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Agamben, Giorgio. "Security and Terror." Theory and Event 5, no. 4 (2002).
Agamben, Giorgio〈前言〉〈证人〉《奥斯维辛的遗迹：证人和档案》New York:Zone Books, 2002.
Agamben, Giorgio. Preface and "The Witness." In Remnants of Auschwitz: The Witness and the Archive. New York: Zone Books, 2002.
Azoulay, Ariella〈【盲目】姿态：广岛〉《死亡陈列室：当代民主中图像的力量》Ruvnik Danieli英译，Cambridge, MA: MIT Press, 2001.
Azoulay, Ariella. "The [Blind] Gesture: Hiroshima." In Death's Showcase: The Power of Image in Contemporary Democracy. Translated by Ruvnik Danieli. Cambridge, MA: MIT Press, 2001.
Barnet, Sylvan《关于文学的写作简短指南》第四版，New York: Harper Collins, 1992.
Barnet, Sylvan. A Short Guide to Writing About Literature. 4th ed. New York: Harper Collins, 1992.
Baudrillard, Jean《恐怖主义的精神》，London: Verso Books, 2002.
Baudrillard, Jean. The Spirit of Terrorism. London: Verso Books, 2002.
Brockmann, Stephen〈德国文学，零年：1945-53年的作家和政治〉
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Caruth, Cathy〈文学和记忆制定：Duras,，Resnais，广岛之恋〉《未认领的经历：创伤、叙事和历史》Baltimore: Johns Hopkins University Press, 1996
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Celan, Paul〈骨灰之沙〉〈数数扁桃〉〈Huhediblu〉〈复活节之烟〉〈风中的坟墓〉〈在空中〉〈死亡赋格曲〉和〈坟墓近处〉于John Felstiner着《Paul Celan：诗人、幸存者和犹太人》 New Haven and London: Yale University Press, 1997.
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Chomsky, Noam《9-11》 New York: Seven Stories Press, 2001.
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Colin, Amy〈创新和重复〉
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Halbwachs, Maurice. "Individual and Collective Memory" and "Space and the Collective Memory." In On Collective Memory. Edited, translated and with an introduction by Lewis A. Coser. Chicago: TUniversity of Chicago Press, 1992.
Hobsbawm, Eric〈完全战争的时代〉《极端的年代：1914-1991年世界历史》第一章。New York: Vintage Books, 1996.
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Huyssen, Andreas〈双塔记忆：9.11的后影像〉《灰房间》1期7卷(2002年春): 8-13.
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Kurgan, Laura〈在归零地四周〉《灰房间》1期7卷(2002年春): 96-101.
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Levi, Primo〈氩〉〈碳〉〈氢〉于《元素周期表》New York: Schocken Books, 1995.
Levi, Primo. "Argon," "Carbon," and "Hydrogen." In The Periodic Table. New York: Schocken Books, 1995.
Martin, Reinhold〈一个还是几个〉《灰房间》1期7卷(2002年春): 114-123.
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Monaco, James《如何理解电影：电影、传媒和多媒体世界：语言、历史、理论》第三版，New York: Oxford University Press, 2000.
Monaco, James. How to Read a Film: The World of Movies, Media, and Multimedia: Language, History, Theory. 3rd ed. New York: Oxford University Press, 2000.
Munroe, Alexandra〈肉体反抗：暗黒舞踏和困扰艺术〉《1945年后的日本艺术：响彻云霄的呐喊》第9章，New York: H.N. Abrams, 1994.
Munroe, Alexandra. "Revolt of the Flesh: Ankoku Butoh and Obsessional Art." Chap. 9 in Japanese Art After 1945: Scream Against the Sky. New York: H.N. Abrams, 1994.
栗原贞子〈重建〉〈我为广岛见证〉〈我曾见到广岛〉〈广岛，奥斯维辛集中营：我们定不忘记〉于Richard H. Minear翻译、介绍和注解《黑蛋：诗》Ann Arbor, Mich: Center for Japanese Studies, University of Michigan, 1994
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峠三吉〈还我父亲〉〈1905年8月6日〉〈急救之职〉〈遗失了…〉〈夜〉和〈视觉〉选自Richard H. Minear翻译和编辑《广岛：三个见证人》第三部分〈原爆之诗〉，由，Princeton, N.J.: Princeton University Press, 1990.
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Sarig, Roni〈后工业时代荒地〉和〈Einstürzende Neubauten〉
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正田筱枝《短歌选集》
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Treat, John Whittier〈自我否定之诗〉《描写归零地：日本文学和原子弹》Chicago: University of Chicago Press. 1995.
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Viala, Jean《土方巽的归来》〈前言及介绍〉
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Vonnegut, Kurt. Slaughterhouse Five or the Children's Crusade: A Duty Dance With Death. New York: Dell, 1991.
Yoneyama, Lisa〈无知幻象〉〈国家、和平和人文的比喻〉〈论政治和历史记忆〉（引言）和〈遗迹记忆〉（第1部分，第2章）《广岛遗迹：时间、空间和记忆辩证法（二十世纪日本，世界强权崛起，第10号）》Berkeley: University of California Press, 1999.
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