MIT OpenCourseWare


» ¶i¶¥·j´M
 ½Òµ{­º­¶
 ±Ð¾Ç¤jºõ
 ±Ð¾Ç®Éµ{
 ¬ÛÃö¾\Ū¸ê®Æ
 §@·~
 ´úÅç
 Æ[¼¯²M³æ
 ¤U¸ü½Òµ{

±Ð¾Ç®Éµ{


¥»­¶Â½Ä¶¶i«×

¿O¸¹»¡©ú

¼f©w¡GµL
½s¿è¡G±iªY¯ø(²¤¶¨Ã±H«H)
½s¿è¡G³¯¬Õ(²¤¶¨Ã±H«H)¡B­J©úÀR(²¤¶¨Ã±H«H)




½Ò ½Òµ{³æ¤¸ ¾\Ū¸ê®Æ §@·~
1 ¾É½×¡G¹qµø»P¤å¤Æ¬ã¨s
Introduction: Television and Cultural Study
2 ¯î¦a¯«¸Ü
The Wasteland Mythology
David Sohn©M³Ç¯÷¡E®w¨¯´µ°ò¡G¡q¤@­Ó¼v¹³ªº°ê«×¡r
Sohn, David, and Jerzy Kosinski. "A Nation of Videots."

³ìªv¡E®æ§B¯Ç©M©ÔùØ¡E®æÃ¹´µ¡G¡q»P¹qµø¤@°_¥Í¬¡¡r
Gerbner, George, and Larry Gross. "Living with Television."

Paul Klein:¡q¹B§@¹qµøªº¤H¤ñ§A·Q¹³ªº­n§óÁA¸Ñ§Ú­Ì¡r
Klein, Paul. "The Men Who Run TV Know Us Better than You Think."

®JùاJ¡E¤Úº¸¿Õ¡G¡m¥R¨¬ªºÅã¹³ºÞ¡n¡]²Ä2ª©¡^¡A²Ä1-2³¹¡C
Barnouw, Erik. Tube of Plenty. 2nd ed. Chap. 1-2.

3, 4 §@¬°¤@ºØ¤å¤Æ§Î¦¡ªº¹qµø
Television As A Cultural Form
¸â©i´µ¡E³Í§Q¡G¡q¶Ç¼½ªº¤å¤Æ¬ã¨s¤èªk¡r
Carey, James. "A Cultural Approach to Communication."

ùÄõ¡E¤Ú¯S¡G¡q¨¤¤Oªº¥@¬É¡r
Barthes, Roland. "The World of Wrestling."

¤j½Ã¡E¯Á§B®¦¡G¡q§@¬°¼f¬ü´C¤¶ªº¹qµø¡r
Thorburn, David. "Television as an Aesthetic Medium."

ÀN©Ô´µ¡E¯Ã±d©MPaul M. Hirsch¡G¡q§@¬°¤å¤Æ½×¾Âªº¹qµø¡r¡A¥X¦ÛÀN©Ô´µ¡E¯Ã±d©Ò½s¡G¡m¹qµø¡G§å§PªºÆ[ÂI¡n¡]²Ä6ª©¡^
Newcomb, Horace, and Paul M. Hirsch. "TV as a Cultural Forum." In Newcomb, Horace, ed. Television: The Critical View. 6th ed.

*¦«¥§¡E¯Z©`¯S¡G¡q´CÅé²z½×¡AªÀ·|²z½×¡r
*Bennett, Tony. "Theories of the Media, Theories of Society."

William Uricchio¡G¡m·t©Ð¤ñ¥|¥Ø¬Û¹ï¦³§ó¦hªº¤º²[¡n
Uricchio, William. "There's More to the Camera Obscura than Meets the Eye."

5 ¼s¼½®É¥N
The Broadcast Era
®JùاJ¡E¤Úº¸¿Õ¡G¡m¥R¨¬ªºÅã¹³ºÞ¡n. ²Ä3-4³¹¡C
Barnouw, Erik. Tube of Plenty. Chap. 3-4.

Christopher Anderson¡G¡q¨f´µ©`¼Ö¶é¡r¡]¦b¯Ã±dªº®Ñ¤¤¡^
Anderson, Christopher. "Disneyland." In Newcomb.

6, 7 Lynn Spigel¡G¡q¤k©Êªº¤u§@¡r¡]¦b¯Ã±dªº®Ñ¤¤¡^
Spigel, Lynn. "Women's Work." In Newcomb.

Tim Brooks©MMarsh Earle¡G¡q¾É½×¡r¡A¦b¡m¹qµøºô¶Àª÷®É¬q¸`¥Ø©M¦³½u¹qµø¸`¥Ø§¹¥þ«ü«n¡n¤@®Ñ¤¤¡]²Ä7ª©¡^
Brooks, Tim, and Earle Marsh. "Introduction." In The Complete Directory to Prime Time Network and Cable TV Shows. 7th ed.

8, 9 ¹qµø¬y¬£
TV Genres
®JùاJ¡E¤Úº¸¿Õ¡G¡m¥R¨¬ªºÅã¹³ºÞ¡n. ²Ä5³¹
Barnouw, Erik. Tube of Plenty. Chap. 5.

¤j½Ã¡E¯Á§B®¦¡G¡q¹qµø±¡¸`¼@¡r¡]¦b¯Ã±dªº®Ñ¤¤¡^
Thorburn, David. "Television Melodrama." In Newcomb.

²Ä8½Ò®É¡G«ö¹w©w®É¶¡¤W¥æ­º½g½×¤å
Class 8: First paper due
10, 11

Mark Alvey¡q¿W¥ß¬£¡r¡]¦b¯Ã±dªº®Ñ¤¤¡^
Alvey, Mark. "The Independents." In Newcomb.

Henry Jenkins III¡G¡q¡u¬PÄ¥°g¯è°O¡vªº­«¼½¡B¦A¸ÑŪ¡A¦A³Ð§@¡G§@¬°¤å¥»°½Âyªº¼v°g¼g§@¡r¡]¦b¯Ã±dªº®Ñ¤¤¡^
Jenkins, III, Henry. "Star Trek Rerun, Reread, Rewritten: Fan Writing as Textual Poaching." In Newcomb.

¤j½Ã¡E¯Á§B®¦¡G¡q°»±´¸`¥Ø¡r©M¡q¹CÀ¸¦WºÙ¡r
Thorburn, David. "Detective Programs," and "The Name of the Game."

12, 13 ®JùاJ¡E¤Úº¸¿Õ¡G¡m¥R¨¬ªºÅã¹³ºÞ¡n. ²Ä6³¹
Barnouw, Erik. Tube of Plenty. Chap. 6.

ÀN©Ô´µ¡E¯Ã±d¡G¡q¿Õº¸°Ò¡E¨½º¸ªº¹qµøÃÀ³N¤~µØ¡r
Newcomb, Horace. "The TV Artistry of Norman Lear."

Phil Williams¡G¡q²æÂ÷¹L¥hªºµ¹¾i¡r¡]¦b¯Ã±dªº®Ñ¤¤¡^
Williams, Phil. "Feeding Off the Past." In Newcomb.

²Ä13½Ò®É¡G´Á¤¤´úÅç
Class 13: Midterm quiz
14, 15 Douglas Gomery¡G¡q¹qµø¡B¦nµÜ¶õ©M¹qµø¹q¼vªºµo®i¥v¡r
Gomery, Douglas. "Television, Hollywood, and the Development of Movies Made-for-Television."

¤j½Ã¡E¯Á§B®¦¡G¡q¹qµøªíºt¬O¯S®íªºÃÀ³N§Î¦¡¶Ü¡H¡r
Thorburn, David. "Is TV Acting a Distinctive Art Form?"

John Romano¡G¡q®¬¹Lªº¦æ¬°¡r¡A¥X¦Û¡m¬ü°ê¹Ú¡n¡]¼@¥»¡^
Romano, John. "Act of Contrition." American Dreams. (script)

16, 17

Tania Modleski¡G¡q±µ¨üªº¸`«µ¡r
Modleski, Tania. "The Rhythms of Reception."

Jimmie L Reeves¡G¡q­«¼g¡u¯Ã«¢¯S¡v¡G¸Ü»y¤ÀªR¡r
Reeves, Jimmie L. "Rewriting Newhart: A Dialogic Analysis."

Todd Gitlin¡G¡qÅý¥¦¬Ý¤W¥hÕæ¶Ã¡r
Gitlin, Todd. "Make It Look Messy."

²Ä17½Ò®É¡G¤Àµo½Ò¥~´úÅç
Class 17: Take-home quiz distributed
18, 19 Herman Gray¡G¡q¹qµøºôªº¬Fªv¥N²z²{¶H¡r¡]¦b¯Ã±dªº®Ñ¤¤¡^
Gray, Herman. "The Politics of Representation in Network Television." In Newcomb.

Jackie Byars©M Eileen R. Meehan¡G¡q¥Í©R¤¤´¿¸g¦³¹L¡G³z¹L¦³½u¯¶¼½«Øºc¡¥Â¾·~¤k©Ê¡¦§Î¶H¡r¡]¦b¯Ã±dªº®Ñ¤¤¡^
Byars, Jackie, and Eileen R. Meehan. "Once in a Lifetime: Constructing 'The Working Woman' Through Cable Narrowcasting." In Newcomb.
²Ä19½Ò®É: «ö¹w©w®É¶¡¤W¥æ½Ò¥~´úÅç
Class 19: Take-home quiz due
20

¤j½Ã¡E¯Á§B®¦¡G¡qÄÄÄÀ©M§PÂ_¡G¸ÑŪ¡m±I¹æªºÂF¤l¡n¡r
Thorburn, David. "Interpretation and Judgment: A Reading of Lonesome Dove."

Charles McGrath¡G¡q¶Àª÷®É¬qªø½g¬G¨Æªº¦¨¥\¡r¡]¦b¯Ã±dªº®Ñ¤¤¡^
McGrath, Charles. "The Triumph of the Prime-Time Novel." In Newcomb.

«ö¹w©w®É¶¡¤W¥æ²Ä¤G½g½×¤å
Second paper due
21 °¨¤B¡E¦ã´µªL¡G¡q¨È¨½´µ¦h¼w©M¼s§i°Ó¡G³Qµø¬°À¸¼@§Î¦¡ªº¹qµø°Ó·~¼s§i¡r
Esslin, Martin. "Aristotle and the Advertisers: The Television Commercial Considered as a Form of Drama."
22 ¹qµøºô¤§«á
After the Networks
Marc Rogersµ¥¤H¡G¡q§@¬°®a®x¼v°|ÀW¹D«~µP¸ê²£ªº¡m¶Â¹D®a±Ú¡n¡G¼Æ¦ì½Æ»s®É¥Nªº°Ó·~ÃÀ³N¡r
Rogers, Marc, et al. "The Sopranos as HBO Brand Equity: The Art of Commerce in the Age of Digital Reproduction."

David Marc¡G¡q¤°»ò¦b¼½¥X¡H¡r¡]¦b¯Ã±dªº®Ñ¤¤¡^
Marc, David. "What Was Broadcasting?" In Newcomb.

23, 24 ¤j½Ã¡E¯Á§B®¦¡G¡q¦Û¬Û¥Ù¬Þªººô¸ô¡r
Thorburn, David. "Web of Paradox."
25 Æ[ÂI·§­z
Summary Perspectives
26 «Ý©w
To be determined
27 ´Á¥½¦Ò¸Õ
Final Exam

ª`¡G¥[*¸¹ªº¾\Ū¸ê®Æ«ØÄ³¬ã¨s¥Í¾\Ū¡C
*=Suggested Graduate Readings.




 
MIT Home
Massachusetts Institute of Technology Terms of Use Privacy