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審定:無
翻譯:陳靖婧(簡介並寄信)
編輯:馬景文(簡介並寄信)
(編註:輔助教室
編輯所設置自學書院網站設有本課程的輔助教室,內容包括部份閱讀文章的翻譯本,中文文獻連結,和自學者論壇。)



Agamben, Giorgio〈安全和恐怖主義〉《理論和事件》5期4卷 (2002).
Agamben, Giorgio. "Security and Terror." Theory and Event 5, no. 4 (2002).

Agamben, Giorgio〈前言〉〈證人〉《奧斯維辛的遺迹:證人和檔案》New York:Zone Books, 2002.
Agamben, Giorgio. Preface and "The Witness." In Remnants of Auschwitz: The Witness and the Archive. New York: Zone Books, 2002.

Azoulay, Ariella〈【盲目】姿態:廣島〉《死亡陳列室:當代民主中圖像的力量》Ruvnik Danieli英譯,Cambridge, MA: MIT Press, 2001.
Azoulay, Ariella. "The [Blind] Gesture: Hiroshima." In Death's Showcase: The Power of Image in Contemporary Democracy. Translated by Ruvnik Danieli. Cambridge, MA: MIT Press, 2001.

Barnet, Sylvan《關於文學的寫作簡短指南》第四版,New York: Harper Collins, 1992.
Barnet, Sylvan. A Short Guide to Writing About Literature. 4th ed. New York: Harper Collins, 1992.

Baudrillard, Jean《恐怖主義的精神》,London: Verso Books, 2002.
Baudrillard, Jean. The Spirit of Terrorism. London: Verso Books, 2002.

Brockmann, Stephen〈德國文學,零年:1945-53年的作家和政治〉
Brockmann, Stephen. "German Literature, Year Zero: Writers and Politics, 1945-53."

Caruth, Cathy〈文學和記憶制定:Duras,,Resnais,廣島之戀〉《未認領的經歷:創傷、叙事和歷史》Baltimore: Johns Hopkins University Press, 1996
Caruth, Cathy. "Literature and the Enactment of Memory: Duras, Resnais, Hiroshima, Mon amour." In Unclaimed Experience: Trauma, Narrative, and History. Baltimore: Johns Hopkins University Press, 1996.

Celan, Paul〈骨灰之沙〉〈數數扁桃〉〈Huhediblu〉〈復活節之烟〉〈風中的墳墓〉〈在空中〉〈死亡賦格曲〉和〈墳墓近處〉於John Felstiner著《Paul Celan:詩人、倖存者和猶太人》 New Haven and London: Yale University Press, 1997.
Celan, Paul. "Sand from the Urns," "Count the Almonds," "Huhediblu," "Eastersmoke," "Well-Graves in the Wind," "In the Air," "Death Fugue," and "Nearness of Graves." In Paul Celan: Poet, Survivor, Jew, by John Felstiner. New Haven and London: Yale University Press, 1997.

Chomsky, Noam《9-11》 New York: Seven Stories Press, 2001.
Chomsky, Noam. 9-11. New York: Seven Stories Press, 2001.

Colin, Amy〈創新和重複〉
Colin, Amy. "Innovation and Repetition."

Halbwachs, Maurice〈個人和集體記憶〉〈空間和集體記憶〉於Lewis A. Coser編輯、翻譯並簡介《論集體記憶》Chicago: University of Chicago Press, 1992.
Halbwachs, Maurice. "Individual and Collective Memory" and "Space and the Collective Memory." In On Collective Memory. Edited, translated and with an introduction by Lewis A. Coser. Chicago: TUniversity of Chicago Press, 1992.

Hobsbawm, Eric〈完全戰爭的時代〉《極端的年代:1914-1991年世界歷史》第一章。New York: Vintage Books, 1996.
Hobsbawm, Eric. "The Age of Total War." Chap. 1 in The Age of Extremes: A History of the World, 1914-1991. New York: Vintage Books, 1996.

Huyssen, Andreas〈雙塔記憶:9.11的後影像〉《灰房間》1期7卷(2002年春): 8-13.
Huyssen, Andreas. "Twin Memories: After-Images of Nine/Eleven." Grey Room 1, no. 7 (Spring 2002): 8-13.

Kurgan, Laura〈在歸零地四周〉《灰房間》1期7卷(2002年春): 96-101.
Kurgan, Laura. "Around Ground Zero." Grey Room 1, no. 7 (Spring 2002): 96-101.

Levi, Primo〈氬〉〈碳〉〈氫〉於《元素周期表》New York: Schocken Books, 1995.
Levi, Primo. "Argon," "Carbon," and "Hydrogen." In The Periodic Table. New York: Schocken Books, 1995.

Martin, Reinhold〈一個還是幾個〉《灰房間》1期7卷(2002年春): 114-123.
Martin, Reinhold. "One or More." Grey Room 1, no. 7 (Spring 2002): 114-123.

Monaco, James《如何理解電影:電影、傳媒和多媒體世界:語言、歷史、理論》第三版,New York: Oxford University Press, 2000.
Monaco, James. How to Read a Film: The World of Movies, Media, and Multimedia: Language, History, Theory. 3rd ed. New York: Oxford University Press, 2000.

Munroe, Alexandra〈肉體反抗:暗黒舞踏和困擾藝術〉《1945年後的日本藝術:響徹雲霄的呐喊》第9章,New York: H.N. Abrams, 1994.
Munroe, Alexandra. "Revolt of the Flesh: Ankoku Butoh and Obsessional Art." Chap. 9 in Japanese Art After 1945: Scream Against the Sky. New York: H.N. Abrams, 1994.

栗原貞子〈重建〉〈我爲廣島見證〉〈我曾見到廣島〉〈廣島,奧斯維辛集中營:我們定不忘記〉於Richard H. Minear翻譯、介紹和註解《黑蛋:詩》Ann Arbor, Mich: Center for Japanese Studies, University of Michigan, 1994
Sadako, Kurihara. "Reconstruction," "I Bear Witness for Hiroshima," "I Saw Hiroshima," and "Hiroshima, Auschwitz: We Must Not Forget." In Black Eggs: Poems. Translated with an introduction and notes by Richard H. Minear. Ann Arbor, Mich.: Center for Japanese Studies, University of Michigan, 1994.

峠三吉〈還我父親〉〈1905年8月6日〉〈急救之職〉〈遺失了…〉〈夜〉和〈視覺〉選自Richard H. Minear翻譯和編輯《廣島:三個見證人》第三部分〈原爆之詩〉,由,Princeton, N.J.: Princeton University Press, 1990.
Sankichi, Toge. "Give Me Back My Father," "August 6, 1950," "At a First Aid Post," "To Miss…," "The Night," and "The Vision." In "Poems of The Atomic Bomb." Part III in Hiroshima: Three Witnesses. Edited and translated by Richard H. Minear. Princeton, N.J.: Princeton University Press, 1990.

Sarig, Roni〈後工業時代荒地〉和〈Einstürzende Neubauten〉
Sarig, Roni. "The Postindustrial Wasteland" and "Einstürzende Neubauten."

正田篠枝《短歌選集》
Shinoe, Shoda. Selected Tanka.

Treat, John Whittier〈自我否定之詩〉《描寫歸零地:日本文學和原子彈》Chicago: University of Chicago Press. 1995.
Treat, John Whittier. "Poetry against Itself." In Writing Ground Zero: Japanese Literature and the Atomic Bomb. Chicago: University of Chicago Press. 1995.

Viala, Jean《土方巽的歸來》〈前言及介紹〉
Viala, Jean. "The Return of Hijikata." Foreword and Introduction.

Vonnegut, Kurt《第五屠宰場或兒童十字軍:與死亡盡責之舞》New York: Dell, 1991.
Vonnegut, Kurt. Slaughterhouse Five or the Children's Crusade: A Duty Dance With Death. New York: Dell, 1991.

Yoneyama, Lisa〈無知幻象〉〈國家、和平和人文的比喻〉〈論政治和歷史記憶〉(引言)和〈遺迹記憶〉(第1部分,第2章)《廣島遺迹:時間、空間和記憶辯證法(二十世紀日本,世界強權崛起,第10號)》Berkeley: University of California Press, 1999.
Yoneyama, Lisa. "Phantasmatic Innocence," "Tropes of the Nation, Peace, and Humanity," and "On the Politics of Historical Memory" (Introduction), and "Memories in Ruins" (Part 1, Chap. 2). In Hiroshima Traces: Time, Space, and the Dialectics of Memory (Twentieth-Century Japan, the Emergence of a World Power , No 10). Berkeley: University of California Press, 1999.

Yoneyama, Lisa〈馴服記憶景像:廣島城市重建〉於Jonathan Boyarin編輯《重構記憶:時空的政治》Minneapolis: University of Minnesota Press, 1994, 99-135頁.
Yoneyama, Lisa. "Taming the Memoryscape: Hiroshima's Urban Renewal." In Remapping Memory: The Politics of Timespace. Edited by Jonathan Boyarin. Minneapolis: University of Minnesota Press, 1994, pp. 99-135.

Young, James〈德國大屠殺紀念問題及我的問題〉《公共歷史學家》24期4卷 (2002): 65-80.
Young, James. "Germany's Holocaust Memorial Problem and Mine." The Public Historian 24, no. 4 (2002): 65-80.

Zolberg, Vera〈博物館作爲爭議性的記憶之地:Enola Gay事件〉於Gordon Fyfe和Sharon Macdonald編輯《博物館理論化:在變化世界中的代表身分和多元化》Oxford: Blackwell, 1996. (編註:Enola Gay是飛往廣島投擲原子彈的飛機)
Zolberg, Vera. "Museums as Contested Sites of Remembrance: The Enola Gay Affair." In Theorizing Museums: Representing Identity and Diversity in a Changing World. Edited by Gordon Fyfe and Sharon Macdonald. Oxford: Blackwell, 1996.



其它媒體
Other Media

唱片:
Recordings:

Einstürzende Neubauten《摧毀建築策略》第1集 (發行於1983) ,第二集 (發行於1991)和 第三集 (發行於2001). Mute Records Ltd.
Einstürzende Neubauten. Strategies against Architecture. Vol. I (Released in 1983), Vol. II (Released in 1991), and Vol. III (Released in 2001). Mute Records Ltd.

Price, Rodney, 亦稱 Bounty Killer《戰爭的藝術》,來自《貧民窟字典》系列(發行於2002年6月). VP Records.
Price, Rodney, a.k.a. Bounty Killer. The Art of War. From the series Ghetto Dictionary (Released in June 2002). VP Records.

電影:
Films:

《中心點與原爆》細江英公導演,土方巽主演. 1960
Navel and Atomic Bomb. Directed by Eiko Hosoe, featuring Tatsumi Hijikata. 1960.

《廣島之戀》Alain Resnais導演,1959. (語言:法語)
Hiroshima, Mon Amour. Directed by Alain Resnais. 1959. (Language: French)

《德國在零年》Roberto Rossellini導演,Image Entertainment, 1947(語言:意大利語/德語)
Germany in Year Zero. Directed by Roberto Rossellini. Image Entertainment, 1947. (Language: Italian/German)

圖片:
Photography:

家永三郎(編輯)《廣島和長崎:從圖像裏看原爆》東京:日本圖書センター, 1993.
Ienaga, Saburo, ed. Hiroshima and Nagasaki: The Atomic Bombings as Seen through Photography. Tokyo: Nihon Tosho Senta, 1993.







 
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