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For a list of modern art resources and image galleries on the web, please see the related resources section.
| WEEK #-LEC# |
課程單元 |
| 1-1 |
Introduction: the Aesthetic and Ideological Context for Abstraction following WWII in the United States and Europe |
| 2-1 |
The Unconscious made Visible: Matta, Masson, Miro, Calder, Noguchi, Moore; Formalizing the Intuitive: Arshile Gorky, John Graham, and Hans Hofmann |
| 2-2 |
"I am Nature:" Jackson Pollock and Lee Krasner. Screening of Hans Namuth's influential 1951 film, Jackson Pollock |
| 3-1 |
Gesture/ Field: Willem de Kooning, Franz Kline, Philip Guston, Robert Motherwell VERSUS Rothko, Newman, Reinhardt |
| 3-2 |
Abstract Expressionist Sculpture: David Smith's "Drawing in Space" versus Bourgeois's and Nevelson's Intimate Worlds; Roszak, Lipton, Ferber. |
| 4-1 |
Rothko, Still, and the San Francisco School; Tobey, Matthieu, Yoshihara and the promotion of an "ecole du Pacifique" |
| 4-2 |
Body/Gesture in Europe: (Giacometti, Dubuffet, Fautrier), Tachisme, l'art informel, CoBrA, the d'affichistes, the "Nouveaux Realistes" (Arman, Yves Klein), Nikki de Saint-Phalle, Jean Tinguely |
| 5-1 |
John Cage, Robert Rauschenberg, Jasper Johns, and the question of a homosexual aesthetic |
| 5-2 |
The "Gutai" group in Japan; extending AbEx gesture into performance |
| 6-1 |
Bay Area Figurative Art: The View from the West Coast; California Funk and Chicago's "Hairy Who" |
| 6-2 |
The Beats; Environments and Happenings in the US (Fluxus begins) |
| 8-1 |
"Post-Painterly Abstraction" and Formalist Sculpture; Greenberg's reign |
| 8-2 |
Frank Stella and Minimal Art: the Corporate Icon (Andre, Judd, Flavin, Morris) |
| 9-1 |
Warhol's Factory; Pop Art and another kind of Industrial Aesthetic (Lichtenstein, Oldenburg, Rosenquist, Dine, Marisol) |
| 9-2 |
The Independent Group (London); German "Capitalist Realism"; Arte Povera (Italy) |
| 10-1 |
Modes of Realism shading into conceptualism: Photorealism in US versus Lucian Freud, Malcolm Morley in UK |
| 10-2 |
Early Conceptual art: Sol LeWitt, John Baldessari, Richard Artschwager; International conceptualism and Fluxus |
| 11-1 |
Performance/Intervention abroad: Joseph Beuys, Daniel Buren, Bruce Nauman, Helio Oiticica, Cildo Meireles |
| 11-2 |
Sculptors of Land, Poets of Light: Robert Smithson and De Maria, Heizer, Long (UK) Morris, Flavin, Irwin, Turrell; screening of Robert Smithson's Spiral Jetty |
| 12-1 |
Process Art (and Earthworks Catchup) |
| 12-2 |
Women buck the Canon: Louise Bourgeois to "Womanhouse" and "The Dinner Party," process/performance artists: Eva Hesse, Jackie Winsor, Hannah Wilke, Carolee Schneeman, Laurie Anderson, Adrian Piper. |
| 13-1 |
African Americans: Bearden, Puryear, Saar, Piper, Wilson; Native Americans: Luna, Durham and Political Interventions |
| 13-2 |
The End of American Hegemony? Italian "Bad Boys" (Mario Merz), Clemente, Chia, Cucchi; German Neo-Expressionists (Baselitz), Kiefer, Richter; US Neo-Expressionism with Graffitists: Basquiat, Haring; "Bad" Painting, New Image, etc.; Salle and Schnabel vs. Bartlett, Rothenberg, Murray |
| 14-1 |
Appropriation Art: Cindy Sherman, Barbara Kruger, Jenny Holzer, Sherrie Levine, Jeff Koons, Haim Steinbach; "Neo Geo": Peter Halley, Philip Taaffe. |
| 14-2 |
Installation Art, Video, and New Media in context; class summary and review |
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