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1 |
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¾É½×¡G¹qµø»P¤å¤Æ¬ã¨s Introduction: Television and Cultural Study |
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2 |
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¯î¦a¯«¸Ü The Wasteland Mythology |
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David Sohn©M³Ç¯÷¡E®w¨¯´µ°ò¡G¡q¤@Ó¼v¹³ªº°ê«×¡r Sohn, David, and Jerzy Kosinski. "A Nation of Videots."
³ìªv¡E®æ§B¯Ç©M©ÔùØ¡E®æÃ¹´µ¡G¡q»P¹qµø¤@°_¥Í¬¡¡r
Gerbner, George, and Larry Gross. "Living with Television."
Paul Klein:¡q¹B§@¹qµøªº¤H¤ñ§A·Q¹³ªºn§óÁA¸Ñ§ÚÌ¡r Klein, Paul. "The Men Who Run TV Know Us Better than You Think."
®JùاJ¡E¤Úº¸¿Õ¡G¡m¥R¨¬ªºÅã¹³ºÞ¡n¡]²Ä2ª©¡^¡A²Ä1-2³¹¡C Barnouw, Erik. Tube of Plenty. 2nd ed. Chap. 1-2.
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3, 4 |
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§@¬°¤@ºØ¤å¤Æ§Î¦¡ªº¹qµø Television As A Cultural Form |
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¸â©i´µ¡E³Í§Q¡G¡q¶Ç¼½ªº¤å¤Æ¬ã¨s¤èªk¡r Carey, James. "A Cultural Approach to Communication."
ùÄõ¡E¤Ú¯S¡G¡q¨¤¤Oªº¥@¬É¡r Barthes, Roland. "The World of Wrestling."
¤j½Ã¡E¯Á§B®¦¡G¡q§@¬°¼f¬ü´C¤¶ªº¹qµø¡r Thorburn, David. "Television as an Aesthetic Medium."
ÀN©Ô´µ¡E¯Ã±d©MPaul M. Hirsch¡G¡q§@¬°¤å¤Æ½×¾Âªº¹qµø¡r¡A¥X¦ÛÀN©Ô´µ¡E¯Ã±d©Ò½s¡G¡m¹qµø¡G§å§PªºÆ[ÂI¡n¡]²Ä6ª©¡^ Newcomb, Horace, and Paul M. Hirsch. "TV as a Cultural Forum." In Newcomb, Horace, ed. Television: The Critical View. 6th ed.
*¦«¥§¡E¯Z©`¯S¡G¡q´CÅé²z½×¡AªÀ·|²z½×¡r *Bennett, Tony. "Theories of the Media, Theories of Society."
William Uricchio¡G¡m·t©Ð¤ñ¥|¥Ø¬Û¹ï¦³§ó¦hªº¤º²[¡n Uricchio, William. "There's More to the Camera Obscura than Meets the Eye."
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5 |
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¼s¼½®É¥N The Broadcast Era |
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®JùاJ¡E¤Úº¸¿Õ¡G¡m¥R¨¬ªºÅã¹³ºÞ¡n. ²Ä3-4³¹¡C Barnouw, Erik. Tube of Plenty. Chap. 3-4.
Christopher Anderson¡G¡q¨f´µ©`¼Ö¶é¡r¡]¦b¯Ã±dªº®Ñ¤¤¡^ Anderson, Christopher. "Disneyland." In Newcomb.
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6, 7 |
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Lynn Spigel¡G¡q¤k©Êªº¤u§@¡r¡]¦b¯Ã±dªº®Ñ¤¤¡^ Spigel, Lynn. "Women's Work." In Newcomb.
Tim Brooks©MMarsh Earle¡G¡q¾É½×¡r¡A¦b¡m¹qµøºô¶Àª÷®É¬q¸`¥Ø©M¦³½u¹qµø¸`¥Ø§¹¥þ«ü«n¡n¤@®Ñ¤¤¡]²Ä7ª©¡^ Brooks, Tim, and Earle Marsh. "Introduction." In The Complete Directory to Prime Time Network and Cable TV Shows. 7th ed.
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8, 9 |
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¹qµø¬y¬£ TV Genres |
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®JùاJ¡E¤Úº¸¿Õ¡G¡m¥R¨¬ªºÅã¹³ºÞ¡n. ²Ä5³¹ Barnouw, Erik. Tube of Plenty. Chap. 5.
¤j½Ã¡E¯Á§B®¦¡G¡q¹qµø±¡¸`¼@¡r¡]¦b¯Ã±dªº®Ñ¤¤¡^ Thorburn, David. "Television Melodrama." In Newcomb.
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²Ä8½Ò®É¡G«ö¹w©w®É¶¡¤W¥æº½g½×¤å Class 8: First paper due |
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10, 11 |
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Mark Alvey¡q¿W¥ß¬£¡r¡]¦b¯Ã±dªº®Ñ¤¤¡^ Alvey, Mark. "The Independents." In Newcomb.
Henry Jenkins III¡G¡q¡u¬PÄ¥°g¯è°O¡vªº«¼½¡B¦A¸ÑŪ¡A¦A³Ð§@¡G§@¬°¤å¥»°½Âyªº¼v°g¼g§@¡r¡]¦b¯Ã±dªº®Ñ¤¤¡^ Jenkins, III, Henry. "Star Trek Rerun, Reread, Rewritten: Fan Writing as Textual Poaching." In Newcomb.
¤j½Ã¡E¯Á§B®¦¡G¡q°»±´¸`¥Ø¡r©M¡q¹CÀ¸¦WºÙ¡r Thorburn, David. "Detective Programs," and "The Name of the Game."
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12, 13 |
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®JùاJ¡E¤Úº¸¿Õ¡G¡m¥R¨¬ªºÅã¹³ºÞ¡n. ²Ä6³¹ Barnouw, Erik. Tube of Plenty. Chap. 6.
ÀN©Ô´µ¡E¯Ã±d¡G¡q¿Õº¸°Ò¡E¨½º¸ªº¹qµøÃÀ³N¤~µØ¡r Newcomb, Horace. "The TV Artistry of Norman Lear."
Phil Williams¡G¡q²æÂ÷¹L¥hªºµ¹¾i¡r¡]¦b¯Ã±dªº®Ñ¤¤¡^ Williams, Phil. "Feeding Off the Past." In Newcomb.
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²Ä13½Ò®É¡G´Á¤¤´úÅç Class 13: Midterm quiz |
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14, 15 |
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Douglas Gomery¡G¡q¹qµø¡B¦nµÜ¶õ©M¹qµø¹q¼vªºµo®i¥v¡r Gomery, Douglas. "Television, Hollywood, and the Development of Movies Made-for-Television."
¤j½Ã¡E¯Á§B®¦¡G¡q¹qµøªíºt¬O¯S®íªºÃÀ³N§Î¦¡¶Ü¡H¡r Thorburn, David. "Is TV Acting a Distinctive Art Form?"
John Romano¡G¡q®¬¹Lªº¦æ¬°¡r¡A¥X¦Û¡m¬ü°ê¹Ú¡n¡]¼@¥»¡^ Romano, John. "Act of Contrition." American Dreams. (script)
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16, 17 |
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Tania Modleski¡G¡q±µ¨üªº¸`«µ¡r Modleski, Tania. "The Rhythms of Reception."
Jimmie L Reeves¡G¡q«¼g¡u¯Ã«¢¯S¡v¡G¸Ü»y¤ÀªR¡r Reeves, Jimmie L. "Rewriting Newhart: A Dialogic Analysis."
Todd Gitlin¡G¡qÅý¥¦¬Ý¤W¥hÕæ¶Ã¡r Gitlin, Todd. "Make It Look Messy."
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²Ä17½Ò®É¡G¤Àµo½Ò¥~´úÅç Class 17: Take-home quiz distributed |
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18, 19 |
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Herman Gray¡G¡q¹qµøºôªº¬Fªv¥N²z²{¶H¡r¡]¦b¯Ã±dªº®Ñ¤¤¡^ Gray, Herman. "The Politics of Representation in Network Television." In Newcomb.
Jackie Byars©M Eileen R. Meehan¡G¡q¥Í©R¤¤´¿¸g¦³¹L¡G³z¹L¦³½u¯¶¼½«Øºc¡¥Â¾·~¤k©Ê¡¦§Î¶H¡r¡]¦b¯Ã±dªº®Ñ¤¤¡^ Byars, Jackie, and Eileen R. Meehan. "Once in a Lifetime: Constructing 'The Working Woman' Through Cable Narrowcasting." In Newcomb. |
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²Ä19½Ò®É: «ö¹w©w®É¶¡¤W¥æ½Ò¥~´úÅç Class 19: Take-home quiz due |
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20 |
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¤j½Ã¡E¯Á§B®¦¡G¡qÄÄÄÀ©M§PÂ_¡G¸ÑŪ¡m±I¹æªºÂF¤l¡n¡r Thorburn, David. "Interpretation and Judgment: A Reading of Lonesome Dove."
Charles McGrath¡G¡q¶Àª÷®É¬qªø½g¬G¨Æªº¦¨¥\¡r¡]¦b¯Ã±dªº®Ñ¤¤¡^ McGrath, Charles. "The Triumph of the Prime-Time Novel." In Newcomb.
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«ö¹w©w®É¶¡¤W¥æ²Ä¤G½g½×¤å Second paper due |
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21 |
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°¨¤B¡E¦ã´µªL¡G¡q¨È¨½´µ¦h¼w©M¼s§i°Ó¡G³Qµø¬°À¸¼@§Î¦¡ªº¹qµø°Ó·~¼s§i¡r Esslin, Martin. "Aristotle and the Advertisers: The Television Commercial Considered as a Form of Drama." |
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22 |
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¹qµøºô¤§«á After the Networks |
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Marc Rogersµ¥¤H¡G¡q§@¬°®a®x¼v°|ÀW¹D«~µP¸ê²£ªº¡m¶Â¹D®a±Ú¡n¡G¼Æ¦ì½Æ»s®É¥Nªº°Ó·~ÃÀ³N¡r Rogers, Marc, et al. "The Sopranos as HBO Brand Equity: The Art of Commerce in the Age of Digital Reproduction."
David Marc¡G¡q¤°»ò¦b¼½¥X¡H¡r¡]¦b¯Ã±dªº®Ñ¤¤¡^ Marc, David. "What Was Broadcasting?" In Newcomb.
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23, 24 |
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¤j½Ã¡E¯Á§B®¦¡G¡q¦Û¬Û¥Ù¬Þªººô¸ô¡r Thorburn, David. "Web of Paradox." |
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25 |
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Æ[ÂI·§z Summary Perspectives |
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26 |
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«Ý©w To be determined |
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27 |
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´Á¥½¦Ò¸Õ Final Exam |
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