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叙事来源:Lumiere和Melies The Roots of Narrative: Lumiere vs. Melies |
Melies的影片 Melies Films.
Lumiere兄弟,最早的影片 The Lumiere Brothers. First Films.
Maddin, Guy.《世界之心》 Maddin, Guy. The Heart of the World. |
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影像叙事与电影叙事 Video Narrative vs. Film Narrative |
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纪录片与叙事 Documentary vs. Narrative |
Kuchar, George.《影像日记》 Kuchar, George. VideoDiary. 1987.
Huyghe, Pierre.《百万个王国》.2001 Huyghe, Pierre. One Million Kingdoms. 2001.
——《第三次记忆》. 2000。 ———. The Third Memory. 2000.
Islam, Runa.访问陈列展览馆(List Gallery):《快动眼》 Islam, Runa. Visit to List Gallery: Rapid Eye Movement. |
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日记体叙事 Diaristic Narrative |
Rainer, Yvonne.《关于一个……女人的电影》。 Rainer, Yvonne. Film about a Woman Who…
Calle, Sophie和Greg Shephard,《昨夜没有做爱》,1992年。 Calle, Sophie, and Greg Shephard. No Sex Last Night. 1992.
Rist, Pippilotti.《她不是很会思念的女孩》。 Rist, Pippilotti. She's Not a Girl Who Misses Much.
Kim, Sung Kwan. 《A-DA-DA》。 Kim, Sung Kwan. A-DA-DA. |
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课堂陈述:作业#1、情景变化 Presentations: Assignment #1: Variations on a Scene |
Morin, Robert.《是的,先生夫人》 Morin, Robert. Yes Sir Madam. |
提交作业#1 Assignment #1 due |
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课堂摄制/灯光与重新布景 Production In-class / Lighting and Re-staging |
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梦境影像(梦境叙事) Oneiric Video (Dream Narrative)
课堂陈述:作业#1a:重新布景
Presentations: Assignment #1a: Re-staging |
Bunuel, Luis和Salvador Dali.《安德鲁之犬》,16分钟,1928。 Bunuel, Luis, and Salvador Dali. Un Chien Andalou. 16 mins. 1928.
Deren, Maya.《午后的迷惘》。 Deren, Maya. Meshes of the Afternoon.
Tarkovsky.《镜子》(节选)。 Tarkovsky. The Mirror. (Excerpt)
Friedrich, Sue.《轻轻地顺流而下》。 Friedrich, Sue. Gently down the Stream. |
提交作业#1a Assignment #1a due |
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最简叙事 Minimal Narrative
课堂陈述:作业#2:梦境片段作业初期剪辑 Presentations: Assignment #2: Dream Sequence Assignment Rough Cut |
Sokurov, A.《母亲与儿子》。 Sokurov, A. Mother and Son.
Fassbinder.《Petra Von Kant》。 Fassbinder. Petra Von Kant.
Stan Douglas / Jeff Wall / Gregory Crewdson |
提交作业#2 Assignment #2 due |
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规则之外 Beyond the Rules |
Sokurov, A.《母亲与儿子》。 Sokurov, A. Mother and Son. (Excerpt) |
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选择性剧本写作 Alternative Scriptwriting |
Ahwesh和Sanborn,《死人》。 Ahwesh, and Sanborn. The Dead Man.
Greaves, William.《共生心理分类学》(节选)。 Greaves, William. Symbiopsychotaxiplasm. (Excerpt) |
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编辑 Editing
课内拍摄:库列雪夫效果 In-class Production: The Kuleshov Effect
课堂陈述:作业#2a:重新编辑梦境片断 Presentations: Assignment #2a: Re-editing of Dream Sequence |
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提交作业#2a Assignment #2a due |
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舞台调度(课堂拍摄) Mise en Scene (Production In-class)
作业#3课堂陈述:生活片断的细节叙事(小说化的现实) Presentations of Assignment #3: Slice of Life Mini-Narrative (Fictionalizing Reality) |
Welles, Orson.《接触魔鬼》(节选)。 Welles, Orson. Touch of Evil. (Excerpt)
Sokurov, A.《母亲与儿子》。 Sokurov, A. Mother and Son.
Bresson, R.《扒手》。 Bresson, R. Pickpocket. |
提交作业#3 Assignment #3 due
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作业#4介绍:解构叙事 Introduction to Assignment #4: Deconstructing Narrative
课堂拍摄 In-class Production |
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个别辅导 Individual Meetings |
Gibbons, Joe.《从高雅艺术到凡夫俗子:天才(预告)和其他短片》 Gibbons, Joe. From High Art to Lowbrow: The Genius (Trailer) and Other Shorts. |
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个别辅导 Individual Meetings |
Joe Gibbons 作品选辑(selected works)
Douglas Gordon
Richard Foreman
Eija-Liisa Ahtila |
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作业#5介绍:期末专题 Introduction to Assignment #5: Final Project
叙事评论 Narrative Critique |
Child, Abby.《故意伤害罪》,1984。 Child, Abby. Mayhem. 1984.
Muller, Mathias.《家庭故事》。 Muller, Mathias. Home Stories.
Arnold, Martin.《在生活中虚耗的Andy Hardy》。 Arnold, Martin. Life Wastes Andy Hardy.
Tcherkassky, Peter.《外部空间》。 Tcherkassky, Peter. Outer Space. |
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课堂拍摄 In-class Production |
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课堂陈述:期末专题的粗剪,缀合和工作样片 Presentations: Rough Cuts and Assemblies, Dailies, for Final Project |
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画外音与音频录制 Voice-over Narration and Audio Recording
演示:FCP旁白录制及麦克使用技巧 Demo: FCP Voice-over, Miking Techniques
课堂陈述:作业#4:解构叙事练习 Presentations: Assignment #4: Deconstructing Narrative Exercise |
王家卫.《重庆森林》(节选)。 Kar-Wai, Wong. Chunking Express. (Excerpt)
McQueen, Steve.《发射》。 McQueen, Steve. LiftOff. |
提交作业#4 Assignment #4 due |
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课堂陈述 Presentations |
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叙事评论 Narrative Critique |
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形式游戏 The Game of Form
期末专题进展陈述 Presentations of Final Project Works-in-Progress |
Robbe-Grillet, A.《去年在马伦巴》。 Robbe-Grillet, A. Last Year at Marienbad. |
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旁白叙事 Voice-over Narration |
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课堂陈述:作业#5:期末专题陈述 Presentations: Assignment #5: Final Project Presentations |
期末专题放映 Final Project Screening |
提交作业#5 Assignment #5 due |