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周 |
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阅读／放映 |
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1 |
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概论：归零地是什么？
Overview: What is ground zero?
Halbwachs, Maurice〈个人和集体记忆〉
Halbwachs, Maurice. "Individual and Collective Memory."
Halbwachs, Maurice〈空间和集体记忆〉
Halbwachs, Maurice. "Space and the Collective Memory."
Huyssen, Andreas〈双塔记忆：9.11的后影像〉
Huyssen, Andreas. "Twin Memories: After-Images of 9/11."
Kurgan, Laura〈在归零地四周〉
Kurgan, Laura. "Around Ground Zero."
Hobsbawm, Eric〈全面战争的时代〉
Hobsbawm, Eric. "The Age of Total War."
Martin, Reinhold〈一个还是几个〉
Martin, Reinhold. "One or More." |
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2 |
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Vonnegut, Kurt《第五屠宰场》
Vonnegut, Kurt. Slaughterhouse Five.
Celan, Paul〈骨灰之沙〉〈数数扁桃〉〈Huhediblu〉〈复活节之烟〉〈风中的坟墓〉〈在空中〉〈死亡赋格曲〉和〈坟墓近处〉
Celan, Paul. "Sand from the Urns," "Count the Almonds," "Huhediblu," "Eastersmoke," "Well-Graves in the Wind," "In the Air," "Death Fugue," and "Nearness of Graves."
Colin, Amy〈创新和重复〉
Colin, Amy. "Innovation and Repetition." |
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3 |
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电影（课堂放映）：Rossellini, Roberto《德国零年》
Film (in-class screening): Rossellini, Roberto. Germany in Year Zero.
Brockmann, Stephen〈德国文学，零年：1945-53年的作家和政治〉
Brockmann, Stephen. "German Literature, Year Zero: Writers and Politics, 1945-53." |
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4 |
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Yoneyama, Lisa〈导读〉〈无知幻象〉〈国家、和平和人文的比喻〉〈论政治和历史记忆〉
Yoneyama, Lisa. "Introduction," "Phantasmatic Innocence," "Tropes of the Nation, Peace, and Humanity," and "On the Politics of Historical Memory."
照片（课堂浏览）：家永三郎（编辑）《广岛和长崎：照片中的原爆》
Photography (in-class viewing): Ienaga, Saburo, ed. Hiroshima and Nagasaki: The Atomic Bombings as Seen through Photography.
Azoulay, Ariella〈【盲目】姿态：广岛〉
Azoulay, Ariella. "The [Blind] Gesture: Hiroshima." |
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5 |
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峠三吉〈还我父亲〉〈1950年8月6日〉〈急救站〉〈遗失了…〉〈夜〉和〈视觉〉
Sankichi, Toge. "Give Me Back My Father," "August 6, 1950," "At a First Aid Post," "To Miss…," "The Night," and "The Vision."
Treat, John Whittier〈自我否定之诗〉
Treat, John Whittier. "Poetry against Itself." |
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6 |
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表演（课堂放映）土方巽，饭村隆彦、细江英公《中心点与原爆》
Performance (in-class screening): Hijikata, Tatsumi, Taka Iimura, and Eiko Hosoe. Navel and Atomic Bomb.
Munroe, Alexandra《肉体反抗：暗黒舞踏和困扰艺术》
Munroe, Alexandra. "Revolt of the Flesh: Ankoku Butoh and Obsessional Art."
Viala, Jean《土方巽的归来》前言及介绍
Viala, Jean. "The Return of Hijikata." Foreword and Introduction.
正田筱枝《短歌选集》
Shinoe, Shoda. Selected Tanka.
栗原贞子〈重建〉〈我为广岛见证〉〈我曾见到广岛〉〈广岛，奥斯维辛：我们定不忘却〉
Sadako, Kurihara. "Reconstruction," "I Bear Witness for Hiroshima," "I Saw Hiroshima," and "Hiroshima, Auschwitz: We Must Not Forget."
Yoneyama, Lisa〈驯服记忆景像〉
Yoneyama, Lisa. "Taming the Memoryscape."
Zolberg, Vera《博物馆作为争议性的记忆之地：Enola Gay事件》（编注：Enola Gay是飞往广岛投掷原子弹的飞机）
Zolberg, Vera. "Museums as Contested Sites of Remembrance: The Enola Gay Affair." |
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7 |
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电影（课堂放映）：Resnais, Alain《广岛之恋》
Film (in-class screening): Resnais, Alain. Hiroshima, Mon Amour.
Young, James《德国大屠杀的纪念问题—和我的问题》
Young, James. "Germany's Holocaust Memorial Problem--and Mine."
Caruth, Cathy《文学和记忆制定：Duras，Resnais，广岛之恋》
Caruth, Cathy. "Literature and the Enactment of Memory: Duras, Resnais, Hiroshima, Monamour." |
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8 |
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Levi, Primo〈氩〉〈碳〉〈氢〉
Levi, Primo. "Argon," "Carbon," and "Hydrogen."
Agamben, Giorgio 《奥斯维辛的遗迹：证人和档案》 之〈序言〉〈证人〉
Agamben, Giorgio. Preface to Remnants of Auschwitz: The Witness and the Archive, and "The Witness." |
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9 |
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Agamben, Giorgio《论安全和恐怖主义》
Agamben, Giorgio. "On Security and Terror."
Chomsky, Noam《9.11》
Chomsky, Noam. 9.11
表演（课堂欣赏）：Bounty Killer《战争的艺术》
Performance (in-class screening): Bounty Killer. The Art of War.
唱片（课堂播放）：Einstürzende Neubauten《摧毁建筑策略》
Recording (in-class play): Einstürzende Neubauten. Strategies against Architecture.
Sarig, Roni〈后工业时代荒地〉和〈Einstürzende Neubauten〉
Sarig, Roni. "The Postindustrial Wasteland" and "Einstürzende Neubauten." |
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10 |
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Baudrillard, Jean《恐怖主义精神》
Baudrillard, Jean. The Spirit of Terrorism. |
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11 |
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复习
Review |
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