拍摄——学期间，每位同学以个人或者小组形式，在暗房或者电脑室工作；允许实地摄影，作品必须在下一个个人或者班级评论上展示；作品要在期中和期末评论前两周完成。

演讲——要求每一位学生就清单上列出的某一位艺术家或者摄影师进行10-15分钟的陈述。

个人评论——就学生的专题与指导老师预约会谈，深入地进行详细讨论，15分钟。

班级评论——专题将不断地在论坛上呈现。

期末班级评论——专题必须完成、装裱并展出。

演讲的主题和相关艺术家——Candida Höfer，Duane Michals，Andy Warhol，Alfredo Jarr，James Nachtwey，Cindy Sherman，John Gossage，Joel Sternfeld，Lewis Hine，Robert Frank，Richard Misrach，Michiko Kon，Simon Attie，August Sander，Dorothea Lange。

第一周
（注册日）
（课程第一天），课程规则、介绍设备等等。
学期作业：〈不同中的相同之处〉
地点：暗房

第二周：最后一周收取全额实验室报销费（100%）
Anne Cahill，尼康公司，技术代表
（来之前准备好关于设备使用的问题）
**可选地点木材工作坊
个人评论
Film and camera formats, built in light meter etc.
**可选地点金属工作坊
地点：暗房

第三周
# 1／2演讲，班级评论
数字影像概论工作坊，分3组
个人评论，按签定的时间表
Yvonne Rainer, 〈60年代一个角落之外〉
拍摄

最后一周收取部分实验室报销费（50%）
#3／4／5演讲
拍摄
工作坊1（Aaron Wittkamper和Aaron Malnarick）

第五周
班级评论
Paul Messier，客座演讲：彩色摄影与冲洗
个人评论
#6／7／8演讲

第六周
班级评论（期中前最后的班级评论，请在课前把作品钉在墙上）
拍摄与灯光工作坊，与Dan van Roekel

第七周
期中评论
拍摄

第八周
# 9／10／11演讲，班级评论
博物馆摄影：纽约大都会博物馆

Week 10
# 12／13／14演讲，班级评论
拍摄
当地艺术场馆介绍：Bill Arning馆长，麻省理工学院礼斯特中心
时间：待定（限制人数为20人）

第十一周
工作坊II（在这个日期或者其他，时间待定）

第十二周
拍摄
博物馆摄影：访问纽约，待定

第十三周
评论（最后班级评论！讲述所有重要问题！）
个人评论
拍摄

第十四周
拍摄

第十五周，课程的最后一周
期末评论

Production - Each student works on a self-initiated project or group project during this time in the darkroom or computer lab; field work is possible and must be presented in the following individual or class review; production is generally two weeks before midterm and final reviews.

Talk - Each student is required to give a 10-15 minute presentation on one artist/photographer listed.

Individual review - prearranged meeting to discuss student projects in further detail with Instructor; 15-minutes.

Class review - Projects are continuously presented in a critical forum.

Final class review - project must be completed and installed, exhibition situation

Talk Topics & Potential artists - Candida Höfer, Duane Michals, Andy Warhol, Alfredo Jarr, James Nachtwey, Cindy Sherman, John Gossage, Joel Sternfeld, Lewis Hine, Robert Frank, Richard Misrach, Michiko Kon, Simon Attie, August Sander, Dorothea Lange.

Week 1
(registration day)
(first day of classes), Course philosophy, introduction to the facilities etc.
Term assignment: "The same again differently"
darkroom orientation

Week 2: Last week to receive full reimbursement for lab fee (100%)
Anne Cahill, Nikon Inc., Technical Representative
(come prepared with questions regarding equipment use)
**OPTIONAL woodshop orientation
Individual reviews
Film and camera formats, built in light meter etc.
**OPTIONAL metalshop orientation
Darkroom orientation

Week 3
Talks # 1/2, class review
Introduction to Digital Imaging (Dan van Roekel) workshop in 3 groups,
individual reviews per sign-up schedule
Yvonne Rainer, "Out of a Corner of the Sixties".
Production

Week 4: Last week to receive partial reimbursement for lab fee (50%)
Talks #3/4/5
Production
Workshop I (Aaron Wittkamper and Aaron Malnarick)

Week 5
Class review
Paul Messier, Guest Lecturer on Color Photography and Processes
Individual reviews
Talks #6/7/8

Week 6
Class review (last class review before midterm! Please pin-up
prior to class)
Production & Lighting Workshop with Dan van Roekel

Week 7
Midterm Review
Production

Week 8
Talks # 9/10/11, class review
Photography in the Museum: Metropolitan Museum of Art, NYC

Week 10
Talks # 12/13/14, class review
Production
Introduction to local art venues: Bill Arning, Curator, MIT List Center
Time: TBA (limited to 20 students)

Week 11
Workshop II (on this or alternative date, time TBA)

Week 12
Production
Photography in the Museum: New York visit, TBA

Week 13
Critique (last class review! Address all important issues!)
Individual Reviews
Production

Week 14
Production

Week 15 Last week of classes
Final Reviews