|
|
 |
 |
¥²Åª¸ê®Æ Required Texts
Barnouw, Eric¡A¡m¬ö¿ý¤ù¡G¼g¹ê¹q¼vªº¾ú¥v¡n¡ANew York: Oxford University Press, 1993. ISBN: 0195078985. Barnouw, Eric. Documentary: A History of the Non-fiction Film. New York: Oxford University Press, 1993. ISBN: 0195078985.
Fatimah Tobing Rony¡A¡m²Ä¤T²´¡GºØ±Ú¡B¹q¼v»P¥Á±Ú©_Æ[¡n¡ADurham: Duke University Press, 1996. ISBN: 0822318407. Fatimah Tobing Rony. The Third Eye: Race, Cinema and Ethnographic Spectacle. Durham: Duke University Press, 1996. ISBN: 0822318407.
Ginsburg, Faye¡BAbu-Lughod, Lila »P Brian Larkin ¦X½s¡A¡m´CÅé¥@¬É¡G¤HÃþ¾Ç·s»â°ì¡n¡ABerkeley University of California Press, 2002. ISBN: 0520232313. Ginsburg, Faye, Abu-Lughod, Lila and Brian Larkin eds. Media Worlds: Anthropology on New Terrain. Berkeley University of California Press, 2002. ISBN: 0520232313.
Grimshaw, Anna. ¡m¥Á±Ú»x¬ã¨sªÌ¤§²´¡G²{¥N¤HÃþ¾Ç«ç»ò¬Ý¡n¡ACambridge: Cambridge University Press, 2001. ISBN: 0521773105. Grimshaw, Anna. The Ethnographer’s Eye: Ways of Seeing in Modern Anthropology. Cambridge: Cambridge University Press, 2001. ISBN: 0521773105.
«ØÄ³¾\Ū¸ê®Æ (µ´ª©®Ñ) Recommended Text (books out of print)
MacDougall, David¡A¡m¸ó¤å¤Æªº¹q¼v¡n¡APrinceton: Princeton University Press, 1998. ISBN: 0691042342. MacDougall, David. Transcultural Cinema. Princeton: Princeton University Press, 1998. ISBN: 0691042342.
½Ò°ó¾\Ū¸ê®Æ Readings by Class Session
¦p»Ý¤U¦C©ñ¬M¹q¼v¤§¸Ô²Ó¸ê°T¡A½Ð³sµ²¦Üºô»Úºô¸ô¹q¼v¸ê®Æ®w¡C Many of the film screenings listed below are linked to more information provided by the Internet Movie Database.
| 1 |
²¤¶ Introduction |
¥²Åª¸ê®Æ Required Readings
Barnouw ²Ä 1 ³¹¡C Barnouw. Chapter 1.
¡q¬Ý¨£¤HÃþ¾Ç¡r¡A¡mRony¡n ²Ä¤@³¹¡C "Seeing Anthropology." Chapter 1 in Rony.
Grimshaw¡qºü½×¡r¡C "Introduction." In Grimshaw.
©ñ¬M¼v¤ù Screenings
¿c¦ÌCµu¤ù¡A1895¡C Lumiere Shorts. 1895.
´M®Ú¡AMarlon Fuentes¾Éºt¡A¤ùªø 56 ¤ÀÄÁ¡ANew York: Cinema Guild ¥X«~¡A1995 ¦~¡C Bontoc Eulogy. Directed by Marlon Fuentes. 56 min. New York: Cinema Guild, 1995.
«ØÄ³Æ[½à¼v¤ù Recommended Viewing
Fusco, Coco ¤Î Guillermo Gomez-Pena ¤§Å¢¤¤¤Ò°ü. Fusco, Coco, and Guillermo Gomez-Pena. Couple in a Cage. |
| 2 |
¦´Á¹q¼v Early Cinema |
¥²Åª¸ê®Æ Required Readings
¡mBarnouw¡n. ²Ä 2 ³¹¡C Barnouw. Chapter 2.
¡m¹q¼v²´¡Gºû¦h¤Ò§@«~¶°¡n¿ïŪ¡AAnnette Michaelson ½s¿è¡A1984 ¦~¡AUniversity of Cal Press. pp. 5-21. ISBN: 0520047605. Selections from Kino-Eye.The writings of Dziga Vertov. Edited by Annette Michaelson. 1984, University of Cal Press. pp. 5-21. ISBN: 0520047605.
Vaughan, Dai¡A¡q«ùÄá¼v¾÷ªº¤H¡r¡A¦¬¿ý©ó¡m¬ö¿ý¤ù¶Ç²Î¡n¡ALewis Jacobs ½s¿è¡ANew York: W.W. Norton, 1979. ISBN: 0393950425. Vaughan, Dai. "The Man with the Movie Camera." In The Documentary Tradition. Edited by Lewis Jacobs. New York: W.W. Norton, 1979. ISBN: 0393950425.
¡mGrimshaw¡n. ²Ä 3 ³¹¡C Grimshaw. Chapter 3.
¡mRony¡n. ²Ä 4 ³¹¡A¡q°Êª«¼Ð¥»é»s³N»P®öº©ªº¥Á±Ú»x¾Ç¡G¦òµÜ¶P´£¤§¥_¤èªº¨º§V§J¡r¡C "Taxidermy and Romantic Ethnography: Robert Flaherty's Nanook of the North." Chapter 4 in Rony.
Briggs, Jean¡A¡m¤£µo«ã¡G·R´µ°ò¼¯®a®x¹Ïø¡n²Ä 2 ³¹¡q®a®x¥Í¬¡¡Gªí¥Ü¿Ëªñ¡r¡ACambridge: Harvard University Press, 1970. ISBN: 0674608283. Briggs, Jean. "Family Life: Expressions of Closeness." Chapter 2 in Never in Anger: Portrait of an Eskimo Family, Cambridge: Harvard University Press, 1970. ISBN: 0674608283.
¡qÀ˾\¦Û 1920 ¦~¥N¡u¥_¤èªº¨º§V§J¡vµo¦æ¥H¨Óªº¬ÛÃö¤å¥ó¡r¡A¡mµøÄ±¶Ç°T¬ã¨s¡n¡A²Ä 6 ¥U¡Ano. 2, 2-4: 61-76¡A(¦òµÜ¶P´£¯S¥Z)¡C Look over press kit from 1920s marketing of "Nanook and the North." Studies in Visual Communication. Vol. 6, no. 2, 2-4: 61-76. (Special issue on Flaherty).
©ñ¬M¼v¤ù Screenings
¥_¤èªº¨º§V§J¡A¦òµÜ¶P´£¾Éºt¡A¤ùªø69 ¤ÀÄÁ¡A1922 ¦~¡C Nanook of the North. Directed by Robert Flaherty. 69 min. 1922.
«ùÄá¼v¾÷ªº¤H(¤ù¬q)¡Aºû¦h¤Ò¾Éºt¡A1928 ¦~¡C Selections from The Man with a Movie Camera. Directed by Dziga Vertov. 1928.
«ØÄ³¾\Ū¸ê®Æ Recommended Readings
Vertov, Dziga¡A¡m¹q¼v²´¡n¤§¡qºü½×¡r¡C Vertov, Dziga. Introduction to Kino-Eye.
Nelmes, Jill ½s¡A¡m¹q¼v¬ã¨s·§½×¡n²Ä 13 ³¹¡q1920 ¦~¥NªºÄ¬ºû®J»X¤Ó©_¹q¼v¡r¡A London and New York: Routledge, 1999. ISBN: 0415173108. Nelmes, Jill, ed. "The Soviet Montage Cinema of the 1920s." Chapter 13 in An Introduction to Film Studies, London and New York: Routledge, 1999. ISBN: 0415173108.
«ØÄ³Æ[½à¼v¤ù Recommended Viewing
¦A±´¨º§V§J¡A¤ùªø 60 ¤ÀÄÁ¡A1990¦~¡C Nanook Revisited. 60 min. 1990. |
| 3 |
¬°¬ì¾Ç¤Î§ó°ª¥Øªº¤§¥Á±Ú»x¼v¤ù Ethnographic Film as Science and Beyond |
¥²Åª¸ê®Æ Required Readings
¡mGrimshaw¡n ²Ä 5 ³¹©M²Ä 7 ³¹¡C Grimshaw. Chapters 5 and 7.
Jacknis, Ira¡Bº¿®æÄR¯S¡D¦Ì¼w¡B®Û¸¯·ç¡D¨©¯S´Ë¦XµÛ¡A¡q¤Ú¨½®q¡GÄá¼v»P©³¤ùªº¥Îªk¡r¡A¦¬¿ý©ó¡m¤å¤Æ¤HÃþ¾Ç¡n¡A²Ä 160-177 ¶¡C Jacknis, Ira, and Margaret Mead, and Gregory Bateson. "Bali: Their Use of Photography and Film." In Cultural Anthropology. pp. 160-177.
º¿®æÄR¯S¡D¦Ì¼w¡A¡q¤å¦r³W½d¤Uªº¼vµø¤HÃþ¾Ç¡r¡A¦¬¿ý©ó¡m¼vµø¤HÃþ¾Ç·§½×¡n¡A Paul Hockings »PMouton de Gruyter ¦X½s¡A1995 ¦~¡AISBN: 3110142287. Mead, Margaret. "Visual Anthropology in a Discipline of Words." In Principles of Visual Anthropology edited by Paul Hockings, Mouton de Gruyter, 1995. ISBN: 3110142287.
MacDougall, David¡A¡q¦b¹q¼vÆ[¹î¤§¥~¡r¡A¦¬¿ý©ó¡m¼vµø¤HÃþ¾Ç·§½×¡n¡A Paul Hockings »PMouton de Gruyter ¦X½s¡C MacDougall, David. "Beyond Observational Cinema." In Hockings.
Connolly, Bob ¤Î Robin Anderson¡A¡m²Ä¤@¦¸±µÄ²¡n¿ïŪ¡ANew York: Viking, 1987 ¦~¡A²Ä1-18¡B235-305 ¶¡AISBN: 0670801674. Connolly, Bob, and Robin Anderson. Selections from First Contact. New York: Viking, 1987. pp. 1-18, and 235-305. ISBN: 0670801674.
Lutkehaus, Nancy¡A¡q¾Éºt Bob Connolly ±M³X¡r¡A¦¬¿ý©ó¡m¼vµø¤HÃþ¾Ç¦^ÅU¡n²Ä 10 ¥U¡A²Ä 2 ¸¹ (1994 ¦~)¡G²Ä 771-75 ¶¡C Lutkehaus, Nancy. "Interview with Filmmaker Bob Connolly." Visual Anthropology Review 10, no.2 (1994): 771-75.
©ñ¬M¼v¤ù Screenings
Τ¨½®q¯«ÆF¤§»R(¤ù¬q)¡Aº¿®æÄR¯S¡D¦Ì¼w¡B®Û¸¯·ç¡D¨©¯S´Ë¾Éºt¡A¤ùªø 20 ¤ÀÄÁ¡A1951 ¦~¡C Selections from Trance and Dance in Bali. Directed by Margaret Mead and Gregory Bateson. 20 mins. 1951.
MacDougall, David ¤Î Judith MacDougall¡A¨k¤H¾ð¤U¡A¤ùªø15 ¤ÀÄÁ¡A 1974 ¦~¡C MacDougall, David, and Judith MacDougall. Under the Men's Tree. 15 min. 1974.
Connolly, Bob ¤Î Robin Anderson¡A. ³ìªº¾F©~¡A¤ùªø 90 ¤ÀÄÁ¡A1988 ¦~¡C Connolly, Bob, and Robin Anderson. Joe Leahy's Neighbors. 90 min. 1988.
«ØÄ³¾\Ū¸ê®Æ Recommended Readings
MacDougall, David¡A¡q¼vµø¤HÃþ¾Ç»Pª¾ªº¤è¦¡¡r¡A¦¬¿ý©ó¡m¸ó¤å¤Æªº¹q¼v¡n¡C MacDougall, David. "Visual Anthropology and Ways of Knowing." In Transcultural Cinema.
«ØÄ³Æ[½à¼v¤ù Recommended Viewing
Connolly, Bob ¤Î Robin Anderson¡A²Ä¤@¦¸±µÄ²¡A¤ùªø 54 ¤ÀÄÁ¡A 1982 ¦~¡C Connolly, Bob, and Robin Anderson. First Contact. 54 min. 1982.
Connolly, Bob ¤Î Robin Anderson¡A¶Â¦âªº¦¬Ã¬¡A¤ùªø 90 ¤ÀÄÁ¡A1992 ¦~ Connolly, Bob, and Robin Anderson. Black Harvest. 90 mins. 1992.
|
| 4 |
¬ö¹ê¹q¼v¡]ª½Ä¶¬°¡u¯u¹ê¹q¼v¡v¡^»P¹q¼v¤p»¡¡G©|¡DJ³\ (Jean Rouch) ªº¹q¼v Cinema Verite and Cine-fiction: The Films of Jean Rouch |
¥²Åª¸ê®Æ Required Readings
¡mGrimshaw¡n. ²Ä 6 ³¹¡C Grimshaw. Chapter 6.
«Où¡D¥v©ì°Ç¡A¡m·d¹q¼vªººq«ZðÝ¡G©|¡DJ³\ªº¥Á±Ú»x¡n¡A Chicago: University of Chicago Press, 1992 ¦~¡A²Ä 1-47¡B131-144 ¶¡C ISBN: 0226775461.(͵ù¡G·¨¼wºÍĶ¡A³Á¥Ð¥Xª©ªÀ) Stoller, Paul. Selections from The Cinematic Griot. Chicago: University of Chicago Press, 1992. pp. 1-47, and 131-144. ISBN: 0226775461.
Taylor, Lucien¡A¡q»P©|¡DJ³\¹ï½Í¡r¡A¦¬¿ý©ó¡m¼vµø¤HÃþ¾Ç¦^ÅU¡n²Ä7 ¥U¡A²Ä 1 ¸¹ (1991 ¦~¬K©u¸¹)¡G²Ä92-102 ¶¡C Taylor, Lucien. "A Conversation with Jean Rouch." Visual Anthropology Review. Vol. 7, no.1 (Spring 1991): 92-102.
©|¡DJ³\¡A¡qÄá¼v¾÷»P¤H¡r¡A¦¬¿ý©ó¡m¼vµø¤HÃþ¾Ç·§½×¡n¡APaul Hockings »PMouton de Gruyter ¦X½s¡C Rouch, Jean. "The Camera and the Man." In Hockings.
———©|¡DJ³\¡A¡q«H¥õ¹ÏÄ˪º¯ª¥ý»PÅö¨g¥P®v¡r¡A¦¬¿ý©ó¡m¼vµø¤HÃþ¾Ç·§½×¡n¡A Paul Hockings »PMouton de Gruyter ¦X½s. ———. "Our Totemic Ancestors and Crazed Masters." In Hockings.
Uadike, Frank¡A¡q«D¬w»P¹q¼v¡r¡AºK¦Û¡m«D¬w»P¹q¼v¡n²Ä 1 ³¹¡A Nwachukwu Frank Ukadike. Berkeley: University of California Press, 1994 ¦~¡A²Ä48-58 ¶¡A ISBN: 0520077482. Uadike, Frank. "Africa and the Cinema." Excerpts from chapter 1 in Black African Cinema. Nwachukwu Frank Ukadike. Berkeley: University of California Press, 1994. pp. 48-58. ISBN: 0520077482.
©ñ¬M¼v¤ù Screenings
©|¡DJ³\¡A«D¬wªê¡A¤ùªø 93 ¤ÀÄÁ¡A1971 ¦~¡C Rouch, Jean. Jaguar. 93 min. 1971.
«ØÄ³¾\Ū¸ê®Æ Recommended Readings
Adams, John¡A¡q©|¡DJ³\»P John Marshall ¤Î John Adams ½×J³\§@«~¡r¡A¦¬¿ý©ó¡m¬ü°ê¤HÃþ¾ÇªÌ¡n¡A²Ä80 ¥U¡A²Ä 4 ¸¹ (1978 ¦~ 12 ¤ë)¡C Adams, John. "Jean Rouch Talks about his films to John Marshall and John Adams." American Anthropologist. Vol. 80, no. 4 (Dec. 1978).
|
| 5 |
¹q¼v¤p»¡»P¬ö¹ê¹q¼v¡G©|¡DJ³\(Äò) Cine-fiction and Cinema Verite: The Films of Jean Rouch (cont.) |
¥²Åª¸ê®Æ Required Readings
S. Feld¡A¡mµøÄ±¶Ç°T¬ã¨s¡n½×¡u®L¤é¬ö¨Æ¡v±M¥Z¡A²Ä 11 ¥U¡A²Ä 1 ¸¹ (1985 ¦~¥V©u¸¹)¡G²Ä 4-35 ¶¡C S. Feld, et al. Studies Visual Communication. A special issue on "Chronicle of a Summer." Vol. 11, no. 1, (Winter 1985): 4-35.
Feld, Steve¡A¡q©|¡DJ³\ªº¹q¼v¥DÃD¡r¡A¦¬¿ý©ó¡m¼vµø¤HÃþ¾Ç¡n¡A²Ä 2 ¥U²Ä223-247 ¶¡C Feld, Steve. "Themes in the Cinema of Jean Rouch." In Visual Anthropology. Vol. 2. pp. 223-247.
Viera, John David¡A¡q¼v¹³©Ò¦³Åv¡r¡A¦¬¿ý©ó¡m¼v¹³Û²z¡n¡C Viera, John David. "Images as Property." In Image Ethics.
©ñ¬M¼v¤ù Screenings
©|¡DJ³\»P¦ã®æ¼¯ªL¡A®L¤é¬ö¨Æ¤ùªø 90 ¤ÀÄÁ¡ACorinth Films ¥X«~¡A1961 ¦~¡C Rouch, Jean, and Edgar Morin. Chronicle of a Summer. 90 min. Corinth Films, 1961.
«ØÄ³Æ[½à¼v¤ù Recommended Viewing
°ª¹F¡AÂ_¤F®ð¡C Godard, Jean-Luc. Breathless.
·¡¯B¡A¥|¦ÊÀ»¡C Truffaut, Francois. The Four Hundred Blows.
|
| 6 |
¬ü°êªºª½±µ¹q¼v¡G¦b®aÆ[¹î Direct Cinema in the US: Observing at Home |
¥²Åª¸ê®Æ Required Readings
¡mBarnouw¡n. ²Ä 5 ³¹²Ä231-262 ¶¡C Barnouw. Chapter 5, pp. 231-262.
Winston, Brian¡A¡q¬ö¿ý¤ùªº¬ì¾Ç»Ê¨è¡r¡A¦¬¿ý©ó¡m¬ö¿ý¤ù²z½×¡nMichael Renov ½s¡ANew York: Routledge, 1993 ¦~¡A²Ä37-57 ¶¡A ISBN: 0415903823. Winston, Brian. "The Documentary Film as Scientific Inscription." In Theorizing Documentary. Edited by Michael Renov. New York: Routledge, 1993. pp. 37-57. ISBN: 0415903823.
Atkins, Tomas¡A¡qÃh´µ°Òªº¬ü°ê¡r¡A¦¬¿ý©ó¡m¬ö¿ý¤ù¶Ç²Î¡n¡ALewis Jacobs ½s¡ANew York: W.W. Norton, 1979 ¦~¡A²Ä536-550 ¶¡AISBN: 0393950425. Atkins, Tomas. "Frederick Wiseman's America." In The Documentary Tradition. Edited by Lewis Jacobs. New York: W.W. Norton, 1979. pp. 536-550. ISBN: 0393950425.
Ãh´µ°Ò¡A¡q°ª¤¤¡r¡A¦¬¿ý©ó¡m¥¿¦b¹ê½îªº·s¬ö¿ý¤ù¡nAlan Rosenthal ½s¿è¡ABerkeley: University of California Press, 1971 ¦~¡A²Ä 66-75 ¶¡AISBN: 052002248. Wiseman, Frederick. "High School." In The New Documentary in Action. Edited by Alan Rosenthal. Berkeley: University of California Press, 1971. pp. 66-75. ISBN: 052002248.
Drew, Robert¡A¡q±y¹C©óºô¸ô¥@¬Éªº¿W¥ß«ä¦ÒªÌ¡r¡A¦¬¿ý©ó¡m¬ö¿ý¤ùªº·s¬D¾Ô¡n¡A Alan Rosenthal ½s¿è¡ABerkeley: University of California Press, 1988 ¦~¡A²Ä389-401 ¶¡AISBN: 0520057244 Drew, Robert. "An Independent with the Networks." In New Challenges for Documentary. Edited by Alan Rosenthal. Berkeley: University of California Press, 1988. pp. 389-401. ISBN: 0520057244.
Leacock, Richard¡A¡q¤£¨ü±±¨îªº¹q¼v¡r¡A¦¬¿ý©ó¡m¹q¼v¤å¤Æ¡n¡A²Ä22/23 ¸¹¡G 23-25 ¶¡C Leacock, Richard. "For an Uncontrolled Cinema." Film Culture. No. 22/23: 23-25.
Anderson, Carolyn¡BThomas Benson¡A¡qª½±µ¹q¼v»Pª¾±¡¦P·Nªº°g«ä¡G´£´£¥d¥¢§Ç¬ö¨Æ¡r¡A¦¬¿ý©ó¡m¼v¹³Û²z¡n¡A²Ä58-90 ¶¡C Anderson, Carolyn, and Thomas Benson. "Direct Cinema and the Myth of Informed Consent: The Case of Titicut Follies." In Image Ethics. pp. 58-90.
©ñ¬M¼v¤ù Screenings
Á`²Îªì¿ï¡AD. A. Pennebaker¡BTerence McCartney-Filgate ¤Î Albert Maysles Áp¦X¾Éºt¡A¤ùªø 54 ¤ÀÄÁ¡A1960 ¦~¡C Primary. Directed by Richard Leacock, D. A. Pennebaker, Terence McCartney-Filgate, and Albert Maysles. 54 min. 1960.
°ª¤¤¡AÃh´µ°Ò¾Éºt¡A¤ùªø75 ¤ÀÄÁ¡AZipporah Films ¥X«~¡A1968 ¦~¡C High School. Directed by Frederick Wiseman. 75 mins. Zipporah Films, 1968.
«ØÄ³Æ[½à¼v¤ù Recommended Viewing
¤£n¦^ÀY¡AD. A. Pennbacker ¾Éºt¡A¤ùªø 95 ¤ÀÄÁ¡AKino Films ¥X«~¡A1966 ¦~¡C Don't Look Back. Directed by D. A. Pennbacker. 95 mins. Kino Films, 1966. |
| 7 |
ªÀ¸s»P½Ä¬ð¡G®Ö¤l§Þ³NÅG½× Communities and Conflict: Debating Nuclear Technologies
«È®yÁ¿®v¡GChris Boebel (¾Éºt) Guest Lecturer: Filmmaker Chris Boebel |
¥²Åª¸ê®Æ Required Readings
Stranahan, Susan¡A¡m¨F¤h»í®ü¯Çªe¡G§Æ±æ¤§ªe¡n²Ä¤»³¹¡q®Ö¤lµo®i¡r¡ABaltimore: Johns Hopkins University Press, 1993. ISBN: 0801851475 Stranahan, Susan. "Nuclear Development." Chapter 6 in Susquehanna: River of Dreams. Baltimore: Johns Hopkins University Press, 1993. ISBN: 0801851475.
Krikson, Kai¡A¡q¤Tù®q¡G·s¿³°ÝÃD¡r¡A¦¬¿ý©ó¡m·s¿³°ÝÃD¡n¡ANew York: W.W. Norton & Co., 1994. ISBN: 0393035948. Krikson, Kai. "Three Mile Island: A New Species of Trouble." In A New Species of Trouble, New York: W.W. Norton & Co., 1994. ISBN: 0393035948.
Gusterson, Hugh¡A¡m®Ö¤ß»ö¦¡¡n²Ä 5 ³¹¡q¨Åé»P¾÷¾¹¡r¡A Berkeley: University of California Press, 1996. ISBN: 0520213734. Gusterson, Hugh. "Bodies and Machines." Chapter 5 in Nuclear Rites. Berkeley: University of California Press, 1996. ISBN: 0520213734.
©ñ¬M¼v¤ù Screenings
³òªý¡G¤Tù®q¨Æ¥ó«áªº¥Í¬¡¡A Chris Boebel ©M Nick Poppy ¾Éºt¡A¤ùªø60 ¤ÀÄÁ¡A2004 ¦~¡C Containment: Life After Three Mile Island. Directed by Chris Boebel and Nick Poppy. 60 min. 2004. |
| 8 |
©Ê§O»P©Ê¼x Gender and Sexuality |
¥²Åª¸ê®Æ Required Readings
Hooks, Bell¡A¡q¦b²{¹ê¤¤¦^ÅU¿U¿Nªº¤Ú¾¤¡r¡A¦¬¿ý©ó¡m¹q¼v¤¤ªººØ±Ú¡B©Ê§O»P¶¥¯Å¡n¡A New York: Routledge, 1996. ISBN: 0415918235 Hooks, Bell. "Review of Paris is Burning in Reel to Real." In Race, Sex and Class at the Movies. New York: Routledge, 1996. ISBN: 0415918235.
Friedlander, Eva¡A¡q¦^ÅU¦L«×°sÀ]¡r¡A¦¬¿ý©ó¡m¼vµø¤HÃþ¾ÇªÀ¹q¤l³ø¡n¡A(1988 ¦~¬î©u¸¹)¡C Friedlander, Eva. "Review of India Cabaret." Society for Visual Anthropology Newsletter (Fall 1988).
Valentine, David »P Riki Ann Wichins¡A¡q¿N¶Ë¹Ï¤Wªº¦Ê¤À¤§¤@¡G©Ê§O¡B¥Í´Þ¾¹¤Î¶ÆºCªº³±¶§¤H¡r¦¬¿ý©ó¡mªÀ·|¤å¥»¡n¡A²Ä15 ¥U¡A²Ä 3/4 ¸¹ (1997 ¦~)¡G²Ä 215-222 ¶¡C Valentine, David, and Riki Ann Wichins. "One Percent on the Burn Chart: Gender Genitals and Hermaphrodites with Attitude." Social Text. Vol. 15, no. 3/4 (1997): 215-222.
Appadurai, Arjun »P Carol Breckenridge¡A¡q±B«Ã¡B¾E²¾»Pª÷¿ú¡G»e©Ô¡D©`¨à¹q¼v¤¤ªºÂಾ¡r¡A¦¬¿ý©ó¡m¼vµø¤HÃþ¾Ç¡n¡A²Ä 4 ¥U¡A1991 ¦~¡A²Ä 95-102 ¶¡C Appadurai, Arjun, and Carol Breckenridge. "Marriage, Migration and Money: Mira Nair's Cinema of Displacement." In Visual Anthropology. Vol. 4, 1991. pp. 95-102.
Larkin, Brian¡A¡A¡q¦L«×¹q¼v©M©`¤Î§Q¨ÈÅʤH¡G´CÅé©M³Ð³y¥¦æ²{¥N©Ê¡r¡A¥Z©ó¡m¥þ²y¤Æ¤HÃþ¾Ç¡n¡C¡A¡q¦L«×¹q¼v©M©`¤Î§Q¨ÈÅʤH¡G´CÅé©M³Ð³y¥¦æ²{¥N©Ê¡r¡A¥Z©ó¡m«D¬w¡n¡A²Ä67 ¥U¡A²Ä 3 ¸¹ (1997 ¦~)¡C Larkin, Brian. "Indian Films and Nigerian Lovers: Media and the Creation of Parallel Modernities." Africa. Vol. 67, no. 3 (1997).
Nanda, Serena¡A¡q«D¨k«D¤k¡r¿ïŪ¡A¦¬¿ý©ó¡m¦L«×¤j°k¤`¡n¡A Wadsworth, 1990. ISBN: 0534509037. Nanda, Serena. Selections from "Neither Man Nor Woman." In The Hijras of India. Wadsworth, 1990. ISBN: 0534509037.
©ñ¬M¼v¤ù Screenings
¦L«×°sÀ]¡A±K©Ô¡D©`¨à¾Éºt¡A¤ùªø57 ¤ÀÄÁ¡A1985 ¦~¡C India Cabaret. Directed by Mira Nair. 57 mins. 1985.
¿U¿Nªº¤Ú¾¤¡AJennie Livingston ¾Éºt¡A¤ùªø 78 ¤ÀÄÁ¡A1990 ¦~¡C Paris is Burning. Directed by Jennie Livingston. 78 mins. 1990.
«ØÄ³¾\Ū¸ê®Æ Recommended Readings
Morris, Ros¡A¡q¥þÄݵêºc¡Gªíºt²z½×»P·s¤HÃþ¾Çªº©Ê»P©Ê§O¡r¡A¦¬¿ý©ó¡m¤HÃþ¾Ç´Á¥Z¦~«×¦^ÅU¡n(1995 ¦~)¡G567-445 ¶¡C Morris, Ros. "All Made Up: Performance Theory and the New Anthropology of Sex and Gender." Annual Review of Anthropology (1995): 567-445. |
| 9 |
Æ[¹î¬ü°êªº¡u²§°ê·±¡¡v Observing the 'Exotic' in the U.S. |
©ñ¬M¼v¤ù Screenings
§Ö³t¡B«K©y¡B¥¢±±¡AErrol Morris ¾Éºt¡C Fast, Cheap and Out of Control. Directed by Errol Morris.
«ØÄ³Æ[½à¼v¤ù Recommended Viewing
¥¿¸qÃø¦ù¡AErrol Morris ¾Éºt¡A¤ùªø 115 ¤ÀÄÁ¡A1987 ¦~¡C The Thin Blue Line. Directed by Errol Morris. 115 mins. 1987. |
| 10 |
Ó¤H»P¬Fªv¡GÀô¹Ò¦æ°Ê¥D¸q®×¨Ò The Personal and the Political: A Case of Environmental Activism |
¥²Åª¸ê®Æ Required Readings
Barnouw ²Ä 3 ³¹¤Î²Ä 5 ³¹¡q¹ª§jҾɡr©M¡q´åÀ»¶¤¡r¡C "Advocate," and "Guerilla." Chapters 3 and 5 in Barnouw.
Fabian, Johannes ¤Î Tshibumba Matulu¡A¡m°O¦í·í¤U¡n¿ïŪ¡AUniversity of California Press, 1996 (¿c»X¤Ú¨ä¤H¨äµe³X½Í¿ý). ISBN: 0520203763. Fabian, Johannes, and Tshibumba Matulu. Selections from Remembering the Present. University of California Press, 1996 (Interview with painter and paintings of Lumumba). ISBN: 0520203763.
Citron, Michelle¡A¡q·Pª¾¬ö¿ý¤ù¡G¦Û¶Ç¹q¼v/¿ý¼v±a»P¡u³d¥ôÛ²z¡v¡r¡A¦¬¿ý©ó¡m¤k©Ê¥D¸q»P¬ö¿ý¤ù¡n¡ADiane Waldman »P Janet Walker ¦X½s¡AUniversity of Minnesota Press, 1999. ISBN: 0816630070. Citron, Michelle. "Fleeing from Documentary: Autobiographical Film/Video and 'Ethics of Responsibility'." In Feminism and Documentary. Edited by Diane Waldman, and Janet Walker. University of Minnesota Press, 1999. ISBN: 0816630070.
Katz, John »P Judith Katz¡A¡qÛ²z»P¦Û¶Ç¹q¼vÛ²zªº»{ª¾¡r¡A¦¬¿ý©ó¡m¼v¹³Û²z¡n¡ALarry Gross¡BJohn Katz »P Jay Ruby Áp¦X½s¿è¡AOxford: Oxford University Press, 1988. ISBN: 081663825X Katz, John, and Judith Katz. "Ethics and the Perception of Ethics in Autobiographical Film." In Image Ethics. Edited by Larry Gross, John Katz, and Jay Ruby. Oxford: Oxford University Press, 1988. ISBN: 081663825X.
©ñ¬M¼v¤ù Screenings
ÂŦâ¶ì½¦ªO¡AJudith Helfand »P Daniel Gold ¾Éºt¡A¤ùªø 96 ¤ÀÄÁ¡A2003¦~¡C Blue Vinyl. Directed by Judith Helfand, and Daniel Gold. 96 min. 2003.
«ØÄ³Æ[½à¼v¤ù Recommended Readings
Peck, Raoul¡A¿c»X¤Ú¡G¥ýª¾¤§¦º¡A¤ùªø 69 ¤ÀÄÁ¡A1992 ¦~¡C Peck, Raoul. Lumumba: Death of a Prophet. 69 min. 1992.
°·±d¤kÄ_Ä_¡AJudith Helfand ¾Éºt¡A¤ùªø 57 ¤ÀÄÁ¡A2002 ¦~¡C A Healthy Baby Girl. Directed by Judith Helfand. 57 min. 2002. |
| 11 |
´M§ä¹q¼v/¼v¹³¤å¤Æªº¥¼¨Ó¡G¼@±¡¤ù¡B¬ö¿ý¤ù¡B¤Î¡u´CÅ骺ªÀ·|¹ê½î¡v Finding a Future for Culture on Film/Video: Feature Films, Documentaries, and "the Social Practice of Media" |
¥²Åª¸ê®Æ Required Readings
Ginsburg, Faye¡A¡m´CÅé¥@¬É¡n¡qºü½×¡r¡C Ginsburg, Faye. "Introduction." In Media Worlds.
Ginsburg, Faye¡A¡q¿Ã¹õ°O¾Ð¡G«¥Ó¥»¤g´CÅ骺¶Ç²Î¡r¦¬¿ý©ó¡m´CÅé¥@¬É¡n¡C Ginsburg, Faye. "Screen Memories: Resignifying the Traditional in Indigenous Media." In Media Worlds.
Huhndorf, Shari¡A¡q¦Bì§Ö¶]¤H¡G¦L¯Ã¯S´CÅ骺¾ú¥v»P¬Fªv¡r¡A¦¬¿ý©ó¡m¬ü°ê¤HÃþ¾ÇªÌ¡n²Ä 105 ¥U¡A²Ä 4 ¸¹ (2003 ¦~)¡G822-826 ¶¡C Huhndorf, Shari. "Atanarjuat, The Fast Runner: Culture, History and Politics in Inuit Media." American Anthropologist. Vol. 105, no. 4 (2003): 822-826.
©ñ¬M¼v¤ù Screenings
¦A±´¨º§V§J¤ù¬q Selections from Nanook Revisited.
¥Î¤õÃĥͤõ¡AInuit Broadcasting Corporation ¥X«~¡C Starting Fire with Gunpowder. Inuit Broadcasting Corporation.
¦Bì§Ö¶]¤H¤ù¬q¡C Selections from Antanajuaruat ("The Fast Runner").
«ØÄ³¾\Ū¸ê®Æ Recommended Readings
MacDougall, David¡A¡m¸ó¤å¤Æªº¹q¼v¡n²Ä 13 ³¹¡q¸ó¤å¤Æªº¹q¼v¡r¡C MacDougall, David. "Transcultural Cinema." Chapter 13 in Transcultural Cinema.
Fischer, Michael M. J¡A¡q¤Ü¥@¬ö¥½§@¬°¤HºØ»x»P¤å¤Æµû½×ªº¹q¼v¡r¦¬¿ý©ó¡m¦s²§¨D¦P¡G¦h¤å¤Æ´CÅé»P±Ð¾Ç¹ê°È¡n¡AUrbana: University of Illinois Press, 1995. ISBN: 025206450X. Fischer, Michael M. J. "Film as Ethnography and Cultural Critique in the Late Twentieth Century." in Diane Carson and Lester Friedman, ed. Shared Differences: Multicultural Media and Practical Pedagogy. Urbana: University of Illinois Press, 1995. ISBN: 025206450X.
¦Bì§Ö¶]¤H»s¤ù©x¤èºô¯¸¡GIgloolik Isuma Productions Web site for Igloolik Isuma Productions. |
|
|
|
|
 |