution of the Television Rerun," pp. 52-73.
¸É¥R¾\Ū§÷®Æ Additional Readings
ùÄõ¡E¤Ú¯S¡G¡q¨¤¤Oªº¥@¬É¡r¡A¥X¦Û¡m¯«¸Ü¾Ç¡n¤@®Ñ¡C¯Ã¬ù¡G§Æº¸©M¤ý¥Xª©ªÀ¡A1972¦~ª©¡C Barthes, Roland. "The World of Wrestling." In Mythologies. New York: Hill and Wang, 1972.
¦«¥§¡E¯Z©`¯S¡G¡q´CÅé²z½×¡AªÀ·|²z½×¡r¡A¥X¦ÛMichael Gurevitchµ¥¤H©Ò½s¡m¤å¤Æ¡AªÀ·|©M´CÅé¡n¤@®Ñ¡C±ö¹Ï®¦¥Xª©ªÀ¡A1982¦~ª©¡A²Ä30-55¶¡C Bennett, Tony. "Theories of the Media, Theories of Society." In Culture, Society and the Media. Edited by Michael Gurevitch et al. London: Methuen, 1982, pp. 30-55.
¸â©i´µ¡E³Í§Q¡G¡q¶Ç¼½ªº¤å¤Æ¬ã¨s¤èªk¡r¡A¥X¦Û¡m§@¬°¤å¤Æªº¶Ç¼½¡n¤@®Ñ¡Cªi¤h¹y¡G®¦¤å¡E®ü°Ò¥Xª©ªÀ¡A 1989¦~ª©¡C Carey, James. "A Cultural Approach to Communication." In Communication as Culture. Boston: Unwin Hyman, 1989.
°¨¤B¡E¦ã´µªL¡G¡q¨È¨½´µ¦h¼w©M¼s§i°Ó¡G³Qµø¬°À¸¼@§Î¦¡ªº¹qµø°Ó·~¼s§i¡r¡A¥X¦ÛÀN©Ô´µ¡E¯Ã±d©Ò½s¡m¹qµø¡G§å§PªºÆ[ÂI¡n¤@®Ñ¡]²Ä3ª©¡^¡C¯Ã¬ù¡G¤û¬z¤j¾Ç¥Xª©ªÀ¡A1982¦~ª©¡C Esslin, Martin. "Aristotle and the Advertisers: The Television Commercial Considered as a Form of Drama." In Television: The Critical View. Edited by Horace Newcomb. 3rd ed. New York: Oxford University Press, 1982.
³ìªv¡E®æ§B¯Ç©M©ÔùØ¡E®æÃ¹´µ¡G¡q»P¹qµø¤@°_¥Í¬¡¡G¼É¤O¯À´y¡r¡A¡m¶Ç¼½¾ÇÂø»x¡n²Ä26¨÷¡A²Ä2´Á¡]1976¦~¬K©u¸¹¡^¡G²Ä173-199¶¡C Gerbner, George, and Larry Gross. "Living with Television: The Violence Profile." Journal of Communication, Vol. 26, No. 2 (Spring 1976): 173-199.
Todd Gitlin¡G¡qÅý¥¦¬Ý¤W¥hÕæ¶Ã¡G<¤sµóÂŽÕ>À»ÅT·sªºµ^Áä¡r¡A¡m¬ü°ê¹q¼v¡n¡]1981¦~9¤ë¸¹¡^¡G²Ä45-49¶¡A²Ä76¶¡C Gitlin, Todd. "'Make It Look Messy': Striking a New Note with Hill Street Blues." American Film (September 1981): 45-49, 76.
Douglas Gomery¡G¡q¹qµø¡B¦nµÜ¶õ©M¹qµø¹q¼vªºµo®i¥v¡r¡A¥X¦ÛE. Ann Kaplan©Ò½s¡mÃö©ó¹qµø¡n¤@®Ñ¡C[Frederick, Md.]¡G¬ü°ê¤j¾Ç¥Xª©¶°¹Î¡A1983¦~ª©¡A²Ä120-129¶¡C Gomery, Douglas. "Television, Hollywood, and the Development of Movies Made-for-Television." In Regarding Television. Edited by E. Ann Kaplan. [Frederick, MD]: University Publications of America, 1983, pp. 120-129.
Paul Klein:¡q¹B§@¹qµøªº¤H¤ñ§A·Q¹³ªºn§óÁA¸Ñ§ÚÌ¡r¡A¥X¦ÛRod Holmgren©MWilliam Norton ¡]Englewood Cliffs, N.J.¡^©Ò½s¡m¤j²³´CÅé¤â¥U¡n¤@®Ñ¡C´¶Û¸¦´µ¡ÐÀNº¸¥Xª©ªÀ¡A1972¦~ª©¡C Klein, Paul. "The Men Who Run TV Know Us Better than You Think." In The Mass Media Book. Edited by Rod Holmgren and William Norton. Englewood Cliffs, N.J.: Prentice-Hall, 1972.
Tania Modleski¡G¡q±µ¨üªº¸`«µ¡G¤é¶¡¹qµø¸`¥Ø©M¤k©Êªº¤u§@¡r¡A¥X¦ÛE. Ann Kaplan©Ò½s¡mÃö©ó¹qµø¡n¤@®Ñ¡C[Frederick, Md.]¡G¬ü°ê¤j¾Ç¥Xª©¶°¹Î¡A1983¦~ª©¡C Modleski, Tania. "The Rhythms of Reception: Daytime Television and Women's Work." In Regarding Television. Edited by E. Ann Kaplan. [Frederick, MD]: University Publications of America, 1983.
ÀN©Ô´µ¡E¯Ã±d¡G¡q¿Õº¸°Ò¡E¨½º¸ªº¹qµøÃÀ³N¤~µØ¡r¡A¡m®i±æ¡nÂø»x¡A²Ä2¨÷¡]1976¦~¡^¡G²Ä109-125¶¡C Newcomb, Horace. "The Television Artistry of Norman Lear." Prospects, Vol. 2 (1976): 109-125.
Jimmie L. Reeves¡G¡q«¼g<¯Ã«¢¯S>¡G¸Ü»y¤ÀªR¡r¡A¡m¼s¨¤¡nÂø»x¡A²Ä10¨÷¡A²Ä1´Á¡]1988¦~¡^¡G²Ä 76-91¶¡C Reeves, Jimmie L. "Rewriting Newhart: A Dialogic Analysis." Wide Angle, Vol. 10, No. 1 (1988): 76-91.
Jimmie L. Reeves©MRichard Campbell¡G¡q<¥±Äõ§Jªº¦ì¸m>ªº¿ù¦ì¡G§Aª¾¹D³o¹ï¯Ã¶ø¨}¤p©j·N¨ýµÛ¤°»ò¶Ü¡H¡r¡A¡m¹qµø©u¥Z¡nÂø»x¡A²Ä24¨÷¡A²Ä1´Á¡]1989¦~¡^¡G²Ä45-57¶¡C Reeves, Jimmie L., and Richard Campbell. "Misplacing Frank's Place: Do You Know What It Means to Miss New Orleans?" Television Quarterly, Vol. 24, No. 1 (1989): 45-57.
Marc C. Rogers¡AMichael Epstein©MJimmie L. Reeves¡G¡q§@¬°®a®x¼v°|ÀW¹D«~µP¸ê²£ªº<¶Â¹D®a±Ú>¡G¼Æ¦ì½Æ»s®É¥Nªº°Ó·~ÃÀ³N¡r¡ADavid Lavery©Ò½s¡m³oÓÄÝ©ó§Ú̪ºªF¦è¡G<¶Â¹D®a±Ú>¬ã¨s¡n¤@®Ñªº²Ä6³¹¡C¯Ã¬ù¡GôÛ¤ñ¨È¤j¾Ç¥Xª©ªÀ¡A2002¦~ª©¡C Rogers, Marc C., Michael Epstein, and Jimmie L. Reeves. "The Sopranos as HBO Brand Equity: The Art of Commerce in the Age of Digital Reproduction." Chap. 6 in This Thing of Ours: Investigating The Sopranos. Edited by David Lavery. New York: Columbia University Press, 2002.
John Romano¡G¡q®¬¹Lªº¦æ¬°¡r¡A¥X¦Û¡m¬ü°ê¹Ú¡n¡]¼@¥»¡^ Romano, John. American Dreams, "Act of Contrition" (script).
David Sohn©M³Ç¯÷¡E®w¨¯´µ°ò¡G¡q¤@Ó¼v¹³ªº°ê«×¡r¡A¥X¦Û¥X¦ÛÀN©Ô´µ¡E¯Ã±d©Ò½s¡m¹qµø¡G§å§PªºÆ[ÂI¡n¤@®Ñ¡]²Ä2ª©¡^¡C¯Ã¬ù¡G¤û¬z¤j¾Ç¥Xª©ªÀ¡A1979¦~ª©¡C Sohn, David, and Jerzy Kosinski. "A Nation of Videots." In Television: The Critical View. Edited by Horace Newcomb. 2nd ed. New York: Oxford University Press, 1979.
¤j½Ã¡E¯Á§B®¦¡G¡q°»±´¸`¥Ø¡r©M¡q¹CÀ¸¦WºÙ¡r¡A¥X¦ÛÀN©Ô´µ¡E¯Ã±d©Ò½s¡m¹qµø¦Ê¬ì¥þ®Ñ¡n¤@®Ñ¡CªÛ¥[ô¡Gµá¯ýù¥ì¡E}º¸§B®¦¥Xª©ªÀ¡A1997¦~ª©¡C Thorburn, David. "Detective Programs," and "The Name of the Game." In Encyclopedia of Television. Edited by Horace Newcomb. Chicago: Fitzroy Dearborn, 1997.
¤j½Ã¡E¯Á§B®¦¡G¡qÄÄÄÀ©M§PÂ_¡G¸ÑŪ<±I¹æªºÂF¤l>¡r¡A¡m¤j²³¶Ç¼½ªº§å§P¬ã¨s¡nÂø»x¡A²Ä10¨÷¡A²Ä2´Á¡]1993¦~6¤ë¸¹¡^¡G²Ä113-127¶¡C Thorburn, David. "Interpretation and Judgment: A Reading of Lonesome Dove." Critical Studies in Mass Communication, Vol. 10, No. 2 (June 1993): 113-27.
¤j½Ã¡E¯Á§B®¦¡G¡q§@¬°¼f¬ü´C¤¶ªº¹qµø¡r¡A¡m¤j²³¶Ç¼½ªº§å§P¬ã¨s¡nÂø»x¡A²Ä4¨÷¡A²Ä2´Á¡]1987¦~6¤ë¸¹¡^¡G²Ä161-173¶¡C Thorburn, David. "Television as an Aesthetic Medium." Critical Studies in Mass Communication, Vol. 4, No. 2 (June 1987): 161-173.
¤j½Ã¡E¯Á§B®¦¡G¡q¦Û¬Û¥Ù¬Þªººô¸ô¡r¡A¡m¬ü°ê®i±æ¡nÂø»x¡A²Ä9¨÷¡A²Ä40´Á¡]1998¦~9¡þ10¤ë¸¹¡^¡G²Ä78-80¶¡C Thorburn, David. "Web of Paradox." The American Prospect, Vol. 9, No. 40 (September/October 1998): 78-80.
William Uricchio¡G¡m·t©Ð¤ñ¥|¥Ø¬Û¹ï¦³§ó¦hªº¤º²[¡n¡]¤â½Z¡^¡C Uricchio, William. "There's More to the Camera Obscura than Meets the Eye." Manuscript.
±ÀÂˤ奻 Recommended Texts
1. °Ñ¦ÒµÛ§@©M½×¤å¿ï¶° 1. Reference Works and Collections of Essays
Richard P. Adler©Ò½s¡G¡m²z¸Ñ¹qµø¡n¡C¯Ã¬ù¡G´¶¹p®æº¸¥Xª©ªÀ¡A1981¦~ª©¡C Adler, Richard P., ed. Understanding Television. New York: Praeger, 1981.
Robert Allen©Ò½s¡G¡m¸Ü»y´ë¹D¡n¡A±Ð°ó¤s¡G¥_¥dù¨Ó¯Ç¤j¾Ç¥Xª©ªÀ¡A1987¦~ª©¡C Allen, Robert, ed. Channels of Discourse. Chapel Hill: University of North Carolina Press, 1987.
Les Brown©Ò½s¡G¡m<¯Ã¬ù®É³ø>¹qµø¦Ê¬ì¥þ®Ñ¡n¡C¯Ã¬ù¡G®É³ø¹Ï®Ñ¤½¥q¡A1977¦~ª©¡C Brown, Les, ed. The New York Times Encyclopedia of Television. New York: Times Books, 1977.
Jane Feuer¡APaul Kerr©MTise Vahimagi©Ò½s¡G¡mMTM¡G«~½è¹qµø¡n¡CÛ´°¡GBFI¥Xª©ªÀ¡A1984¦~ª©¡C Feuer, Jane, Paul Kerr, and Tise Vahimagi, eds. MTM: "Quality Television." London: BFI Pub., 1984.
Michael Gurevitch©M¦«¥§¡E¯Z©`¯Sµ¥¤H©Ò½s¡G¡m¤å¤Æ¡BªÀ·|©M´CÅé¡n¡CÛ´°¡G±ö¹Ï®¦¥Xª©ªÀ¡A1982¦~ª©¡C Gurevitch, Michael, Tony Bennett, et al., eds. Culture, Society and the Media. London: Methuen, 1982.
E. Ann Kaplan©Ò½s¡G¡mÃö©ó¹qµø¡n[Frederick, Md.]¡G¬ü°ê¤j¾Ç¥Xª©¶°¹Î¡A1983¦~ª©¡C Kaplan, E. Ann, ed. Regarding Television. [Frederick, Md.]: University Publications of America, 1983.
Donald Lazere©Ò½s¡G¡m¬ü°ê´CÅé©M¤j²³¤å¤Æ¡G¥ªÁlÆ[ÂI¡n¡A§B§J§Q¡G¥[§QºÖ¥§¨È¤j¾Ç¥Xª©ªÀ¡A1988¦~ª©¡C Lazere, Donald, ed. American Media and Mass Culture: Left Perspectives. Berkeley: University of California Press, 1988.
Alex McNeil¡G¡m§¹¥þ¹qµø¡n¡C¯Ã¬ù¡G¥øÃZ¹Ï®Ñ¤½¥q¡A1996¦~ª©¡C McNeil, Alex. Total Television. New York: Penguin Books, 1996.
Tania Modleski©Ò½s¡G¡m®T¼Ö¬ã¨s¡n¡C¥¬¶©©ú¹y¡G¦L²Ä¦w¨º¤j¾Ç¥Xª©ªÀ¡A1986¦~ª©¡C Modleski, Tania, ed. Studies in Entertainment. Bloomington: Indiana University Press, 1986.
ÀN©Ô´µ¡E¯Ã±d©Ò½s¡G¡m¹qµø¦Ê¬ì¥þ®Ñ¡n¡CªÛ¥[ô¡Gµá¯ýù¥ì¡E}º¸§B®¦¥Xª©ªÀ¡A1997¦~ª©¡C Newcomb, Horace, ed. Encyclopedia of Television. Chicago: Fitzroy Dearborn, 1997.
John E O'Connor©Ò½s¡G¡m¬ü°ê¾ú¥v¡þ¬ü°ê¹qµø¡n¡C¯Ã¬ù¡G®¦¥[º¸¥Xª©ªÀ¡A1983¦~ª©¡C O'Connor, John E., ed. American History/American Television. New York: Ungar, 1983.
2. §å§P©M¾ú¥v©Ê¬ã¨s 2. Critical and Historical Studies
Robert Allen¡G¡m½Í½×ªÎ¨m¼@¡n¡C±Ð°ó¤s¡G¥_¥dù¨Ó¯Ç¤j¾Ç¥Xª©ªÀ¡A1985¦~ª©¡C Allen, Robert. Speaking of Soap Operas. Chapel Hill: University of North Carolina Press, 1985.
Christopher Anderson¡G¡m¦nµÜ¶õ¹qµø¡n¡]³Õ¤h½×¤å¡^¡C¼w§JÂÄ´µ¤j¾Ç¶ø´µ¤B¤À®Õ¡A1988¦~¡C Anderson, Christopher. Hollywood TV. Ph. D. Thesis. University of Texas at Austin, 1988.
Ien Ang¡G¡m°_©~«Çùتº¾Ôª§¡G¹ï´CÅéÆ[²³ªº¦A«ä¦Ò¡n¡C¯Ã¬ù¡G¸ô¯S¹p©_¥Xª©ªÀ¡A1996¦~ª©¡C Ang, Ien. Living Room Wars: Rethinking Media Audiences. New York: Routledge, 1996.
Ien Ang¡G¡mÆ[¬Ý<¹F©Ô´µ>¡n¡CÛ´°¡G±ö¹Ï®¦¥Xª©ªÀ¡A1985¦~ª©¡C Ang, Ien. Watching Dallas. London: Methuen, 1985.
ùÄõ¡E¤Ú¯S¡G¡m¯«¸Ü¾Ç¡n¡C¯Ã¬ù¡G§Æº¸©M¤ý¥Xª©ªÀ¡A1972¦~ª©¡C Barthes, Roland. Mythologies. New York: Hill and Wang, 1972.
William Boddy¡G¡m50¦~¥Nªº¹qµø¡G²£·~¤Î¨ä§å§PªÌ¡n¡C¤Ì¯Z¯Ç¡G¥ì§Q¿Õ¥ì¤j¾Ç¥Xª©ªÀ¡A1990¦~ª©¡C Boddy, William. Fifties Television: The Industry and Its Critics. Urbana: University of Illinois Press, 1990.
Charlotte Brunsdon©MDavid Morley¡G¡m¨C¤é¹qµø¡n¡C¯Ã¬ù¡G¸ô¯S¹p©_¥Xª©ªÀ¡A1999¦~ª©¡C Brunsdon, Charlotte, and David Morley. Everyday Television. New York: Routledge, 1999.
Peter Burke¡G¡mªñ¥N¼Ú¬w¦´Áªº¤j²³¤å¤Æ¡n¡C¯Ã¬ù¡G¯Ã¬ù¤j¾Ç¥Xª©ªÀ¡A1978¦~ª©¡C Burke, Peter. Popular Culture in Early Modern Europe. New York: New York University Press, 1978.
¸â©i´µ¡E³Í§Q¡G¡m§@¬°¤å¤Æªº¶Ç¼½¡n¡Cªi¤h¹y¡G®¦¤å¡E®ü°Ò¥Xª©ªÀ¡A1989¦~ª©¡C Carey, James. Communication as Culture. Boston: Unwin Hyman, 1989.
John Cawelti¡G¡m«_ÀI¡B¯«¯µ©M®öº©¡n¡CªÛ¥[ô¡GªÛ¥[ô¤j¾Ç¥Xª©ªÀ¡A1976¦~ª©¡C Cawelti, John. Adventure, Mystery and Romance. Chicago: University of Chicago Press, 1976.
¤¦¥§º¸¡EÀ¹´©M¥ìµÜ¥ð¡E¥d¯ý¡G¡m¾ú¥vªº²{³õª½¼½¡X¡X´CÅ鍯¥ó¡n¡C³Â¶ë½Ñ¶ë¦{§¢¥¬ùØ©_¡G«¢¦ò¤j¾Ç¥Xª©ªÀ¡A1992¦~ª©¡C Dayan, Daniel, and Elihu Katz. Media Events: The Live Broadcasting of History. Cambridge, Mass.: Harvard University Press, 1992. ¡]²Å餤¤åĶ¥»¡G[¬ü] ¤¦¥§º¸¡EÀ¹´¡B¥ìµÜ¥ð¡E¥d¯ýµÛ¡A³Âª§ºXĶ¡G¡m¾ú¥vªº²{³õª½¼½¡X¡X´CÅ鍯¥ó¡n¡C¥_¨Ê¡G¥_¨Ê¼s¼½¾Ç°|¥Xª©ªÀ¡A2000¦~ª©¡C¡^
Melvin Patrick Elyªº¡m<¥ýª¾¦w}>ªº«_ÀI¡G¤@¬qªÀ·|¾ú¥v¡n¡C¯Ã¬ù¡G¦Û¥Ñ¥Xª©ªÀ¡A1992¦~ª©¡C Ely, Melvin Patrick. The Adventures of Amos 'n Andy: A Social History. New York: Free Press, 1992.
¬ù¿«¡E¶O´µ§J©M¬ù¿«¡E«¢¯S§Q¡G¡m¸ÑŪ¹qµø¡n¡CÛ´°¡G±ö¹Ï®¦¥Xª©ªÀ¡A1978¦~ª©¡C Fiske, John, and John Hartley. Reading Television. London: Methuen, 1978. ¡]ÁcÅ餤¤åĶ¥»¡GFiske, J. & Hartley,J.µÛ¡A¾G©ú¼ÎĶ¡G¡m¸ÑŪ¹qµø¡n¡C»O¥_¡G»·¬y¡A1993¦~ª©¡C¡^
¬ù¿«¡E¶O´µ§J¡G¡m¹qµø¤å¤Æ¡n¡CÛ´°¡G±ö¹Ï®¦¥Xª©ªÀ¡A1987¦~ª©¡C Fiske, John. Television Culture. London: Methuen, 1987.
¬_§Q¥±¼w¡E®æº¸¯÷¡G¡m¤å¤ÆªºÄÄÄÀ¡n¡C¯Ã¬ù¡G°ò¦¹Ï®Ñ¤½¥q¡A1973¦~ª©¡C Geertz, Clifford. The Interpretation of Cultures. New York: Basic Books, 1973. ¡]²Å餤¤åĶ¥»¡GClifford GeertzµÛ¡A¯Ç¤éºÑ¤O¤àµ¥Ä¶¡G¡m¤å¤ÆªºÄÄÄÀ¡n¡C¤W®ü¡G¤H¥Á¥Xª©ªÀ¡A1999¦~ª©¡C¡^
Todd Gitlin¡G¡m¶Àª÷®É¬q¤º¹õ¡n¡C¥[§QºÖ¥§¨È¦{§B§J§Q¡G¥[§QºÖ¥§¨È¤j¾Ç¥Xª©ªÀ¡A2000¦~ª©¡C Gitlin, Todd. Inside Prime Time. Berkeley, Calif.: University of California Press, 2000.
Michele Hilmes¡G¡m¦nµÜ¶õ©M¼s¼½¡G±qµL½u¹q¨ì¦³½u¹qµø¡n¡C¤Ì¯Z¯Ç¡G¥ì§Q¿Õ¥ì¤j¾Ç¥Xª©ªÀ¡A1990¦~ª©¡C Hilmes, Michele. Hollywood and Broadcasting: From Radio to Cable. Urbana: University of Illinois Press, 1990.
Henry Jenkins¡G¡m¤å¥»°½ÂyªÌ¡n¡C¯Ã¬ù¡G¸ô¯S¹p©_¥Xª©ªÀ¡A1992¦~ª©¡C Jenkins, Henry. Textual Poachers. New York: Routledge, 1992.
J. Fred MacDonald¡G¡m¶Â¥Õ¹qµø¡n¡CªÛ¥[ô¡G¯Çº¸»¹¡ÐÀNº¸¥Xª©ªÀ¡A1983¦~ª©¡C MacDonald, J. Fred. Blacks and White TV. Chicago: Nelson-Hall, 1983.
J. Fred MacDonald¡G¡m¤@Ó¹qµø²Îªv¤Uªº°ê«×¡G¹qµøºôªº¿³°_©M°I¸¨¡n¡C¯Ã¬ù¡G ¬£¯S¹A¹Ï®Ñ¤½¥q¡A1990¦~ª©¡C MacDonald, J. Fred. One Nation Under Television: The Rise and Fall of Network TV. New York: Pantheon Books, 1990.
David Marc¡G¡m³ß¼@µø¹³¡n¡C³Â¶ë½Ñ¶ë¦{°¨º¸µn¡G¥¬µÜ§Jºûº¸¥Xª©ªÀ¡A1997¦~ª©¡C Marc, David. Comic Visions. Malden, Mass.: Blackwell, 1997.
David Marc¡G¡m¤H¤f»·´º¡n¡C¶O«°¡G»«¤iªk¥§¨È¤j¾Ç¥Xª©ªÀ¡A1996¦~ª©¡C Marc, David. Demographic Vistas. Philadelphia: University of Pennsylvania Press, 1996.
Tania Modleski¡G¡m´_¤³¤§·R¡n¡C¯Ã¬ù¡G¸ô¯S¹p©_¥Xª©ªÀ¡A1990¦~ª©¡C Modleski, Tania. Loving with a Vengeance. New York: Routledge, 1990.
David Morley¡G¡m®a®x¹qµø¡n¡CÛ´°¡GÀ¸¼@¥Xª©ªÀ¡A1986¦~ª©¡C Morley, David. Family Television. London: Comedia, 1986.
Laura Mulvey¡G¡mµøÄ±©M¨ä¥Lªº¼Ö½ì¡n¡C¥¬¶©©ú¹y¡G¦L²Ä¦w¨º¤j¾Ç¥Xª©ªÀ¡A1989¦~ª©¡C Mulvey, Laura. Visual and Other Pleasures. Bloomington: Indiana University Press, 1989.
ÀN©Ô´µ¡E¯Ã±d¡G¡m¹qµø¡G³Ì¤j²³¤ÆªºÃÀ³N¡n¡C¯Ã¬ùªá¶é«°¡GÁãÃì¥Xª©ªÀ¡A1974¦~ª©¡C Newcomb, Horace. TV: The Most Popular Art. Garden City, N.Y.: Anchor Press, 1974.
Horace Newcomb©MRobert S. Alley¡G¡m»s¤ù¤Hªº´C¤¶¡n¡C¯Ã¬ù¡G¤û¬z¤j¾Ç¥Xª©ªÀ¡A1983¦~ª©¡C Newcomb, Horace, and Robert S. Alley. The Producer's Medium. New York: Oxford University Press, 1983.
Patricia Palmer¡G¡m¥Í®ð½´«kªºÆ[²³¡G¹ï¹qµø¾÷®Ç¨àµ£ªº¬ã¨s¡n¡Cªi¤h¹y¡G¦ãÛ & ¦w¤å¥Xª©ªÀ¡A1986¦~ª©¡C Palmer, Patricia. The Lively Audience: A Study of Children around the TV Set. Boston: Allen & Unwin, 1986.
Lynn Spigel¡G¡m¬°¹qµøÄË¥XªÅ¶¡¡G¹qµø©M¾Ô«á¬ü°êªº®a®x²z·Q¡n¡CªÛ¥[ô¡GªÛ¥[ô¤j¾Ç¥Xª©ªÀ¡A1992¦~ª©¡C Spigel, Lynn. Make Room for TV: Television and the Family Ideal in Postwar America. Chicago: University of Chicago Press, 1992.
Thomas Streeter¡G¡m¥X°â¤ÑªÅ¡n¡CªÛ¥[ô¡GªÛ¥[ô¤j¾Ç¥Xª©ªÀ¡A1996¦~ª©¡C Streeter, Thomas. Selling the Air. Chicago: University of Chicago Press, 1996.
Robert J Thompson¡G¡m¹qµøªº²Ä¤GÓ¶Àª÷®É¥N¡G±q<¤sµóÂŽÕ>¨ì<«æ¶E«Çªº¬K¤Ñ>¡n¡C¯Ã¬ù¡Gºø©µ¥Xª©ªÀ¡A1996¦~ª©¡C Thompson, Robert J. Television's Second Golden Age: From Hill Street Blues to ER. New York: Continuum, 1996.
John Tulloch©M¦ë§Q¡E¸âª÷´µ¡G¡m¬ì¤ÛªºÆ[²³¡n¡C¯Ã¬ù¡G¸ô¯S¹p©_¥Xª©ªÀ¡A1995¦~ª©¡C Tulloch, John, and Henry Jenkins. Science Fiction Audiences. New York: Routledge, 1995.
¹p»X¡E«Â·G©i´µ¡G¡m¹qµø¡G¬ì§Þ»P¤å¤Æ§Î¦¡¡n¡C¯Ã¬ù¡G´µ¬ìªÖ¹Ï®Ñ¤½¥q¡A1975¦~ª©¡C Williams, Raymond. Television: Technology and Cultural Form. New York: Schocken Books, 1975.
|