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Required Texts

Barnouw, Eric¡A¡m¬ö¿ý¤ù¡G¼g¹ê¹q¼vªº¾ú¥v¡n¡ANew York: Oxford University Press, 1993. ISBN: 0195078985.
Barnouw, Eric. Documentary: A History of the Non-fiction Film. New York: Oxford University Press, 1993. ISBN: 0195078985.

Fatimah Tobing Rony¡A¡m²Ä¤T²´¡GºØ±Ú¡B¹q¼v»P¥Á±Ú©_Æ[¡n¡ADurham: Duke University Press, 1996. ISBN: 0822318407.
Fatimah Tobing Rony.
The Third Eye: Race, Cinema and Ethnographic Spectacle. Durham: Duke University Press, 1996. ISBN: 0822318407.

Ginsburg, Faye¡BAbu-Lughod, Lila »P Brian Larkin ¦X½s¡A¡m´CÅé¥@¬É¡G¤HÃþ¾Ç·s»â°ì¡n¡ABerkeley University of California Press, 2002. ISBN: 0520232313.
Ginsburg, Faye, Abu-Lughod, Lila and Brian Larkin eds. Media Worlds: Anthropology on New Terrain. Berkeley University of California Press, 2002. ISBN: 0520232313.

Grimshaw, Anna. ¡m¥Á±Ú»x¬ã¨sªÌ¤§²´¡G²{¥N¤HÃþ¾Ç«ç»ò¬Ý¡n¡ACambridge: Cambridge University Press, 2001. ISBN: 0521773105.
Grimshaw, Anna. The Ethnographer’s Eye: Ways of Seeing in Modern Anthropology. Cambridge: Cambridge University Press, 2001. ISBN: 0521773105.

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Recommended Text (books out of print)

MacDougall, David¡A¡m¸ó¤å¤Æªº¹q¼v¡n¡APrinceton: Princeton University Press, 1998. ISBN: 0691042342.
MacDougall, David. Transcultural Cinema. Princeton: Princeton University Press, 1998. ISBN: 0691042342.

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Readings by Class Session

¦p»Ý¤U¦C©ñ¬M¹q¼v¤§¸Ô²Ó¸ê°T¡A½Ð³sµ²¦Üºô»Úºô¸ô¹q¼v¸ê®Æ®w¡C
Many of the film screenings listed below are linked to more information provided by the Internet Movie Database.

½Ò ½Òµ{³æ¤¸ ¾\Ū¸ê®Æ
1 ²¤¶
Introduction
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Required Readings


Barnouw ²Ä 1 ³¹¡C
Barnouw. Chapter 1.

¡q¬Ý¨£¤HÃþ¾Ç¡r¡A¡mRony¡n ²Ä¤@³¹¡C
"Seeing Anthropology." Chapter 1 in Rony.

Grimshaw¡qºü½×¡r¡C
"Introduction." In Grimshaw.

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Screenings


¿c¦Ì­Cµu¤ù¡A1895¡C
Lumiere Shorts. 1895.

´M®Ú¡AMarlon Fuentes¾Éºt¡A¤ùªø 56 ¤ÀÄÁ¡ANew York: Cinema Guild ¥X«~¡A1995 ¦~¡C
Bontoc Eulogy. Directed by Marlon Fuentes. 56 min. New York: Cinema Guild, 1995.

«ØÄ³Æ[½à¼v¤ù
Recommended Viewing


Fusco, Coco ¤Î Guillermo Gomez-Pena ¤§Å¢¤¤¤Ò°ü.
Fusco, Coco, and Guillermo Gomez-Pena. Couple in a Cage.
2 ¦­´Á¹q¼v
Early Cinema
¥²Åª¸ê®Æ
Required Readings


¡mBarnouw¡n. ²Ä 2 ³¹¡C
Barnouw. Chapter 2.

¡m¹q¼v²´¡Gºû¦h¤Ò§@«~¶°¡n¿ïŪ¡AAnnette Michaelson ½s¿è¡A1984 ¦~¡AUniversity of Cal Press. pp. 5-21. ISBN: 0520047605.
Selections from Kino-Eye.The writings of Dziga Vertov. Edited by Annette Michaelson. 1984, University of Cal Press. pp. 5-21. ISBN: 0520047605.

Vaughan, Dai¡A¡q«ùÄá¼v¾÷ªº¤H¡r¡A¦¬¿ý©ó¡m¬ö¿ý¤ù¶Ç²Î¡n¡ALewis Jacobs ½s¿è¡ANew York: W.W. Norton, 1979. ISBN: 0393950425.
Vaughan, Dai. "The Man with the Movie Camera." In The Documentary Tradition. Edited by Lewis Jacobs. New York: W.W. Norton, 1979. ISBN: 0393950425.

¡mGrimshaw¡n. ²Ä 3 ³¹¡C
Grimshaw. Chapter 3.

¡mRony¡n. ²Ä 4 ³¹¡A¡q°Êª«¼Ð¥»­é»s³N»P®öº©ªº¥Á±Ú»x¾Ç¡G¦òµÜ¶P´£¤§¥_¤èªº¨º§V§J¡r¡C
"Taxidermy and Romantic Ethnography: Robert Flaherty's Nanook of the North." Chapter 4 in Rony.

Briggs, Jean¡A¡m¤£µo«ã¡G·R´µ°ò¼¯®a®x¹Ïø¡n²Ä 2 ³¹¡q®a®x¥Í¬¡¡Gªí¥Ü¿Ëªñ¡r¡ACambridge: Harvard University Press, 1970. ISBN: 0674608283.
Briggs, Jean. "Family Life: Expressions of Closeness." Chapter 2 in Never in Anger: Portrait of an Eskimo Family, Cambridge: Harvard University Press, 1970. ISBN: 0674608283.

¡qÀ˾\¦Û 1920 ¦~¥N¡u¥_¤èªº¨º§V§J¡vµo¦æ¥H¨Óªº¬ÛÃö¤å¥ó¡r¡A¡mµøÄ±¶Ç°T¬ã¨s¡n¡A²Ä 6 ¥U¡Ano. 2, 2-4: 61-76¡A(¦òµÜ¶P´£¯S¥Z)¡C
Look over press kit from 1920s marketing of "Nanook and the North." Studies in Visual Communication. Vol. 6, no. 2, 2-4: 61-76. (Special issue on Flaherty).

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Screenings

¥_¤èªº¨º§V§J¡A¦òµÜ¶P´£¾Éºt¡A¤ùªø69 ¤ÀÄÁ¡A1922 ¦~¡C
Nanook of the North. Directed by Robert Flaherty. 69 min. 1922.

«ùÄá¼v¾÷ªº¤H(¤ù¬q)¡Aºû¦h¤Ò¾Éºt¡A1928 ¦~¡C
Selections from The Man with a Movie Camera. Directed by Dziga Vertov. 1928.

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Recommended Readings

Vertov, Dziga¡A¡m¹q¼v²´¡n¤§¡qºü½×¡r¡C
Vertov, Dziga. Introduction to Kino-Eye.

Nelmes, Jill ½s¡A¡m¹q¼v¬ã¨s·§½×¡n²Ä 13 ³¹¡q1920 ¦~¥NªºÄ¬ºû®J»X¤Ó©_¹q¼v¡r¡A London and New York: Routledge, 1999. ISBN: 0415173108.
Nelmes, Jill, ed. "The Soviet Montage Cinema of the 1920s." Chapter 13 in An Introduction to Film Studies, London and New York: Routledge, 1999. ISBN: 0415173108.

«ØÄ³Æ[½à¼v¤ù
Recommended Viewing

¦A±´¨º§V§J¡A¤ùªø 60 ¤ÀÄÁ¡A1990¦~¡C
Nanook Revisited. 60 min. 1990.
3 ¬°¬ì¾Ç¤Î§ó°ª¥Øªº¤§¥Á±Ú»x¼v¤ù
Ethnographic Film as Science and Beyond

¥²Åª¸ê®Æ
Required Readings


¡mGrimshaw¡n ²Ä 5 ³¹©M²Ä 7 ³¹¡C
Grimshaw. Chapters 5 and 7.

Jacknis, Ira¡Bº¿®æÄR¯S¡D¦Ì¼w¡B®Û¸¯·ç¡D¨©¯S´Ë¦XµÛ¡A¡q¤Ú¨½®q¡GÄá¼v»P©³¤ùªº¥Îªk¡r¡A¦¬¿ý©ó¡m¤å¤Æ¤HÃþ¾Ç¡n¡A²Ä 160-177 ­¶¡C
Jacknis, Ira, and Margaret Mead, and Gregory Bateson. "Bali: Their Use of Photography and Film." In Cultural Anthropology. pp. 160-177.

º¿®æÄR¯S¡D¦Ì¼w¡A¡q¤å¦r³W½d¤Uªº¼vµø¤HÃþ¾Ç¡r¡A¦¬¿ý©ó¡m¼vµø¤HÃþ¾Ç·§½×¡n¡A Paul Hockings »PMouton de Gruyter ¦X½s¡A1995 ¦~¡AISBN: 3110142287.
Mead, Margaret. "Visual Anthropology in a Discipline of Words." In Principles of Visual Anthropology edited by Paul Hockings, Mouton de Gruyter, 1995. ISBN: 3110142287.

MacDougall, David¡A¡q¦b¹q¼vÆ[¹î¤§¥~¡r¡A¦¬¿ý©ó¡m¼vµø¤HÃþ¾Ç·§½×¡n¡A Paul Hockings »PMouton de Gruyter ¦X½s¡C
MacDougall, David. "Beyond Observational Cinema." In Hockings.

Connolly, Bob ¤Î Robin Anderson¡A¡m²Ä¤@¦¸±µÄ²¡n¿ïŪ¡ANew York: Viking, 1987 ¦~¡A²Ä1-18¡B235-305 ­¶¡AISBN: 0670801674.
Connolly, Bob, and Robin Anderson. Selections from First Contact. New York: Viking, 1987. pp. 1-18, and 235-305. ISBN: 0670801674.

Lutkehaus, Nancy¡A¡q¾Éºt Bob Connolly ±M³X¡r¡A¦¬¿ý©ó¡m¼vµø¤HÃþ¾Ç¦^ÅU¡n²Ä 10 ¥U¡A²Ä 2 ¸¹ (1994 ¦~)¡G²Ä 771-75 ­¶¡C
Lutkehaus, Nancy. "Interview with Filmmaker Bob Connolly." Visual Anthropology Review 10, no.2 (1994): 771-75.

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Screenings

Τ¨½®q¯«ÆF¤§»R(¤ù¬q)¡Aº¿®æÄR¯S¡D¦Ì¼w¡B®Û¸¯·ç¡D¨©¯S´Ë¾Éºt¡A¤ùªø 20 ¤ÀÄÁ¡A1951 ¦~¡C
Selections from Trance and Dance in Bali. Directed by Margaret Mead and Gregory Bateson. 20 mins. 1951.

MacDougall, David ¤Î Judith MacDougall¡A¨k¤H¾ð¤U¡A¤ùªø15 ¤ÀÄÁ¡A 1974 ¦~¡C
MacDougall, David, and Judith MacDougall. Under the Men's Tree. 15 min. 1974.

Connolly, Bob ¤Î Robin Anderson¡A. ³ìªº¾F©~¡A¤ùªø 90 ¤ÀÄÁ¡A1988 ¦~¡C
Connolly, Bob, and Robin Anderson. Joe Leahy's Neighbors. 90 min. 1988.

«ØÄ³¾\Ū¸ê®Æ
Recommended Readings

MacDougall, David¡A¡q¼vµø¤HÃþ¾Ç»Pª¾ªº¤è¦¡¡r¡A¦¬¿ý©ó¡m¸ó¤å¤Æªº¹q¼v¡n¡C
MacDougall, David. "Visual Anthropology and Ways of Knowing." In Transcultural Cinema.

«ØÄ³Æ[½à¼v¤ù
Recommended Viewing

Connolly, Bob ¤Î Robin Anderson¡A²Ä¤@¦¸±µÄ²¡A¤ùªø 54 ¤ÀÄÁ¡A 1982 ¦~¡C
Connolly, Bob, and Robin Anderson. First Contact. 54 min. 1982.

Connolly, Bob ¤Î Robin Anderson¡A¶Â¦âªº¦¬Ã¬¡A¤ùªø 90 ¤ÀÄÁ¡A1992 ¦~
Connolly, Bob, and Robin Anderson. Black Harvest. 90 mins. 1992.

4 ¬ö¹ê¹q¼v¡]ª½Ä¶¬°¡u¯u¹ê¹q¼v¡v¡^»P¹q¼v¤p»¡¡G©|¡D­J³\ (Jean Rouch) ªº¹q¼v
Cinema Verite and Cine-fiction: The Films of Jean Rouch

¥²Åª¸ê®Æ
Required Readings


¡mGrimshaw¡n. ²Ä 6 ³¹¡C
Grimshaw. Chapter 6.

«Où¡D¥v©ì°Ç¡A¡m·d¹q¼vªººq«ZðÝ¡G©|¡D­J³\ªº¥Á±Ú»x¡n¡A Chicago: University of Chicago Press, 1992 ¦~¡A²Ä 1-47¡B131-144 ­¶¡C ISBN: 0226775461.(͵ù¡G·¨¼wºÍĶ¡A³Á¥Ð¥Xª©ªÀ)
Stoller, Paul. Selections from The Cinematic Griot. Chicago: University of Chicago Press, 1992. pp. 1-47, and 131-144. ISBN: 0226775461.

Taylor, Lucien¡A¡q»P©|¡D­J³\¹ï½Í¡r¡A¦¬¿ý©ó¡m¼vµø¤HÃþ¾Ç¦^ÅU¡n²Ä7 ¥U¡A²Ä 1 ¸¹ (1991 ¦~¬K©u¸¹)¡G²Ä92-102 ­¶¡C
Taylor, Lucien. "A Conversation with Jean Rouch." Visual Anthropology Review. Vol. 7, no.1 (Spring 1991): 92-102.

©|¡D­J³\¡A¡qÄá¼v¾÷»P¤H¡r¡A¦¬¿ý©ó¡m¼vµø¤HÃþ¾Ç·§½×¡n¡APaul Hockings »PMouton de Gruyter ¦X½s¡C
Rouch, Jean. "The Camera and the Man." In Hockings.

———©|¡D­J³\¡A¡q«H¥õ¹ÏÄ˪º¯ª¥ý»PÅö¨g¥P®v¡r¡A¦¬¿ý©ó¡m¼vµø¤HÃþ¾Ç·§½×¡n¡A Paul Hockings »PMouton de Gruyter ¦X½s.
———. "Our Totemic Ancestors and Crazed Masters." In Hockings.

Uadike, Frank¡A¡q«D¬w»P¹q¼v¡r¡AºK¦Û¡m«D¬w»P¹q¼v¡n²Ä 1 ³¹¡A Nwachukwu Frank Ukadike. Berkeley: University of California Press, 1994 ¦~¡A²Ä48-58 ­¶¡A ISBN: 0520077482.
Uadike, Frank. "Africa and the Cinema." Excerpts from chapter 1 in Black African Cinema. Nwachukwu Frank Ukadike. Berkeley: University of California Press, 1994. pp. 48-58. ISBN: 0520077482.

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Screenings

©|¡D­J³\¡A«D¬wªê¡A¤ùªø 93 ¤ÀÄÁ¡A1971 ¦~¡C
Rouch, Jean. Jaguar. 93 min. 1971.

«ØÄ³¾\Ū¸ê®Æ
Recommended Readings

Adams, John¡A¡q©|¡D­J³\»P John Marshall ¤Î John Adams ½×­J³\§@«~¡r¡A¦¬¿ý©ó¡m¬ü°ê¤HÃþ¾ÇªÌ¡n¡A²Ä80 ¥U¡A²Ä 4 ¸¹ (1978 ¦~ 12 ¤ë)¡C
Adams, John. "Jean Rouch Talks about his films to John Marshall and John Adams." American Anthropologist. Vol. 80, no. 4 (Dec. 1978).

5 ¹q¼v¤p»¡»P¬ö¹ê¹q¼v¡G©|¡D­J³\(Äò)
Cine-fiction and Cinema Verite: The Films of Jean Rouch (cont.)

¥²Åª¸ê®Æ
Required Readings


S. Feld¡A¡mµøÄ±¶Ç°T¬ã¨s¡n½×¡u®L¤é¬ö¨Æ¡v±M¥Z¡A²Ä 11 ¥U¡A²Ä 1 ¸¹ (1985 ¦~¥V©u¸¹)¡G²Ä 4-35 ­¶¡C
S. Feld, et al. Studies Visual Communication. A special issue on "Chronicle of a Summer." Vol. 11, no. 1, (Winter 1985): 4-35.

Feld, Steve¡A¡q©|¡D­J³\ªº¹q¼v¥DÃD¡r¡A¦¬¿ý©ó¡m¼vµø¤HÃþ¾Ç¡n¡A²Ä 2 ¥U²Ä223-247 ­¶¡C
Feld, Steve. "Themes in the Cinema of Jean Rouch." In Visual Anthropology. Vol. 2. pp. 223-247.

Viera, John David¡A¡q¼v¹³©Ò¦³Åv¡r¡A¦¬¿ý©ó¡m¼v¹³­Û²z¡n¡C
Viera, John David. "Images as Property." In Image Ethics.

©ñ¬M¼v¤ù
Screenings

©|¡D­J³\»P¦ã®æ¼¯ªL¡A®L¤é¬ö¨Æ¤ùªø 90 ¤ÀÄÁ¡ACorinth Films ¥X«~¡A1961 ¦~¡C
Rouch,
Jean, and Edgar Morin. Chronicle of a Summer. 90 min. Corinth Films, 1961.

«ØÄ³Æ[½à¼v¤ù
Recommended Viewing

°ª¹F¡AÂ_¤F®ð¡C
Godard, Jean-Luc.
Breathless.

·¡¯B¡A¥|¦ÊÀ»¡C
Truffaut, Francois.
The Four Hundred Blows.

6 ¬ü°êªºª½±µ¹q¼v¡G¦b®aÆ[¹î
Direct Cinema in the US: Observing at Home
¥²Åª¸ê®Æ
Required Readings


¡mBarnouw¡n. ²Ä 5 ³¹²Ä231-262 ­¶¡C
Barnouw. Chapter 5, pp. 231-262.

Winston, Brian¡A¡q¬ö¿ý¤ùªº¬ì¾Ç»Ê¨è¡r¡A¦¬¿ý©ó¡m¬ö¿ý¤ù²z½×¡nMichael Renov ½s¡ANew York: Routledge, 1993 ¦~¡A²Ä37-57 ­¶¡A ISBN: 0415903823.
Winston, Brian. "The Documentary Film as Scientific Inscription." In Theorizing Documentary. Edited by Michael Renov. New York: Routledge, 1993. pp. 37-57. ISBN: 0415903823.

Atkins, Tomas¡A¡qÃh´µ°Òªº¬ü°ê¡r¡A¦¬¿ý©ó¡m¬ö¿ý¤ù¶Ç²Î¡n¡ALewis Jacobs ½s¡ANew York: W.W. Norton, 1979 ¦~¡A²Ä536-550 ­¶¡AISBN: 0393950425.
Atkins, Tomas. "Frederick Wiseman's America." In The Documentary Tradition. Edited by Lewis Jacobs. New York: W.W. Norton, 1979. pp. 536-550. ISBN: 0393950425.

Ãh´µ°Ò¡A¡q°ª¤¤¡r¡A¦¬¿ý©ó¡m¥¿¦b¹ê½îªº·s¬ö¿ý¤ù¡nAlan Rosenthal ½s¿è¡ABerkeley: University of California Press, 1971 ¦~¡A²Ä 66-75 ­¶¡AISBN: 052002248.
Wiseman, Frederick. "High School." In The New Documentary in Action. Edited by Alan Rosenthal. Berkeley: University of California Press, 1971. pp. 66-75. ISBN: 052002248.

Drew, Robert¡A¡q±y¹C©óºô¸ô¥@¬Éªº¿W¥ß«ä¦ÒªÌ¡r¡A¦¬¿ý©ó¡m¬ö¿ý¤ùªº·s¬D¾Ô¡n¡A Alan Rosenthal ½s¿è¡ABerkeley: University of California Press, 1988 ¦~¡A²Ä389-401 ­¶¡AISBN: 0520057244
Drew, Robert. "An Independent with the Networks." In New Challenges for Documentary. Edited by Alan Rosenthal. Berkeley: University of California Press, 1988. pp. 389-401. ISBN: 0520057244.

Leacock, Richard¡A¡q¤£¨ü±±¨îªº¹q¼v¡r¡A¦¬¿ý©ó¡m¹q¼v¤å¤Æ¡n¡A²Ä22/23 ¸¹¡G 23-25 ­¶¡C
Leacock, Richard. "For an Uncontrolled Cinema." Film Culture. No. 22/23: 23-25.

Anderson, Carolyn¡BThomas Benson¡A¡qª½±µ¹q¼v»Pª¾±¡¦P·Nªº°g«ä¡G´£´£¥d¥¢§Ç¬ö¨Æ¡r¡A¦¬¿ý©ó¡m¼v¹³­Û²z¡n¡A²Ä58-90 ­¶¡C
Anderson, Carolyn, and Thomas Benson. "Direct Cinema and the Myth of Informed Consent: The Case of Titicut Follies." In Image Ethics. pp. 58-90.

©ñ¬M¼v¤ù
Screenings

Á`²Îªì¿ï¡AD. A. Pennebaker¡BTerence McCartney-Filgate ¤Î Albert Maysles Áp¦X¾Éºt¡A¤ùªø 54 ¤ÀÄÁ¡A1960 ¦~¡C
Primary. Directed by Richard Leacock, D. A. Pennebaker, Terence McCartney-Filgate, and Albert Maysles. 54 min. 1960.

°ª¤¤¡AÃh´µ°Ò¾Éºt¡A¤ùªø75 ¤ÀÄÁ¡AZipporah Films ¥X«~¡A1968 ¦~¡C
High School. Directed by Frederick Wiseman. 75 mins. Zipporah Films, 1968.

«ØÄ³Æ[½à¼v¤ù
Recommended Viewing

¤£­n¦^ÀY¡AD. A. Pennbacker ¾Éºt¡A¤ùªø 95 ¤ÀÄÁ¡AKino Films ¥X«~¡A1966 ¦~¡C
Don't Look Back. Directed by D. A. Pennbacker. 95 mins. Kino Films, 1966.
7 ªÀ¸s»P½Ä¬ð¡G®Ö¤l§Þ³NÅG½×
Communities and Conflict: Debating Nuclear Technologies

«È®yÁ¿®v¡GChris Boebel (¾Éºt)
Guest Lecturer: Filmmaker Chris Boebel
¥²Åª¸ê®Æ
Required Readings

Stranahan, Susan¡A¡m¨F¤h»í®ü¯Çªe¡G§Æ±æ¤§ªe¡n²Ä¤»³¹¡q®Ö¤lµo®i¡r¡ABaltimore: Johns Hopkins University Press, 1993. ISBN: 0801851475
Stranahan, Susan. "Nuclear Development." Chapter 6 in Susquehanna: River of Dreams. Baltimore: Johns Hopkins University Press, 1993. ISBN: 0801851475.

Krikson, Kai¡A¡q¤T­ù®q¡G·s¿³°ÝÃD¡r¡A¦¬¿ý©ó¡m·s¿³°ÝÃD¡n¡ANew York: W.W. Norton & Co., 1994. ISBN: 0393035948.
Krikson, Kai. "Three Mile Island: A New Species of Trouble." In A New Species of Trouble, New York: W.W. Norton & Co., 1994. ISBN: 0393035948.

Gusterson, Hugh¡A¡m®Ö¤ß»ö¦¡¡n²Ä 5 ³¹¡q¨­Åé»P¾÷¾¹¡r¡A Berkeley: University of California Press, 1996. ISBN: 0520213734.
Gusterson, Hugh. "Bodies and Machines." Chapter 5 in Nuclear Rites. Berkeley: University of California Press, 1996. ISBN: 0520213734.

©ñ¬M¼v¤ù
Screenings

³òªý¡G¤T­ù®q¨Æ¥ó«áªº¥Í¬¡¡A Chris Boebel ©M Nick Poppy ¾Éºt¡A¤ùªø60 ¤ÀÄÁ¡A2004 ¦~¡C
Containment: Life After Three Mile Island. Directed by Chris Boebel and Nick Poppy. 60 min. 2004.
8 ©Ê§O»P©Ê¼x
Gender and Sexuality
¥²Åª¸ê®Æ
Required Readings

Hooks, Bell¡A¡q¦b²{¹ê¤¤¦^ÅU¿U¿Nªº¤Ú¾¤¡r¡A¦¬¿ý©ó¡m¹q¼v¤¤ªººØ±Ú¡B©Ê§O»P¶¥¯Å¡n¡A New York: Routledge, 1996. ISBN: 0415918235
Hooks, Bell. "Review of Paris is Burning in Reel to Real." In Race, Sex and Class at the Movies. New York: Routledge, 1996. ISBN: 0415918235.

Friedlander, Eva¡A¡q¦^ÅU¦L«×°sÀ]¡r¡A¦¬¿ý©ó¡m¼vµø¤HÃþ¾ÇªÀ¹q¤l³ø¡n¡A(1988 ¦~¬î©u¸¹)¡C
Friedlander, Eva. "Review of India Cabaret." Society for Visual Anthropology Newsletter (Fall 1988).

Valentine, David »P Riki Ann Wichins¡A¡q¿N¶Ë¹Ï¤Wªº¦Ê¤À¤§¤@¡G©Ê§O¡B¥Í´Þ¾¹¤Î¶ÆºCªº³±¶§¤H¡r¦¬¿ý©ó¡mªÀ·|¤å¥»¡n¡A²Ä15 ¥U¡A²Ä 3/4 ¸¹ (1997 ¦~)¡G²Ä 215-222 ­¶¡C
Valentine, David, and Riki Ann Wichins. "One Percent on the Burn Chart: Gender Genitals and Hermaphrodites with Attitude." Social Text. Vol. 15, no. 3/4 (1997): 215-222.

Appadurai, Arjun »P Carol Breckenridge¡A¡q±B«Ã¡B¾E²¾»Pª÷¿ú¡G»e©Ô¡D©`¨à¹q¼v¤¤ªºÂಾ¡r¡A¦¬¿ý©ó¡m¼vµø¤HÃþ¾Ç¡n¡A²Ä 4 ¥U¡A1991 ¦~¡A²Ä 95-102 ­¶¡C
Appadurai, Arjun, and Carol Breckenridge. "Marriage, Migration and Money: Mira Nair's Cinema of Displacement." In Visual Anthropology. Vol. 4, 1991. pp. 95-102.

Larkin, Brian¡A¡A¡q¦L«×¹q¼v©M©`¤Î§Q¨ÈÅʤH¡G´CÅé©M³Ð³y¥­¦æ²{¥N©Ê¡r¡A¥Z©ó¡m¥þ²y¤Æ¤HÃþ¾Ç¡n¡C¡A¡q¦L«×¹q¼v©M©`¤Î§Q¨ÈÅʤH¡G´CÅé©M³Ð³y¥­¦æ²{¥N©Ê¡r¡A¥Z©ó¡m«D¬w¡n¡A²Ä67 ¥U¡A²Ä 3 ¸¹ (1997 ¦~)¡C
Larkin, Brian. "Indian Films and Nigerian Lovers: Media and the Creation of Parallel Modernities." Africa. Vol. 67, no. 3 (1997).

Nanda, Serena¡A¡q«D¨k«D¤k¡r¿ïŪ¡A¦¬¿ý©ó¡m¦L«×¤j°k¤`¡n¡A Wadsworth, 1990. ISBN: 0534509037.
Nanda, Serena. Selections from "Neither Man Nor Woman." In The Hijras of India. Wadsworth, 1990. ISBN: 0534509037.

©ñ¬M¼v¤ù
Screenings

¦L«×°sÀ]¡A±K©Ô¡D©`¨à¾Éºt¡A¤ùªø57 ¤ÀÄÁ¡A1985 ¦~¡C
India Cabaret. Directed by Mira Nair. 57 mins. 1985.

¿U¿Nªº¤Ú¾¤¡AJennie Livingston ¾Éºt¡A¤ùªø 78 ¤ÀÄÁ¡A1990 ¦~¡C
Paris is Burning. Directed by Jennie Livingston. 78 mins. 1990.

«ØÄ³¾\Ū¸ê®Æ
Recommended Readings

Morris, Ros¡A¡q¥þÄݵêºc¡Gªíºt²z½×»P·s¤HÃþ¾Çªº©Ê»P©Ê§O¡r¡A¦¬¿ý©ó¡m¤HÃþ¾Ç´Á¥Z¦~«×¦^ÅU¡n(1995 ¦~)¡G567-445 ­¶¡C
Morris, Ros. "All Made Up: Performance Theory and the New Anthropology of Sex and Gender." Annual Review of Anthropology (1995): 567-445.
9 Æ[¹î¬ü°êªº¡u²§°ê­·±¡¡v
Observing the 'Exotic' in the U.S.
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Screenings

§Ö³t¡B«K©y¡B¥¢±±¡AErrol Morris ¾Éºt¡C
Fast, Cheap and Out of Control. Directed by Errol Morris.

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Recommended Viewing

¥¿¸qÃø¦ù¡AErrol Morris ¾Éºt¡A¤ùªø 115 ¤ÀÄÁ¡A1987 ¦~¡C
The Thin Blue Line. Directed by Errol Morris. 115 mins. 1987.
10 ­Ó¤H»P¬Fªv¡GÀô¹Ò¦æ°Ê¥D¸q®×¨Ò
The Personal and the Political: A Case of Environmental Activism
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Required Readings


Barnouw ²Ä 3 ³¹¤Î²Ä 5 ³¹¡q¹ª§j­Ò¾É¡r©M¡q´åÀ»¶¤¡r¡C
"Advocate," and "Guerilla." Chapters 3 and 5 in Barnouw.

Fabian, Johannes ¤Î Tshibumba Matulu¡A¡m°O¦í·í¤U¡n¿ïŪ¡AUniversity of California Press, 1996 (¿c»X¤Ú¨ä¤H¨äµe³X½Í¿ý). ISBN: 0520203763.
Fabian, Johannes, and Tshibumba Matulu. Selections from Remembering the Present. University of California Press, 1996 (Interview with painter and paintings of Lumumba). ISBN: 0520203763.

Citron, Michelle¡A¡q·Pª¾¬ö¿ý¤ù¡G¦Û¶Ç¹q¼v/¿ý¼v±a»P¡u³d¥ô­Û²z¡v¡r¡A¦¬¿ý©ó¡m¤k©Ê¥D¸q»P¬ö¿ý¤ù¡n¡ADiane Waldman »P Janet Walker ¦X½s¡AUniversity of Minnesota Press, 1999. ISBN: 0816630070.
Citron, Michelle. "Fleeing from Documentary: Autobiographical Film/Video and 'Ethics of Responsibility'." In Feminism and Documentary. Edited by Diane Waldman, and Janet Walker. University of Minnesota Press, 1999. ISBN: 0816630070.

Katz, John »P Judith Katz¡A¡q­Û²z»P¦Û¶Ç¹q¼v­Û²zªº»{ª¾¡r¡A¦¬¿ý©ó¡m¼v¹³­Û²z¡n¡ALarry Gross¡BJohn Katz »P Jay Ruby Áp¦X½s¿è¡AOxford: Oxford University Press, 1988. ISBN: 081663825X
Katz, John, and Judith Katz. "Ethics and the Perception of Ethics in Autobiographical Film." In Image Ethics. Edited by Larry Gross, John Katz, and Jay Ruby. Oxford: Oxford University Press, 1988. ISBN: 081663825X.

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Screenings

ÂŦâ¶ì½¦ªO¡AJudith Helfand »P Daniel Gold ¾Éºt¡A¤ùªø 96 ¤ÀÄÁ¡A2003¦~¡C
Blue Vinyl. Directed by Judith Helfand, and Daniel Gold. 96 min. 2003.

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Recommended Readings

Peck, Raoul¡A¿c»X¤Ú¡G¥ýª¾¤§¦º¡A¤ùªø 69 ¤ÀÄÁ¡A1992 ¦~¡C
Peck, Raoul. Lumumba: Death of a Prophet. 69 min. 1992.

°·±d¤kÄ_Ä_¡AJudith Helfand ¾Éºt¡A¤ùªø 57 ¤ÀÄÁ¡A2002 ¦~¡C
A Healthy Baby Girl. Directed by Judith Helfand. 57 min. 2002.
11 ´M§ä¹q¼v/¼v¹³¤å¤Æªº¥¼¨Ó¡G¼@±¡¤ù¡B¬ö¿ý¤ù¡B¤Î¡u´CÅ骺ªÀ·|¹ê½î¡v
Finding a Future for Culture on Film/Video: Feature Films, Documentaries, and "the Social Practice of Media"
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Required Readings


Ginsburg, Faye¡A¡m´CÅé¥@¬É¡n¡qºü½×¡r¡C
Ginsburg, Faye. "Introduction." In Media Worlds.

Ginsburg, Faye¡A¡q¿Ã¹õ°O¾Ð¡G­«¥Ó¥»¤g´CÅ骺¶Ç²Î¡r¦¬¿ý©ó¡m´CÅé¥@¬É¡n¡C
Ginsburg, Faye. "Screen Memories: Resignifying the Traditional in Indigenous Media." In Media Worlds.

Huhndorf, Shari¡A¡q¦B­ì§Ö¶]¤H¡G¦L¯Ã¯S´CÅ骺¾ú¥v»P¬Fªv¡r¡A¦¬¿ý©ó¡m¬ü°ê¤HÃþ¾ÇªÌ¡n²Ä 105 ¥U¡A²Ä 4 ¸¹ (2003 ¦~)¡G822-826 ­¶¡C
Huhndorf, Shari. "Atanarjuat, The Fast Runner: Culture, History and Politics in Inuit Media." American Anthropologist. Vol. 105, no. 4 (2003): 822-826.

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Screenings

¦A±´¨º§V§J¤ù¬q
Selections from Nanook Revisited.

¥Î¤õÃĥͤõ¡AInuit Broadcasting Corporation ¥X«~¡C
Starting Fire with Gunpowder. Inuit Broadcasting Corporation.

¦B­ì§Ö¶]¤H¤ù¬q¡C
Selections from Antanajuaruat ("The Fast Runner").

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Recommended Readings

MacDougall, David¡A¡m¸ó¤å¤Æªº¹q¼v¡n²Ä 13 ³¹¡q¸ó¤å¤Æªº¹q¼v¡r¡C
MacDougall, David. "Transcultural Cinema." Chapter 13 in Transcultural Cinema.

Fischer, Michael M. J¡A¡q¤Ü¥@¬ö¥½§@¬°¤HºØ»x»P¤å¤Æµû½×ªº¹q¼v¡r¦¬¿ý©ó¡m¦s²§¨D¦P¡G¦h¤å¤Æ´CÅé»P±Ð¾Ç¹ê°È¡n¡AUrbana: University of Illinois Press, 1995. ISBN: 025206450X.
Fischer, Michael M. J. "Film as Ethnography and Cultural Critique in the Late Twentieth Century." in Diane Carson and Lester Friedman, ed. Shared Differences: Multicultural Media and Practical Pedagogy. Urbana: University of Illinois Press, 1995. ISBN: 025206450X.

¦B­ì§Ö¶]¤H»s¤ù©x¤èºô¯¸¡GIgloolik Isuma Productions
Web site for Igloolik Isuma Productions.

 
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