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週 |
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閱讀 / 放映
READINGS / SCREENINGS |
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1 |
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概論：歸零地是什麼？
Overview: What is ground zero?
Halbwachs, Maurice〈個人和集體記憶〉
Halbwachs, Maurice. "Individual and Collective Memory."
Halbwachs, Maurice〈空間和集體記憶〉
Halbwachs, Maurice. "Space and the Collective Memory."
Huyssen, Andreas〈雙塔記憶：9.11的後影像〉
Huyssen, Andreas. "Twin Memories: After-Images of 9/11."
Kurgan, Laura〈在歸零地四周〉
Kurgan, Laura. "Around Ground Zero."
Hobsbawm, Eric〈全面戰爭的時代〉
Hobsbawm, Eric. "The Age of Total War."
Martin, Reinhold〈一個還是幾個〉
Martin, Reinhold. "One or More." |
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2 |
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Vonnegut, Kurt《第五屠宰場》
Vonnegut, Kurt. Slaughterhouse Five.
Celan, Paul〈骨灰之沙〉〈數數扁桃〉〈Huhediblu〉〈復活節之烟〉〈風中的墳墓〉〈在空中〉〈死亡賦格曲〉和〈墳墓近處〉
Celan, Paul. "Sand from the Urns," "Count the Almonds," "Huhediblu," "Eastersmoke," "Well-Graves in the Wind," "In the Air," "Death Fugue," and "Nearness of Graves."
Colin, Amy〈創新和重複〉
Colin, Amy. "Innovation and Repetition." |
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3 |
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電影（課堂放映）：Rossellini, Roberto《德國零年》
Film (in-class screening): Rossellini, Roberto. Germany in Year Zero.
Brockmann, Stephen〈德國文學，零年：1945-53年的作家和政治〉
Brockmann, Stephen. "German Literature, Year Zero: Writers and Politics, 1945-53." |
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4 |
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Yoneyama, Lisa〈導讀〉〈無知幻象〉〈國家、和平和人文的比喻〉〈論政治和歷史記憶〉
Yoneyama, Lisa. "Introduction," "Phantasmatic Innocence," "Tropes of the Nation, Peace, and Humanity," and "On the Politics of Historical Memory."
照片（課堂瀏覽）：家永三郎（編輯）《廣島和長崎：照片中的原爆》
Photography (in-class viewing): Ienaga, Saburo, ed. Hiroshima and Nagasaki: The Atomic Bombings as Seen through Photography.
Azoulay, Ariella〈【盲目】姿態：廣島〉
Azoulay, Ariella. "The [Blind] Gesture: Hiroshima." |
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5 |
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峠三吉〈還我父親〉〈1950年8月6日〉〈急救站〉〈遺失了…〉〈夜〉和〈視覺〉
Sankichi, Toge. "Give Me Back My Father," "August 6, 1950," "At a First Aid Post," "To Miss…," "The Night," and "The Vision."
Treat, John Whittier〈自我否定之詩〉
Treat, John Whittier. "Poetry against Itself." |
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6 |
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表演（課堂放映）土方巽，飯村隆彦、細江英公《中心點與原爆》
Performance (in-class screening): Hijikata, Tatsumi, Taka Iimura, and Eiko Hosoe. Navel and Atomic Bomb.
Munroe, Alexandra《肉體反抗：暗黑舞踏和困擾藝術》
Munroe, Alexandra. "Revolt of the Flesh: Ankoku Butoh and Obsessional Art."
Viala, Jean《土方巽的歸來》前言及介紹
Viala, Jean. "The Return of Hijikata." Foreword and Introduction.
正田篠枝《短歌選集》
Shinoe, Shoda. Selected Tanka.
栗原貞子〈重建〉〈我爲廣島見證〉〈我曾見到廣島〉〈廣島，奧斯維辛：我們定不忘却〉
Sadako, Kurihara. "Reconstruction," "I Bear Witness for Hiroshima," "I Saw Hiroshima," and "Hiroshima, Auschwitz: We Must Not Forget."
Yoneyama, Lisa〈馴服記憶景像〉
Yoneyama, Lisa. "Taming the Memoryscape."
Zolberg, Vera《博物館作爲爭議性的記憶之地：Enola Gay事件》（編註：Enola Gay是飛往廣島投擲原子彈的飛機）
Zolberg, Vera. "Museums as Contested Sites of Remembrance: The Enola Gay Affair." |
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7 |
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電影（課堂放映）：Resnais, Alain《廣島之戀》
Film (in-class screening): Resnais, Alain. Hiroshima, Mon Amour.
Young, James《德國大屠殺的紀念問題—和我的問題》
Young, James. "Germany's Holocaust Memorial Problem--and Mine."
Caruth, Cathy《文學和記憶制定：Duras，Resnais，廣島之戀》
Caruth, Cathy. "Literature and the Enactment of Memory: Duras, Resnais, Hiroshima, Monamour." |
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8 |
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Levi, Primo〈氬〉〈碳〉〈氫〉
Levi, Primo. "Argon," "Carbon," and "Hydrogen."
Agamben, Giorgio《奧斯維辛的遺迹：證人和檔案》之〈序言〉〈證人〉
Agamben, Giorgio. Preface to Remnants of Auschwitz: The Witness and the Archive, and "The Witness." |
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9 |
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Agamben, Giorgio《論安全和恐怖主義》
Agamben, Giorgio. "On Security and Terror."
Chomsky, Noam《9.11》
Chomsky, Noam. 9.11
表演（課堂欣賞）：Bounty Killer《戰爭的藝術》
Performance (in-class screening): Bounty Killer. The Art of War.
唱片（課堂播放）：Einstürzende Neubauten《摧毀建築策略》
Recording (in-class play): Einstürzende Neubauten. Strategies against Architecture.
Sarig, Roni〈後工業時代荒地〉和〈Einstürzende Neubauten〉
Sarig, Roni. "The Postindustrial Wasteland" and "Einstürzende Neubauten." |
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10 |
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Baudrillard, Jean. Baudrillard, Jean《恐怖主義精神》
The Spirit of Terrorism. |
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11 |
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復習
Review |
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